Hosted by Zhejiang Sci-Tech University and Central China Normal University, Wuhan, China Co-sponsored by Chinese Department, Fudan University Center for English Literatures of Central China Normal University, Foreign Literature Studies (Journal) International Journal of Poetry and Poetics (Journal), and Foreign Language and Literature Research (Journal)
Carolee Schneemann (2007) by Emma Bee Bernstein; Hannah Weiner and and Kitella (1967) by Schneemann
In late January of 2016, I phoned Carolee Schneemann and we talked for an hour or so. I had invited her to share her memories and impressions of Hannah Weiner, part of an oral history I have been compiling. What follows is a selective transcript of her remarks, with some clarifications in parentheses and interpellations in brackets. When I learned that Schneemann had passed away last week, I went back to the recording. She was generous, spirited, and finally thankful that I was working to raise awareness about Hannah Weiner’s work. I gathered from the conversation that she felt a strong kinship with Weiner. Those who have studied Weiner’s career know that its continuities are sometimes overlooked and that she dearly sought to be understood, as much as her work was in some sense a process of understanding. I think Carolee understood it. After all, she was there. — Patrick Durgin, 3/11/19
As Jason Robards in a poet’s theater work by Brian Kim Stefans.
Recent interviews Runa Bandyopadhyay (West Bengal), Kitaab, March 8, 2019 Fredrik Hertzberg “The Shimmering of the Transitory: An Interview with Charles Bernstein” (2001) with an Introduction by Lauri Ramey,Journal of Foreign Languages and Cultures 2, no. 2 (December 2018): pdf
