Articles
Archive of detainee artwork | May 31, 2019 | |
Guantánamo Bay library catalog | May 31, 2019 | |
Letter from the Department of Defense | May 31, 2019 | |
Tilde Acuña |
Zine qua non Malversations |
Jun 20, 2019 |
Jennifer Aglio | Myung Mi Kim’s performance of language | Apr 12, 2013 |
Chris Alexander | Current status | Feb 05, 2016 |
Sandra Alland | Introduction | Oct 11, 2012 |
Sandra Alland |
Lady Lingual An introduction to Adeena Karasick |
Mar 29, 2013 |
Sam Amico |
Reminiscence On Tom Weatherly and Kenneth Bluford, 1972 |
Sep 06, 2019 |
Magda Andrews-Hoke |
What we lack in knowing we make up for in syntax An introduction to new recordings of Larry Price’s poetry |
Feb 12, 2024 |
Aaron Apps |
An affective response On canon, Kenneth Goldsmith, and reading |
Feb 05, 2016 |
Mesbah Alam Arghya | ‘Woodense’: A close twinning | May 21, 2012 |
Louis Armand | Poetry and the unpoetic | Sep 07, 2012 |
Bob Arnold |
The man who always was On Cid Corman |
Dec 24, 2012 |
John Ashbery |
Reminiscence On Tom Weatherly, October 2014 |
Sep 06, 2019 |
Miriam Atkin |
‘to be a boundless reflection’ On critical composition in Hejinian and Scalapino’s ‘Sight’ and ‘Hearing’ |
Dec 12, 2022 |
Phil Baber | Prosody and pain in ‘Scherzos Benjyosos’ | Jun 14, 2023 |
Jan Baetens | Perloff and/in France | Nov 08, 2012 |
Omar Baig | Notes on nonsense | Jan 09, 2020 |
Subhro Bandopadhyay | Fence consciousness | May 21, 2012 |
Angelica Maria Barraza |
(Un)Disciplining the ethnographer’s body The poetics of opacity in Renee Gladman's Ravicka series |
Jan 07, 2021 |
Polina Barskova |
Poetry after the Siege of Leningrad Montage, ekphrasis, allegory |
Aug 08, 2014 |
Kacper Bartczak | On Różewicz and contemporary Polish poetry | Nov 24, 2015 |
derek beaulieu | Poetic representations of the holocaust | Apr 29, 2012 |
Caleb Beckwith | Angelo Suárez’s ‘Philippine English’ and the language of Conceptual writing | Feb 05, 2016 |
Melanie Bell |
Speaking together against the fixed Lisa Robertson on poetry as citizenship |
Mar 29, 2013 |
Kyle Bella |
Queering racialized bodies Disidentity in the works of Akilah Oliver and Ronaldo Wilson |
Jul 01, 2013 |
Steve Benson |
What nothing is in here? The novel in a virtual absentia |
Oct 04, 2013 |
Levi Bentley | Belief in iterative growth, a breath work | Apr 13, 2018 |
Jeffrey Bergfalk | ‘yet another order / of the closeness we had found’ | Nov 18, 2014 |
Caroline Bergvall | Four wheels and a broken glass | Nov 08, 2012 |
Bill Berkson | Circa 1966 | Mar 01, 2013 |
Bill Berkson | Schuyler entries | Jun 30, 2012 |
Charles Bernstein |
Gertrude Stein taunts Hitler in 1934 and 1945 (Sieg heil, sieg heil, right in der Fuehrer's face.) |
May 09, 2012 |
Charles Bernstein | On Larry Eigner, ‘On My Eyes’ | May 02, 2011 |
Charles Bernstein | Ways of reading: Marjorie Perloff and the sublimity of pragmatic criticism | Nov 08, 2012 |
Anselm Berrigan |
Poetry as music A different way of thinking |
Mar 01, 2013 |
Robert Bertholf | On John Taggart’s ‘There Are Birds’ | Jun 18, 2014 |
Robert Bertholf | On Kenneth Irby’s ‘The Intent On: Collected Poems, 1962–2006’ | Nov 18, 2014 |
Gregory Betts | Not against expression | Mar 29, 2013 |
Julia Bloch |
Epic silence On Myung Mi Kim’s ‘Under Flag’ |
Apr 12, 2013 |
Kenneth Bluford | Essay with Tom Weatherly in it | Sep 06, 2019 |
Christian Bök | To ward off a diabolical poetry | Mar 23, 2017 |
Daniel Bouchard |
A little yod and a rocking enormity Reading ‘Drafts’ |
Dec 14, 2011 |
Kevin Bowen |
Reclaiming Corman Cid Corman's Dorchester past |
Dec 24, 2012 |
Peter Boyle |
José Kozer’s stylistics Religion, the surreal, and the neobaroque |
Jun 28, 2016 |
Steve Bradbury |
Have net, will travel The new face of Chinese poetry |
Apr 02, 2011 |
Sean Braune | Hannah Weiner and the limit experience of language | Jun 20, 2019 |
Susan Briante |
Defacing the monument Rukeyser's innovations in docupoetics |
Apr 21, 2014 |
Vincent Broqua |
Stephen Ratcliffe’s ‘[where late the sweet] BIRDS SANG’ Or, writing through Shakespeare's sonnets |
Oct 20, 2011 |
Olivier Brossard | Richard O. Moore’s poésie-vérité documentaries | Jan 23, 2020 |
Elizabeth-Jane Burnett |
‘Swims’ Body, ritual, and erasure |
Feb 05, 2016 |
Edward Burns |
A letter to the editor ‘The Nation,’ 1987 |
May 09, 2012 |
Edward Burns | Gertrude Stein: A complex itinerary, 1940–1944 | May 09, 2012 |
Edward Burns |
Gertrude Stein: September 1942–September 1944 From 'The Letters of Gertrude Stein and Thornton Wilder' |
May 09, 2012 |
Peter Burzyński |
Translitigation A Polish-ish poet on translating a Polish poet |
Aug 23, 2022 |
Louis Cabri |
Unanimism and the crowd Early modern social lyric |
Nov 09, 2011 |
Marty Cain |
'It Wasn't a Dream, It Was a Flood' Approaching realness in Frank Stanford |
Jul 15, 2015 |
Sarah Campbell |
'Reported ocean' One or more voices out loud |
Apr 12, 2013 |
Teresa Carmody | On small press publishing | Sep 25, 2013 |
J. R. Carpenter |
Wanderkammer A walk through texts |
Nov 01, 2011 |
Julie Carr | Nothing but passage, for Lyn Hejinian | May 13, 2024 |
Julie Carr |
The poet-scholar A list |
Jun 08, 2015 |
Julie Carr | Three future dances, or the dance feministic | Apr 13, 2018 |
Samantha Carrick |
'Maybe, it is only on Earth / that we lose the body?' Williams and the decaying body |
Apr 15, 2015 |
Natalia Cecire |
Sentimental spaces On Mei-mei Berssenbrugge's 'Nest' |
May 23, 2011 |
Joseph Ceravolo | Letter to David Shapiro, 6/29/65 | Mar 01, 2013 |
Margaret Christakos |
No, MY Ariel An engagement with Sina Queyras's 'My Ariel' |
Jan 16, 2019 |
Luis Fernando Chueca |
Political violence in ‘The War with Chile’ Translated by Judah Rubin |
Apr 07, 2022 |
Circumcontentive Poets |
Circumcontentive poetry An off-white paper |
May 21, 2012 |
Shaunnah Ysabel Cledera | 'Intimate' texts against the state as emergency | Jun 20, 2019 |
Tanya Clement | The Baroness in little magazine history | May 05, 2011 |
Georgina Colby | Forms of solidarity | Apr 13, 2018 |
Stephen Collis | On embedded poetry | Aug 07, 2015 |
Stephen Collis |
The call to be disobedient On Michael Nardone |
Oct 06, 2016 |
David A. Colón | Avant-Latino poetry | Jun 26, 2014 |
Cyrus Console | 'Study is the gate': A conversation about Ken Irby | Nov 18, 2014 |
James Cook |
'To find out for yourself' Maximus at Gloucester High School |
Dec 24, 2012 |
Matthew Cooperman |
'Surroundings answer questions' Experimental pastoralisms in O’Brien and Taggart |
Jun 18, 2014 |
William Corbett | A few words on James Schuyler | Jun 30, 2012 |
William Corbett | Larry Eigner, an advertisement | Dec 24, 2012 |
Joshua Corey |
Three pebbles Or, the minimal materialisms of late modernism |
Feb 18, 2019 |
Bonnie Costello |
The plural of us Uses and abuses of an ambiguous pronoun |
Jan 06, 2012 |
Randall Couch | On the art of Susan Stewart | Nov 29, 2012 |
Alejandro Crawford | Blunt Objects | Feb 05, 2016 |
Michael Cross | Stephen Ratcliffe's 'Hamlet' | Oct 20, 2011 |
Maria Damon |
Desiring visual texts A collage and embroidery dialogue |
Mar 25, 2013 |
Maria Damon | On Bob Kaufman, 'Does the Secret Mind Whisper?' | May 03, 2011 |
Maria Damon |
Poetry isolation and collective clumsiness An antonymic exploration |
Sep 25, 2013 |
Solveig Daugaard |
Stein's propagandistic potential A note on Gertrude Stein's 'La langue française' and 'Patrie' |
Jan 04, 2019 |
Alan Davies | I think I understand Emma Bee Bernstein | Dec 09, 2011 |
Alan Davies |
Never without On Diane Ward |
Apr 09, 2012 |
Raymond de Borja |
Lineated time Some thoughts on the line in poetry |
Sep 18, 2019 |
Thomas DePietro |
I to eye Self and society in the poetry of Lawrence Joseph |
Feb 09, 2012 |
Thomas Devaney |
Inverting the middle Turning points in 'Drafts' |
Dec 14, 2011 |
Anne Dewey |
Projecting Amy Lowell Olsonian poetics of the body in Rosmarie Waldrop's 'A Form / of Taking / It All' |
Dec 24, 2012 |
Georges Didi-Huberman |
Poetic uprisings Poetry, knowledge, imagination |
Oct 19, 2016 |
Gaby Divay |
The German Baroness Else Baroness von Freytag-Loringhoven's German poetry |
Jun 02, 2011 |
Joseph Donahue |
Approaching Taggart chapel Ritual, Rothko, and poetic form |
Jun 18, 2014 |
Thom Donovan |
A grave in exchange for the commons Fred Moten and the resistance of the object |
Apr 06, 2011 |
Thom Donovan | Somatic poetics | Oct 18, 2011 |
Sarah Dowling |
Reloading the canon On Lillian Allen and the history of dub |
Oct 06, 2016 |
Dave Drayton | monoconsonance | Jun 20, 2019 |
Johanna Drucker |
'From A to Z' Forty years later |
Aug 11, 2017 |
Johanna Drucker | 'Radical Artifice' | Nov 08, 2012 |
Heather Dubrow |
Two roads diverged? Bridging the roles of scholar and poet |
Jun 08, 2015 |
Robert Duncan | Robert Duncan's notes on Ron Silliman's 'Opening' | May 16, 2011 |
Jim Dunn |
The old brick city by the Atlantic John Wieners's Boston haunts |
Dec 24, 2012 |
Gregory Dunne |
All the meaning life provides Excerpts from Cid Corman’s notebooks |
Dec 01, 2023 |
Rachel Blau DuPlessis | On Frank O'Hara, 'Second Avenue' | May 02, 2011 |
Rachel Blau DuPlessis | Reading and hearing ‘Drafts’ | Jul 11, 2024 |
Rachel Blau DuPlessis |
Theorizing the alphabet On Steve McCaffery's 'Nichol's Graphic Cratylism' |
Oct 06, 2016 |
Patrick F. Durgin |
Disaster and revival On Cha, Goldsmith, Pendleton |
Feb 05, 2016 |
Patrick F. Durgin | New life writing | Feb 14, 2012 |
Craig Dworkin | A note on Conceptualism | Sep 25, 2013 |
Kristin Dykstra | Dispatch from Havana: Ricardo Alberto Perez | Oct 14, 2013 |
Kristin Dykstra | The sea doesn't have to be a wall | Dec 01, 2016 |
Jacob Edmond |
Everybody's a genius Conceptual writing and community |
Sep 25, 2013 |
Sarah Ehlers | Robert Duncan’s dream school | Jun 28, 2024 |
Maude Emerson | James Schuyler's 'Freely Espousing' | Jun 30, 2012 |
Lori Emerson |
Social media, for social justice On Erin Wunker's 'Technological Subjects' |
Oct 06, 2016 |
Andrew Epstein |
'Building a nest out of torn up letters' James Schuyler, trash, and the poetics of collage |
Jun 30, 2012 |
Logan Esdale | Barbara Will, unliking Stein, and scholarly malpractice | Jul 23, 2018 |
George Evans |
Bashō's Pheasant Cid Corman and Kyōto |
Dec 24, 2012 |
Kate Fagan |
Murdering alphabets, disorienting romance John Tranter and postmodern poetics |
Apr 04, 2011 |
Daniel Falb | A note on terrapoetics | Feb 05, 2016 |
Elena Fanailova | Lena and Lena | Jan 17, 2013 |
Cecily Fasham |
‘devising of depe renewall’ Caroline Bergvall’s transhistorical translation |
Jul 15, 2022 |
Curtis Faville |
Commentary on Larry Eigner's 'On My Eyes' A response to Charles Bernstein's 1960 symposium presentation |
May 03, 2011 |
Curtis Faville | The text as an image of itself | Dec 24, 2012 |
J. Gordon Faylor | Marjorie Perloff: A bibliographic essay | Nov 08, 2012 |
J. Gordon Faylor | On dakim's '34 Fragments' | Feb 05, 2016 |
John Felstiner | Maverick translation | Nov 21, 2014 |
Derek Fenner |
Gerrit Lansing: A personal reliquary Or, notes toward an essay |
Dec 24, 2012 |
Al Filreis | Flipped poetics and the resources (such as they are) of the academy | Sep 25, 2013 |
Al Filreis | Introduction to the poetry and poetics of 1960 | May 09, 2011 |
Al Filreis | Jerome Rothenberg: The real revolution is tragic | Dec 10, 2011 |
Al Filreis | Poetry in 1960, a symposium: Question and answer session | May 04, 2011 |
Al Filreis | Stanley Burnshaw comes to PennSound | Jun 28, 2011 |
Al Filreis | The unprepared future of an exophonic refugee | Nov 08, 2012 |
Thomas Fink | Reading Joe Ceravolo's 'Migratory Noon' with Ron Silliman | Mar 01, 2013 |
Norman Finkelstein |
Ground zero Baudelaire 'Into It' and the poetics of shock |
Feb 09, 2012 |
Norman Finkelstein | On Harvey Shapiro's 'A Momentary Glory' | Sep 02, 2014 |
Jessyka Finley |
'How I got ovah' Humor and discontent in women's poetry of the Black Arts Movement |
Sep 25, 2013 |
Norman Fischer | A note on the visual poetry of Whalen, Grenier, and Lazer | May 23, 2014 |
Norman Fischer | On 'Portraits & Repetition' | Oct 20, 2011 |
Jessica Fisher | The ongoing | May 14, 2024 |
Piotr Florczyk | On Różewicz and Wojciech Bonowicz | Nov 24, 2015 |
Darek Foks | Różewicz, close to reality | Nov 24, 2015 |
Stephen Fredman | 'The Poetics of Indeterminacy: Rimbaud to Cage' | Nov 08, 2012 |
Benjamin Friedlander | The walk to the Paradise Garden | Nov 18, 2014 |
Chris Funkhouser |
Being matter recorded Cecil Taylor on/poetry |
Feb 20, 2017 |
Chris Funkhouser | Bringing Harry Mathews to PennSound (and you) | May 05, 2011 |
Chris Funkhouser |
On Jackson Mac Low, 'Stanzas for Iris Lezak' Mac Low as a shadow beatnik |
Apr 27, 2011 |
Chris Funkhouser | Peter Lamborn Wilson: A PennSound archive | Dec 22, 2015 |
Derek Furr |
Total translation Navajo song and the story of US modernism |
May 02, 2017 |
Kristen Gallagher | Notes toward an anthropological process | Feb 05, 2016 |
Kristen Gallagher | On LeRoi Jones, 'Preface to A Twenty-Volume Suicide Note' | Apr 27, 2011 |
Rebecca Gaydos | Undecidable: a remembrance for Lyn | May 14, 2024 |
Angela Genusa | Manifest | Feb 05, 2016 |
John Geraets |
these are my eyes: Michele Leggott’s poetry With ‘A Vida Portugeusa,’ a new poem by Michele Leggott |
Mar 07, 2023 |
Susan Gevirtz | Outer Event | Apr 12, 2013 |
Sukanta Ghosh | The circumcontent of science and poetry | May 21, 2012 |
Steve Giasson | 'I'M A REAL ARTIST' | Feb 05, 2016 |
Jean-Marie Gleize | Democracy | Apr 10, 2014 |
Ariel Goldberg |
The view from performance A report from the Marin Headlands |
Oct 20, 2011 |
Alan Golding |
Drafts and fragments Rachel Blau DuPlessis's (counter-) Poundian project |
Dec 14, 2011 |
Judith Goldman | On Gwendolyn Brooks, 'The Bean Eaters' | Apr 29, 2011 |
Silvia Goldman |
The leftover letter is the missing one Roger Santiváñez’s ‘Symbol,’ translated by Judah Rubin |
Apr 07, 2022 |
Kenneth Goldsmith | On Brion Gysin, 'Minutes to Go' | Apr 28, 2011 |
Laura Goldstein |
Concept Constraint and construction, body as page |
Feb 05, 2016 |
Mark Goldstein |
Constant renewal Nicole Brossard at Kelly Writers House |
Mar 29, 2013 |
Laura Goldstein |
Mobilizing the POLI theprecession.org and languages of the Internet populace |
Jul 14, 2011 |
Benjamin Goluboff |
Heller's 'Dianoia' A briefing |
Aug 29, 2018 |
Rita Gonzalez | On 'Area Sneaks' | Feb 05, 2016 |
Hillary Gravendyk |
Uses of the useless Against the division of poetry and scholarship |
Jun 08, 2015 |
Robert Grenier | For Kenneth Irby / 'The Intent On' (January–May 2012) | Nov 18, 2014 |
Robert Grenier | On 'Selected Days' | Oct 20, 2011 |
David Grundy |
'never muted heart' Tom Weatherly's trespass |
Sep 06, 2019 |
Barbara Guest |
Typescript of two early poems by Barbara Guest 'Escape' and 'The Inhabitants' |
Jun 15, 2011 |
Alexis Pauline Gumbs |
Angel's Basic School d'bi.young anitafrika and black queer divinity |
Oct 06, 2016 |
Jacek Gutorow | Różewicz and the organic | Nov 24, 2015 |
Piotr Gwiazda |
'A naked singularity' James Merrill and identity politics |
Sep 25, 2013 |
Piotr Gwiazda | Grzegorz Wróblewski and Różewicz | Nov 24, 2015 |
Luke Harley |
Words that bleed music Postbop jazz in the poetry of Amiri Baraka and Nathaniel Mackey |
Jan 16, 2018 |
Joseph Harrington | Docupoetry and archive desire | Oct 27, 2011 |
Joseph Harrington |
Kansas and/or Oz The poetry of Kenneth Irby and Ronald Johnson |
Nov 18, 2014 |
Kaplan Harris | On Weiner, Acconci, Perreault, and Graham | Feb 05, 2016 |
Kaplan Harris |
The Small Press Traffic school of dissimulation New Narrative, New Sentence, New Left |
Apr 07, 2011 |
Stefania Heim |
Trespass and presumption Susan Howe and Muriel Rukeyser |
Sep 25, 2013 |
Lyn Hejinian | 'We might say poetry' | Nov 18, 2014 |
Michael Heller | from 'The Premises of Poetry' | Aug 29, 2018 |
Michael S. Hennessey | On Daisy Aldan, 'A New Folder' | Apr 28, 2011 |
Mary Hickman |
Defaced/refaced books The erasure practices of Jen Bervin and Mary Ruefle |
Sep 18, 2014 |
Laura Hinton |
Spatial motion On Leslie Scalapino's 'How Phenomena Appear to Unfold/the Hind' |
Dec 30, 2014 |
Jen/Eleana Hofer | Dear L. | May 14, 2024 |
Matthew Hofer | On evaluation, reflection, and revelation | Nov 18, 2014 |
Eric Hoffman |
Clarity and sincerity Disillusionment in George Oppen's postwar poetic |
Nov 08, 2012 |
Cynthia Hogue |
On being 'ill'-informed H.D.'s late modernist poetics (of) d'espère |
Jul 09, 2018 |
Cynthia Hogue |
‘The fact of her witness’ Kathleen Fraser and the poetics of empathic witness |
Jan 25, 2022 |
Susan Holbrook | M. NourbeSe Philip's unrecoverable subjects | Mar 29, 2013 |
Chris Holdaway |
A spring in one's death Or: a fountain of youth/doom in (Middle English) lyric |
Jun 20, 2019 |
Bruce Holsapple |
Voices of my desert An introduction to the Vox Audio collection at PennSound |
Jan 30, 2024 |
Akua Lezli Hope | Poem and reminiscence | Sep 06, 2019 |
Ray Hsu | Another day: Derksen v. America | Mar 29, 2013 |
Marco Antonio Huerta |
'Antígona González' On necrowritings and disappropriation |
Feb 05, 2016 |
Ken Irby | April 17, 1966 | Nov 18, 2014 |
Ken Irby | April 30, 1963 | Nov 18, 2014 |
Ken Irby | April 8, 1963 | Nov 18, 2014 |
Ken Irby | December 26, 1965 | Nov 18, 2014 |
Ken Irby | February 12, 1971 | Nov 18, 2014 |
Ken Irby | February 12, 1974 | Nov 18, 2014 |
Ken Irby | January 16, 1963 | Nov 18, 2014 |
Ken Irby | July 7, 1966 | Nov 18, 2014 |
Ken Irby | Kenneth Irby visits Carl O. Sauer and James C. Malin | Nov 18, 2014 |
Ken Irby | May 14, 1972 | Nov 18, 2014 |
Ken Irby | October 21, 1964 | Nov 18, 2014 |
Ken Irby | September 12, 1963 | Nov 18, 2014 |
Ken Irby | September 27, 1973 | Nov 18, 2014 |
Kenneth R. James |
Mirror and maze Editing the journals of Samuel R. Delany |
Feb 12, 2015 |
Laura Jaramillo | 'Desire' and time | Dec 17, 2014 |
Jerzy Jarniewicz | Reticence: On Różewicz | Nov 24, 2015 |
Paul Jaussen | Envoy: Postings on the digital life poem | Dec 14, 2011 |
Jeff T. Johnson |
'Trouble Songs' A musicological poetics |
May 18, 2015 |
Jeff T. Johnson |
Janky materiality Artifice and interface |
Sep 13, 2019 |
Eleanor Johnson | My life, my Lyn, and the power of undead mentors | May 13, 2024 |
Pierre Joris | Irby's very own North Atlantic turbine | Nov 18, 2014 |
Lawrence Joseph | Notions of poetry and narration | Feb 09, 2012 |
Elisabeth Joyce |
Time-lapse poemography Ron Silliman's poetry of accretion |
Jan 08, 2015 |
Adeena Karasick |
Exile and nomadicism Communi[]t[] manifesto |
Sep 25, 2013 |
Leon Katz | A response to 'Gertrude Stein's Translations of Speeches by Philippe Petain' | May 10, 2013 |
RE Katz |
Critical color theory On Angelica Dass and Divya Victor |
Feb 05, 2016 |
Vincent Katz | Poems from '6x6' vis-a-vis a poem by Joe Ceravolo | Mar 01, 2013 |
erica kaufman | On Barbara Guest, 'The Location of Things' | Apr 28, 2011 |
David Kaufmann | James Schuyler's specimen days | Jun 30, 2012 |
Anna Kałuża |
A world according to G.W. On Grzegorz Wróblewski |
Jan 09, 2012 |
Douglas Kearney | Repetition and revulsion | Feb 05, 2016 |
Eric Keenaghan | Openings: Some notes on the political in 'Drafts' | Dec 14, 2011 |
Lynn Keller | a.rawlings: Ecopoetic intersubjectivity | Jul 21, 2015 |
Lynn Keller |
‘A useful extreme’ Wendy Burk's representation of human-plant communication |
Jul 01, 2021 |
Kaie Kellough |
mantra of no return a dialogue with Lee Maracle's keynote address |
Oct 06, 2016 |
Jake Kennedy | Why is Jordan Scott? | Mar 29, 2013 |
Nathan Kernan |
Past = past Some notes on James Schuyler's 'Salute' |
Jun 30, 2012 |
Matt Kilbane | An indexical lyric | Dec 09, 2016 |
Burt Kimmelman | The blues, Tom Weatherly, and the American canon | Sep 06, 2019 |
Burt Kimmelman |
The dead and the living Hugh Seidman’s late poems |
Jan 31, 2020 |
M A King |
‘Bands Around the Throat,’ J. H. Prynne, racial capitalism Thoughts/directions |
Dec 01, 2021 |
Shiv Kotecha | Little-Richards | Feb 05, 2016 |
Tom Kozlowski |
Sited On Jenny Xie and the fate of the flâneur |
Nov 11, 2019 |
Dylan W. Krieger | Morettian 'abstract models' for poetry analysis | Sep 11, 2014 |
Petra Kuppers |
EcoSomatics archive Field notes from the 2020 EcoSomatics Symposium |
May 06, 2022 |
Sonnet L'Abbé | Proc[edur]ession, a cross | Mar 29, 2013 |
Ivan Emil Labayne | Letting the toilets come clean | Jun 20, 2019 |
Kimberly Lamm |
Readymade Baroness The gendered language of Dadaist dress |
Jun 02, 2011 |
Mark Lamoureux | What Gerrit gives us | Dec 24, 2012 |
Matthew Landis | 'Corpaphysics, Conceptualism, and dualism | Feb 05, 2016 |
Dorothea Lasky |
Breathing a fire of risk Kunitz and Guest in the KWH 1960 symposium |
May 04, 2011 |
Sophia Le Fraga | Imagine Brown | Feb 05, 2016 |
Sueyeun Juliette Lee | 한 :: Concept : Spirit : Break | Feb 05, 2016 |
Michael Leong |
Bad combinations Flarf, Amiri Baraka, paranoia, and cultural memory |
Jun 20, 2019 |
Ruth Lepson | 'Nor … ever some place else': Wieners in Boston | Dec 24, 2012 |
Rachelle Katz Lerner | Rexroth's 'The Dragon and the Unicorn' | Dec 24, 2012 |
Sandra Lim | Three looks | Dec 09, 2013 |
Ira Livingston |
Erotic particularity, metacognition, survival Of Samuel Delany |
Feb 12, 2015 |
Peter Longofono | [On Ken Irby] | Nov 18, 2014 |
Antonio López |
Ídolos among us The innovative aesthetics of contemporary US Latinx poets |
Feb 11, 2020 |
Denise Low |
Sensory type/topographies Ken Irby's atlas to the world |
Nov 18, 2014 |
John Lowney |
'Why not say what happens?' Modernism, traumatic memory, and Lawrence Joseph's 'Into It' |
Feb 09, 2012 |
Kimberly Lyons |
Closer to everything An appreciation of Joseph Ceravolo |
Mar 01, 2013 |
Marit MacArthur | The skinny on Schuyler's line | Jun 30, 2012 |
Aditi Machado | On Etel Adnan's 'The Arab Apocalypse' | Nov 30, 2016 |
Nathaniel Mackey | From 'From a Broken Bottle Traces of Perfume Still Emanate' | Dec 17, 2014 |
Robert Majzels |
The Xenotext Experiment and the gift of death 'Eunoia' patanoia patadox patadise |
Mar 29, 2013 |
Christodoulos Makris |
Monoculture beer no more Other poetries from Ireland |
Aug 21, 2014 |
Afrizal Malna |
Strolling around in language translated by Daniel Owen |
Jul 14, 2020 |
C. J. Martin |
How to mourn-touch The redactive prosodies of Rachel Blau DuPlessis |
Dec 14, 2011 |
C. J. Martin | On 'Penury' | Apr 12, 2013 |
C. J. Martin | On 'Pitch,' with special reference to 'Hard Copy' | Dec 14, 2011 |
Chris Martin | On 'Short History of the Saxophone' | Sep 06, 2019 |
Siwar Masannat | A constellation of transnational poetics | Jan 26, 2023 |
John Mateer |
'Invictus' and the negotiated revolution Or Clint Eastwood's idea of the lyric poem |
Jul 15, 2013 |
Brandy Nālani McDougall |
Christianity, civilization, colonialism, and other diseases The poetry of Haunani-Kay Trask |
Mar 29, 2011 |
Jerome McGann | On the unoriginal genius of Marjorie Perloff | Nov 08, 2012 |
rob mclennan | Some notes on Lisa Jarnot's 'Sea Lyrics' | Feb 27, 2013 |
Fiona McMahon | Michael Heller, 'The Chronicle Poet' | Aug 29, 2018 |
Calista McRae |
Blurring realms Michael Heller's New World |
Aug 29, 2018 |
Maciej Melecki | Keeping company: On Różewicz | Nov 24, 2015 |
Germán Labrador Méndez |
The language of the Kloaka Language, civil war, memory, and drugs in Roger Santiváñez’s ‘Symbol,’ translated by Judah Rubin |
Apr 07, 2022 |
Dandi Meng |
The confessing image Trisha Low’s screenshot poetics |
Oct 29, 2020 |
Sarah Micklem | A tribute to Samuel Delany | Feb 12, 2015 |
Peter Middleton | Close, very close | Nov 08, 2012 |
David Mikics | Days and nights with James Schuyler | Jun 30, 2012 |
Tyrus Miller |
Spectral rescue On Jeff Derkson and Louis Cabri |
Oct 06, 2016 |
Heather Milne |
Polyvocal affects Rachel Zolf's 'Janey’s Arcadia' in Winnipeg |
Oct 06, 2016 |
Albert Mobilio |
'Red Flash on a Black Field' What there is in it |
Dec 17, 2014 |
Lukas Moe | ‘El corno emplumado’ and poetry’s hemispheric sixties | Nov 05, 2021 |
Feliz Lucia Molina | Selections from 'The Beginning' | Feb 05, 2016 |
Jennifer Moore |
'Something that stutters sincerely' Contemporary poetry and the aesthetics of failure |
Feb 08, 2012 |
J. Peter Moore | Dissertation songs | Dec 17, 2014 |
Tracie Morris | A familial touchstone via 'Dhalgren' | Feb 12, 2015 |
Tracie Morris | Additional notes on Will Alexander's 'Compound Hibernation' | Apr 08, 2014 |
Jason Morris |
Crystal gazing Clark Coolidge's 'Crystal Text' |
Oct 03, 2012 |
Tracie Morris | Samuel R. Delany's worlds: An introduction | Feb 12, 2015 |
Dee Morris |
Sound bytes and computer blips Marjorie Perloff's electronic world |
Nov 08, 2012 |
Fred Moten | Amuse-bouche | Feb 12, 2015 |
Nick Moudry | Book history and the poetry reading | Feb 19, 2013 |
Erín Moure |
Monster on the 'L'oose On Ron Silliman's monsters |
Oct 06, 2016 |
Jennifer Moxley |
'Boiled Dinner' A tasteless comedy in one act |
Dec 09, 2013 |
Robert Mueller | The time-presence prescience of Eleni Sikelianos's Pindar | Apr 15, 2014 |
Nicolas Mugavero | A pale Usher | Feb 05, 2016 |
Aryanil Mukherjee | A poetics of informationalism | May 21, 2012 |
Efe Murad |
A word's autobiography Seyhan Erözçelik's 'KırAğı' and 'Rosebud' |
Mar 30, 2017 |
Chris Mustazza |
Provenance report William Carlos Williams's 1942 reading for the NCTE |
May 21, 2014 |
Michael Nardone | On settler conceptualism | Feb 05, 2016 |
Nhã Thuyên |
Open Mouth The revolt of trash in contemporary Vietnamese poetry |
Jun 20, 2019 |
Peter Nicholls | Marjorie Perloff's twenty-first-century modernism | Nov 08, 2012 |
Mel Nichols |
On Bill Berkson and Frank O'Hara, 'Hymns of St. Bridget' Deep fun |
May 02, 2011 |
Aldon Lynn Nielsen | From 'This Ain't No Disco' | Sep 06, 2019 |
Aldon Lynn Nielsen | The day the sixties became the seventies | Nov 18, 2014 |
Charles North | A few of Schuyler's revisions | Jun 30, 2012 |
Charles North | Note to 'Wild Provoke of the Endurance Sky' | Mar 01, 2013 |
Peter O'Leary | An imaginal homage to Joseph Donahue | Dec 17, 2014 |
Peter O'Leary |
The art of lyrical commentary Michael Heller's poetic achievement |
Aug 29, 2018 |
Peter O'Leary |
This poem is a song an act a work of love Taggart and repetition |
Jun 18, 2014 |
Kenna O'Rourke |
The gifts her ancestors gave The Women’s March and black erasure |
Apr 13, 2018 |
Maggie O'Sullivan | For Marjorie | Nov 08, 2012 |
Gabriel Ojeda-Sagué | On loss, loss writing, and our forms for living | Nov 09, 2022 |
Travis Ortiz |
Alligators, Hendrix, lightning storms, and the Mister-ssippi Tales of friendship and art from the road |
May 14, 2024 |
Gillian Osborne | Lyn in landscape | May 14, 2024 |
Jena Osman | A toast to Chip Delany | Feb 12, 2015 |
Jena Osman | Playing the world | Aug 31, 2012 |
Eugene Ostashevsky | Alexander Vvedensky's 'The Soldier Ay Bee See' | Aug 08, 2014 |
Geoffrey O'Brien | The art of the unanswerable question | Dec 17, 2014 |
Niamh O’Mahony | The munificence of Trevor Joyce | Feb 03, 2014 |
Niamh O’Mahony | Trevor Joyce: A bibliography | Feb 03, 2014 |
Ron Padgett | On 'Wild Flowers Out of Gas' | Mar 01, 2013 |
Clemente Padín |
The Language of Action Translated by Zane Koss |
May 14, 2021 |
Clemente Padín |
The New Poetry (1969) Translated by Zane Koss |
May 14, 2021 |
Clemente Padín | The New Poetry II (1970) | May 14, 2021 |
Václav Paris | 'Gertrude Stein's Translations of Speeches' by Philippe Petain | May 06, 2013 |
Josephine Park | Rexroth to Kerouac | May 03, 2011 |
Edward Pasewicz | Różewicz the playwright | Nov 24, 2015 |
Ted Pearson | Bruce Andrews: 'Debauching the Sine Wave' | Jan 23, 2014 |
Nico Peck | Into friendship and poetry with Kenneth Irby | Nov 18, 2014 |
Jenny Penberthy | The very variants: A few revisions to Lorine Niedecker's 'Collected Works' | Jun 24, 2013 |
Bob Perelman | 'Drafts' and the epic moment | Dec 14, 2011 |
Bob Perelman |
A Williams soundscript Listening to ‘The Sea-Elephant’ |
Mar 11, 2013 |
Bob Perelman | On Don Allen, 'The New American Poetry' | Apr 29, 2011 |
Craig Santos Perez |
Signs of being Chamoru poetry and the work of Cecilia C. T. Perez |
Apr 02, 2011 |
Marjorie Perloff | A short response to Alan Dershowitz | May 09, 2012 |
Marjorie Perloff | Joseph Donahue's 'bowls of memory' | Dec 17, 2014 |
Marjorie Perloff |
Towards a conceptual lyric From content to context |
Jul 28, 2011 |
Holly Pester |
Gossip as method The corruption of information hierarchies |
Feb 05, 2016 |
Jennifer Phelps | Mysticpoetics: Writing the alchemical self in Brenda Hillman's poetry | Sep 12, 2013 |
M. NourbeSe Philip |
Wor(l)ds interrupted The unhistory of the Kari Basin |
Sep 17, 2013 |
Julie Phillips Brown |
Otherbreath Bare life and the limits of self in Claudia Rankine's 'Citizen' |
Jun 20, 2019 |
JH Phrydas | Empathetics: A somatic approach | Feb 05, 2016 |
Carlos A. Pittella |
‘We’ the people Collective lyric self in twenty-first-century poetry |
Aug 17, 2022 |
Vanessa Place |
A fool for a lawyer or a client On Christian Bök |
Oct 06, 2016 |
Vanessa Place | Marjorie Perloff: Die Dichtung und das Ding (poetry and the thing) | Nov 08, 2012 |
Vanessa Place | Zombie poetry | Sep 25, 2013 |
Kevin M. F. Platt | Now poet: Dmitry Golynko and the new social epic | Aug 08, 2014 |
Marta Podgórnik | Growing up to Różewicz | Nov 24, 2015 |
Poetry & Science Panelists | Basics of definition | Mar 13, 2012 |
Alex Porco |
CTRL + F Jordan Abel's 'Injun' |
Oct 06, 2016 |
Patrick Pritchett |
'All serifs are seraphim' Midrash as the angel of history |
Dec 14, 2011 |
Patrick Pritchett |
'Giant Steps': John Taggart's sheets of sound and messianic jazz With special reference to Theodor Adorno |
Jun 18, 2014 |
Steve Prygoda | Beginzone: 'There's Ridgeway Lane forever' (the message) | Dec 24, 2012 |
Megan Pugh | Amiable love-arrows | May 13, 2024 |
Meredith Quartermain |
The Wah in water On a reading by Fred Wah |
Mar 29, 2013 |
Jean-Michel Rabaté | 'The Futurist Moment' | Nov 08, 2012 |
Samia Rahimtoola | Lyn Hejinian, landscape artist | May 14, 2024 |
Matthew Rana |
G R G W R G R B R B R B W G W G R B B B B Reflections on Bernadette Mayer’s ‘Studying Hunger Journals’ |
Jun 04, 2020 |
Swati Rana | There’s dance yet | May 14, 2024 |
Frank D. Rashid |
Shifting stories, codes of violence Two perspectives on Lawrence Joseph |
Feb 09, 2012 |
Stephen Ratcliffe | Reading 'sound' | Oct 20, 2011 |
Stephen Ratcliffe | Words as 'things' ('actions'/'events') | Oct 20, 2011 |
Jake Reber | Hysterically Real | Feb 05, 2016 |
Brian Reed | Becoming Marjorie Perloff | Nov 08, 2012 |
Brian Reed |
Stanisław Dróżdż From Conceptual poem to concept-shape |
Feb 05, 2016 |
Pam Rehm | John Taggart: From his own words | Jun 18, 2014 |
Joan Retallack | Alterity, Misogyny & the Agonistic Feminine | Feb 06, 2018 |
Joan Retallack |
Joan Retallack on Stein's war years From her introduction to 'Gertrude Stein: Selections' |
May 09, 2012 |
Joan Retallack | On 'The Poetics of Indeterminacy' | Nov 08, 2012 |
David Rich | Gerrit Lansing: Under the gazebo / evening | Dec 24, 2012 |
Eugene Richie |
Reminiscence On Thomas Elias Weatherly |
Sep 06, 2019 |
Libbie Rifkin |
'The force of an intervention' Rachel Blau DuPlessis's response to Oppen |
Dec 14, 2011 |
AM Ringwalt |
Sounding/listening through the fog On Kathryn Scanlan and Friederike Mayröcker |
Aug 17, 2020 |
Evelyn Hoard Roberts | Tom Weatherly in 'Dictionary of Literary Biography' | Sep 06, 2019 |
Margaret Ronda |
'Outside of knowledge' On the poet-scholar |
Jun 08, 2015 |
Margaret Ronda | Lyn, life | May 14, 2024 |
Janet Rosen | Tom Weatherly's memorial, November 2014 | Sep 06, 2019 |
Jerome Rothenberg | 1960: A first remembrance | May 03, 2011 |
Judah Rubin |
What war, huh? Subjection in/as dissolution in Roger Santiváñez’s poetics, a translator’s note |
Apr 07, 2022 |
Raphael Rubinstein |
Varieties of silence, and near silence (Jabès, Eluard, Celan, Kundera) |
Jul 22, 2020 |
Jenny Sampirisi |
Sound body, sound text On a.rawlings and Maja Jantar |
Mar 29, 2013 |
Kaia Sand |
Pacific poets imagine the future David Buuck's pre-enactments, Craig Santos Perez's truncun nunu, and Jen Coleman's vivifying prophesies |
Apr 04, 2011 |
James Sanders |
Antindex Extreme fact |
Jun 20, 2019 |
Stephanie Sandler | Arkadii Dragomoshchenko: Poet and photographer | Aug 08, 2014 |
Claudio Sansone |
The poetics of the ostrakon N. H. Pritchard’s ‘Mundus’ at the Whitney Museum |
Mar 09, 2023 |
Aram Saroyan | On Tom Weatherly, February 2017 | Sep 06, 2019 |
Steve Savage | Addendum to her howlings | Mar 29, 2013 |
Jennifer Scappettone |
Against the preemptive present Some things I learned about time, space, and school from Lyn Hejinian |
May 13, 2024 |
Jennifer Scappettone |
I 0we v. I/O Poetics of veil-piercing on a corporate planet |
Dec 14, 2016 |
Jennifer Scappettone |
Introducing PennSound Italiana Curated by Jennifer Scappettone |
Jun 13, 2015 |
Jennifer Scappettone |
The thick and the slow of knowledge On the poet-scholar |
Jun 08, 2015 |
Andrew Schelling | On Kenneth Irby and 'Catalpa' | Nov 18, 2014 |
Lauri Scheyer (Ramey) | The technological poetics of Thomas Weatherly | Dec 04, 2019 |
Eric Schmaltz |
At the surface and medium-depth Theorizing a haptic poetic |
Jun 20, 2019 |
Kathy Lou Schultz | The Chicago School, Imagism, and early poetry of Melvin Tolson | Sep 25, 2013 |
Joshua Schuster |
The making of 'Tender Buttons' Gertrude Stein's subjects, objects, and the illegible |
Apr 21, 2011 |
Leonard Schwartz | Mythography in 'Before Creation' | Dec 17, 2014 |
Mark Scroggins | Taggart: Sound and vision | Jun 18, 2014 |
Eric Selinger |
Several kinds of chronicler, he's been The books and selves of Lawrence Joseph |
Feb 09, 2012 |
Michele Seminara |
Truth in the cage The poetry of Mohammad Ali Maleki |
Jun 20, 2019 |
Marcin Sendecki | Matching Różewicz | Nov 24, 2015 |
Martin Glaz Serup |
Captions without images On Robert Fitterman's 'Holocaust Museum' |
Jan 26, 2015 |
Lytle Shaw | Lyn Hejinian (1941–2024): An obituary by Lytle Shaw | Feb 29, 2024 |
Lytle Shaw | My life in 1994 | May 13, 2024 |
Bela Shayevich | Vsevolod Nekrasov: Nothing on the page | Aug 15, 2013 |
Ryan Sheldon |
Nice Dream? Heriberto Yépez: Allegory and radical mimesis |
Feb 05, 2016 |
Robert Sheppard |
Poetics and the manifesto On Pierre Joris and Adrian Clarke |
Aug 25, 2014 |
Frank Sherlock | On Chip Delany | Feb 12, 2015 |
Evie Shockley | Is 'Zong!' conceptual poetry? Yes, it isn’t. | Sep 17, 2013 |
Evie Shockley | On the question of Joe | Dec 17, 2014 |
Jess Shollenberger |
‘An escape from daily pronouns’ S. Brook Corfman’s journal poems and the domestic life of queer gender |
Jul 18, 2022 |
Naomi Shulman |
At the critical/poetic boundary Rachel Blau DuPlessis's arguments with Adorno |
Dec 14, 2011 |
Richard Sieburth |
The contemporary of our grandchildren A view from the eighties |
Nov 08, 2012 |
Kate Siklosi |
Handle with care A study in (poetic) fragility |
Jun 20, 2019 |
Ron Silliman |
On Robert Duncan, 'The Opening of the Field' Reopening |
Apr 29, 2011 |
Ron Silliman |
Un-scene, ur-new The history of the longpoem and 'The Collage Poems of Drafts' |
Dec 14, 2011 |
Krzysztof Siwczyk | Singular Różewicz | Nov 24, 2015 |
Emily Skillings | Uptick | Dec 09, 2013 |
Maria Sledmere |
Gelatin poetics On Rachael Allen’s ‘Kingdomland’ and the meatspace of contemporary feminist lyric |
Jan 22, 2020 |
Dale Smith | Kenneth Irby's homecoming | Nov 18, 2014 |
T'ai Smith | Ready-made shirts, ready-made readings | Feb 05, 2016 |
Dale Smith |
Rhetoric of the everyday Lorine Niedecker's 'Lake Superior' |
Jun 22, 2015 |
Andrew J. Smyth |
Anne Tardos in high definition Polylingualism and extremity in 'Uxudo' |
Jun 20, 2019 |
Danny Snelson | On John Cage, 'Cartridge Music' | Apr 28, 2011 |
Mark So | Farms | Dec 09, 2013 |
Juliana Spahr | The time of the poet-scholar | Jun 08, 2015 |
Kaegan Sparks |
In moveme/braces Erica Baum's 'Dog Ear' |
Apr 12, 2011 |
Jared Spears |
The severity and sympathy of Ezra Pound A newly translated 1928 letter to René Taupin |
Jun 25, 2015 |
Claire Marie Stancek | A cake for Lyn | May 13, 2024 |
Brian Kim Stefans | A poetics of virtuosity | Nov 25, 2014 |
Lisa Steinman |
'Telling the time' Narrative and lyric in the poetry of Lawrence Joseph |
Feb 09, 2012 |
Lisa Steinman |
Ordinary capaciousness Looking forward to 1960 |
Jun 24, 2011 |
Renate Stendhal | Why the witch-hunt against Gertrude Stein? | May 15, 2013 |
M. G. Stephens |
Obituary Tom Weatherly |
Sep 06, 2019 |
Paul Stephens | The transrealism of Norman Pritchard | Jun 20, 2019 |
M. G. Stephens | These poems are loaded | Sep 06, 2019 |
Seth Stewart |
'The most beautiful and truest' Collecting the letters of John Wieners |
Dec 24, 2012 |
Christine Stewart | Responding to Fred Wah | Mar 29, 2013 |
Sarah Stone |
The Plain Edition Gertrude Stein and modernist book history |
Sep 25, 2013 |
Nick Sturm |
‘I make these collages and write’ Alice Notley's visual art |
Dec 22, 2020 |
Angelo V. Suárez | Appropriative resistance | Feb 05, 2016 |
Angelo V. Suárez |
Art serves the masses by abolishing itself Philippine poetry and institutional critique in a time of protracted people's war |
Jun 20, 2019 |
Angelo V. Suárez |
Philippine literary production under fascism Introduction to the Philippines dossier |
Jun 20, 2019 |
Dawn Akemi Sueoka | Hidden harmonies in John Cage's 'Empty Words' | Aug 29, 2012 |
Mecca Jamilah Sullivan | 'Unsayable secrets' of diaspora's bodily history | Sep 17, 2013 |
James D. Sullivan |
Book-length broadside Bob Grenier's 'CAMBRIDGE M'ASS' |
Mar 20, 2013 |
Richard Swigg |
The test of belief Or, why George Oppen quarrelled with Denise Levertov |
Oct 25, 2012 |
John Taggart | On singing and thinking | Jun 18, 2014 |
Marylyn Tan |
Leav Rupi alone eXXXtreme #instapoetry |
Jun 20, 2019 |
Harriet Tarlo |
'The page is slowly turning black' Rachel Blau DuPlessis's 'Torques: Drafts 58–76' |
Dec 14, 2011 |
Catherine Taylor | Take your time: The ethics of the event in 'Drafts' | Dec 14, 2011 |
Sharon Thesen | Response to Nicole Brossard | Mar 29, 2013 |
Orchid Tierney |
Imagining assemblage as maintenance Rachel Blau DuPlessis and the 'Graphic Novella' |
Jun 20, 2019 |
Madeline Tiger | Reactions to Basil King's work | Jul 03, 2014 |
Yeshua G. B. Tolle |
FREE BLACK TERRITORY On Dingane Joe Goncalves |
Jun 20, 2019 |
Charles Tomlinson | Beginnings, 1963 | May 19, 2014 |
Charles Tomlinson | Catching up, 1968–70 | May 19, 2014 |
Charles Tomlinson | Relocation, 1966–67 | May 19, 2014 |
Charles Tomlinson | Retrospection, 1972–81 | May 19, 2014 |
Charles Tomlinson | Texts and travels, 1964–65 | May 19, 2014 |
Naomi Toth | Echo's echoes, or what to do with Vanessa Place | May 01, 2018 |
Chris Tysh |
Ghost tracks Reading the signs in 'Pitch: Drafts 77–95' |
Dec 14, 2011 |
Jean Uhm |
'Languaging' the third space Language as activity in the prosody of Myung Mi Kim |
Apr 12, 2013 |
Brian Unger | Norman Fischer: A 'test case for being' | Jul 14, 2011 |
Lee Upton |
Embedded chronicles Lawrence Joseph's poetry of urgency |
Feb 09, 2012 |
Peter Valente |
Funeral rites On Nanni Balestrini's 'Blackout' |
Dec 12, 2019 |
Kasia van Schaik |
On being prone Violence and vulnerability in Bhanu Kapil's 'Ban en Banlieue' |
Jun 20, 2019 |
Matias Viegener | The assassination of Kathy Acker | Jun 20, 2019 |
John Emil Vincent | Personae, wonder, vetch: 'Crowd Conditions' | Dec 09, 2013 |
Anna Vitale | The blackness of Holly Melgard's 'Black Friday' | Feb 05, 2016 |
Chris Vitiello | How to answer questions | Dec 17, 2014 |
Marci Vogel | Andrée Chedid and the alchemy of poetry | Jul 21, 2015 |
Marci Vogel | Andrée Chedid and the contradictions of translation | Aug 18, 2014 |
Catherine Wagner |
Messing with the beholder Claudia Rankine's 'Citizen' and embedded Conceptualism |
Feb 05, 2016 |
Fred Wah | On Ed Dorn, 'The Newly Fallen' | May 03, 2011 |
Fred Wah | Reading M. NourbeSe Philip's 'Zong!' | Mar 29, 2013 |
Noah Warren | Syntax | May 14, 2024 |
Rosanne Wasserman |
Weatherly's words A tribute to Tom Weatherly |
Sep 06, 2019 |
Carol Watts |
Only, document Stephen Ratcliffe's 'REAL' |
Oct 20, 2011 |
Kyle Waugh |
'Arise and unbuild it again' Homing in on Irbyland |
Nov 18, 2014 |
Kyle Waugh | Acknowledgements | Nov 18, 2014 |
Kyle Waugh | Kenneth Lee Irby: A chronology | Nov 18, 2014 |
Tom Weatherly | 'Thumbprint' | Sep 06, 2019 |
Tom Weatherly |
Black oral poetry in America An open letter |
Sep 06, 2019 |
Tom Weatherly | Email to Jerome Rothenberg | Sep 06, 2019 |
Tom Weatherly | Emails to Lauri Scheyer (Ramey), 2005–2014 | Dec 04, 2019 |
Hannah Weiner | 'The Book of Revelations': The diplomatic transcript | Mar 25, 2011 |
Scott Weintraub | Finding (the other) Juan Luis Martínez | Apr 20, 2015 |
Marjorie Welish |
That Taggart 'Grey Scale/Zukofsky' |
Jun 18, 2014 |
Jared Wells | On Craig Dworkin and Jarrod Fowler's 'Rhythmic Fact' | Jun 20, 2019 |
Marta L. Werner | Acknowledgments | Mar 22, 2011 |
Marta L. Werner |
Appendices to this edition Spellings, neologisms, part-words, proper names, and literary allusions |
Mar 29, 2011 |
Marta L. Werner |
Notes on this edition 'The Book Of Revelations' |
Mar 31, 2011 |
Marta L. Werner |
The landscape of Hannah Weiner's late work 'The Book of Revelations' |
Apr 05, 2011 |
Christine Wertheim |
'we're decoys, baby!' A CUnT-UP in torn parts |
Jun 20, 2019 |
Adam Wiedemann | Różewicz and purity | Nov 24, 2015 |
John Wieners | The dark grammarian | Dec 24, 2012 |
Tyrone Williams |
Before the laws The secular, sacred, and aesthetic cases of Lawrence Joseph |
Feb 09, 2012 |
Rachael M. Wilson | Clark Coolidge's cave art | Oct 30, 2015 |
Trevor Winkfield | Star-crossed | Dec 09, 2013 |
Emily Wojcik |
'Their own privately subsidized firm' Bryher, H.D., and 'curating' modernism |
Sep 28, 2011 |
R. D. Wood | From Oceania with love | Sep 08, 2016 |
David Wyatt | On Gary Snyder, 'Myths & Texts' | May 04, 2011 |
John Yau | Excerpts from 'The Poet as Art Critic' | Dec 09, 2013 |
Mia You | Begin again | Apr 13, 2018 |
Mia You | The ‘Hejinian Method’ | May 14, 2024 |
Karl Young |
Shadow memory shadows music Contextualized notes on John Taggart's prosody |
Jun 18, 2014 |
Logan K. Young |
Software as lip service Jennifer Walshe's Snapchat scores |
Feb 05, 2016 |
Timothy Yu | Engagement, race, and public poetry in America | Mar 20, 2015 |
Connie Yu | Stalling in 'Solidarity Texts' | Apr 13, 2018 |
Robert Zaller | Stanley Burnshaw: The poet in the world | Jun 28, 2011 |
Mande Zecca |
'Absolutely temporary' Spicer, Burgess, and the ephemerality of coterie |
Jan 21, 2015 |
Desmond Kon Zhicheng-Mingdé | Of theology, forms, and absence | Feb 05, 2016 |
Rachel Zolf | Noone bears witness | Dec 14, 2012 |
Rachel Zolf |
The Tolerance Project Projection of the intimate into the historical |
Jul 21, 2011 |