Interviews

Being in a body

Samantha Giles and Lauren Levin

Picture of a house under construction.
Photo by Julia Bloch.

Note: Lauren Levin and Samantha Giles live and work in a loosely affiliated social, political, and aesthetic scene in the Bay Area. Nether Giles or Levin has any academic affiliation, but both have continued to participate in the professionalization of poetry as curators, as publishers, and as people who write books. 

Note: Lauren Levin and Samantha Giles live and work in a loosely affiliated social, political, and aesthetic scene in the Bay Area. Nether Giles or Levin has any academic affiliation, but both have continued to participate in the professionalization of poetry as curators, as publishers, and as people who write books.

Sycorax, spirit, and 'Zong!'

An interview with M. NourbeSe Philip

Editorial note: This exchange between Jordan Scott and NourbeSe Philip, undertaken in 2016 and just now published in Jacket2, centers on the role of spirituality in Philip’s book Zong!, which Evie Shockley has said “enacts a critique, but also effects a catharsis or, more accurately, works through a problem that lies at the intersection of the emotions, the psyche, and the soul, if such a thing can be spoken of in the twenty-first century’s secular spaces.” 

Editorial note: This exchange between Jordan Scott and NourbeSe Philip, undertaken in 2016 and just now published in Jacket2, centers on the role of spirituality in Philip’s book Zong!, which Evie Shockley has said “enacts a critique, but also effects a catharsis or, more accurately, works through a problem that lies at the intersection of the emotions, the psyche, and the soul, if such a thing can be spoken of i

Inadequacy of skin and feather

Jaimie Gusman on 'Anyjar'

Note: Jaimie Gusman’s new collection Anyjar navigates the proliferating forms of body, memory, and self, through the lens of the Anyjar, which refers to a vessel that refuses any stable shape.

Condemnation, confrontation, remembrance

A conversation with Andrew Levy and Norman Fischer

Above: Norman Fischer (left) and Andrew Levy (right) at Unnameable Books in Brooklyn. Photo by Trace Peterson.

Note: I have long been interested in Andrew Levy’s poetry. He and I have corresponded, and in recent years have read and performed together in New York, so we are familiar with one another’s approaches. Fragmented, collaged, passionate, engaged, the trajectory of Andrew’s work over the nearly thirty years of his publishing seems particularly suited to poetry’s jagged and provisional responses to the present moment in which the apparently out-of-control social and political situation we had been in for some years veered way out of orbit since the presidential election of 2016. 

Note: I have long been interested in Andrew Levy’s poetry. He and I have corresponded, and in recent years have read and performed together in New York, so we are familiar with one another’s approaches.

A conversation between poet-grammarians

Excerpts

Photo of Serena Chopra (left) by Kasey Ferlic. Photo of Aditi Machado (right) by Siddarth Machado.

We speak, in this cointerview, of our books — Serena Chopra’s Ic (Horse Less Press, 2017) and Aditi Machado’s Some Beheadings (Nightboat Books, 2017) — of epiphany and performance, the sociopolitical import of the line break, of decapitation, autoeroticism, and the sensorium. In so speaking, we discover that we are both, and proudly, grammarians.
 

I mean the sign 
Is fucking full of it[1]

When two matters interact should I hope to keep my skin.[2]