Divya Victor’s new book Natural Subjects deconstructs the relationship between sentimental notions of authorial authenticity and normative models of citizenship in a way that will add some much needed bitters to your cocktail, at least if you can stomach it. The book is therefore, on a theoretical level, an absolutely refreshing and uniquely contrarian read. But on the level of the sonic and textual, it is also one of the most sumptuous, expressive, and musical books to come out of experimental poetry in recent years.
Last Wednesday night, the Poetry Project of St. Mark's Church, NY, presented a tribute to Stacy Doris. Lee Ann Brown and I presented the films from the Cake Part, by Lee Ann And Tony Torn and by Felix Bernstein. In honor of Stacy, I have added to her EPC page the fantastic feature she did on French poetry for an issue of boundary 2 I edited. And below, the two filsm
French poetry feature with Pierre Alferi, Olivier Cadiot, Katalin Molnár, Christophe Tarkos, EmmanuelHocquard, Christian Prigent, Stacy Doris and Ray Federman in boundary 2, Vol. 26, No. 1, 99 Poets/1999: An International Poetics Symposium(Spring, 1999), ed. Charles Bernstein: pdf
Note also Doris's first French anthology: The Violence of the White Page, ed. Stacy Doris, Philip Foss, Emmanuel Hocquard; Tyuonyi 9/10, 1991: pdf
Stacy Doris's new book, The Cake Part, is being released with a set of video adaptions, avaialble on Vimeo. Here's the part that Felix made, with Susan Bee and me. Read more about the book via the Poetry Foundation.