Reviews
| Keegan Cook Finberg |
Toward an embodied critique A review of Louis Bury's 'Exercises in Criticism' |
Oct 20, 2015 |
| Mathew Abbott |
Of fear in abstraction A review of Fiona Hile's 'Novelties' |
Dec 12, 2013 |
| Emily Abendroth |
On our own recognizance Miranda Mellis's survivable devastation |
Jul 29, 2013 |
| Jeff Alessandrelli |
'The problem with being numerous is a problem of memory' A review of Joshua Ware's 'Homage to Homage to Homage to Creeley' |
Jul 16, 2012 |
| Charles Alexander |
Architecture rings true A review of Carol Watts's 'Occasionals' |
May 03, 2012 |
| Charles Alexander |
Not just to see and note the birds but to say them A review of 'A Reading: Birds' |
Oct 30, 2011 |
| Toby Altman |
Eating the book review On Becca Jensen's 'Among the Dead' |
Oct 06, 2015 |
| Toby Altman |
Elysian weather A review of Joyelle McSweeney's 'The Necropastoral: Poetry, Media, Occults' |
Oct 03, 2019 |
| Emily Barton Altman |
Thus I am inwardly my police A review of Daniel Poppick's 'The Police' |
Nov 18, 2019 |
| Nico Alvarado |
How surfaces can be tweaked and spun A review of 'New Depths of Deadpan' |
Apr 29, 2011 |
| Candice Amich | Multilingual Latin American poetries | Apr 22, 2011 |
| Stan Apps |
Throughput A review of 'The Port of Los Angeles' |
Jun 10, 2011 |
| EB |
Performing crip/queer survival Leah Lakshmi Piepzna-Samarasinha's 'Bodymap' |
Oct 05, 2015 |
| Kristin George Bagdanov |
The beast that therefore I am Eight recent poetry titles on the beast |
Oct 31, 2018 |
| Cristiana Baik |
The snapshot poem A review of Frances Chung's 'Crazy Melon’ |
Feb 10, 2013 |
| Isabel Balée |
Symptoms and sources A review of Lauren Levin's 'Justice Piece // Transmission' |
Feb 22, 2019 |
| John Wall Barger |
'Sounds heard when the ear is pressed to the walls' A review of Gaspar Orozco's 'Autocinema' |
Oct 04, 2018 |
| Dara Barnat |
'Besieged by grief' A review of Rachel Tzvia Back's 'A Messenger Comes' |
Dec 06, 2012 |
| derek beaulieu |
'An endless, polyglot failure party' A review of Robert Fitterman's 'Now We Are Friends' |
Jun 26, 2012 |
| Art Beck |
A language bent to its own unique use A review of 'Between Words: Juan Gelman's Public Letter' |
Apr 27, 2012 |
| Art Beck |
The letters of the alphabet and letters to the dead A review of 'Two' |
Sep 22, 2011 |
| Cara Benson |
'another personal narrative burns to a heap of citations' A review of 'Bharat jiva' |
Nov 07, 2011 |
| Steve Benson |
A memoir of exchange Michael Gottlieb and the praxis of essay |
May 06, 2011 |
| Levi Bentley |
Re(con)figuring the moment A review of 'It's Night in San Francisco But It's Sunny in Oakland' |
Feb 03, 2015 |
| Felix Bernstein |
Expression Concrète A review of Divya Victor's 'Natural Subjects' |
Jun 30, 2015 |
| Charles Bernstein | The revolution in 'Tender Buttons' | Mar 10, 2015 |
| Jay Besemer |
Becoming-language On TC Tolbert's 'Gephyromania' |
Oct 06, 2015 |
| Nikhil Bilwakesh |
A literary walking uphill A review of 'Not Blessed' |
Nov 02, 2011 |
| Celia Bland |
Learning by doing A review of 'Spellbound: The Art of Teaching Poetry' |
Dec 06, 2019 |
| Julia Bloch | Twenty-two on 'Tender Buttons' | Mar 10, 2015 |
| Luke Bloomfield | A review of 'Lake Antiquity: Poems 1996–2008' | Dec 05, 2011 |
| Mark Boccard |
The through thing Static in Karen Weiser |
May 23, 2011 |
| Riccardo Boglione |
New South new North A review of 'América Invertida: An Anthology of Emerging Uruguayan Poets' |
Apr 12, 2019 |
| Annie Bolotin |
Hers to elegize Aria Aber's 'Hard Damage' |
Jun 18, 2020 |
| Bruce Boone |
Paradise now On Evan Kennedy's 'The Sissies' |
Mar 07, 2017 |
| Joseph Bradshaw |
The decidedly American, Whitmanic grain A review of Matthew Henriksen's 'Ordinary Sun' |
May 08, 2012 |
| Daniel Bratton |
Registers of breath: On origins and concession A review of 'The Concession Stand: Exaptation at the Margins' |
Apr 10, 2011 |
| Jolene Brink |
The shape of the vigil Cassandra Cleghorn's 'Four Weathercocks' |
Feb 16, 2017 |
| Kevin Brophy |
'To drown well is art' A review of Anthony Lynch's 'Night Train' |
Dec 17, 2012 |
| Brandon Brown |
'The architecture and ambience of the maze' A review of Marie Buck's 'Amazing Weapons' |
Dec 05, 2012 |
| Erika Jo Brown |
Getting to know each other better A review of 'Lovely, Raspberry' |
Oct 23, 2011 |
| Laynie Browne | 'A Long Dress' | Mar 10, 2015 |
| Gerald Bruns |
Anarchic inventions: On making poetry present David Antin and Charles Bernstein |
Jul 05, 2012 |
| Alex Bue |
'A ceiling other than a sky' A review of Ashraf Fayadh's 'Instructions Within' |
Nov 02, 2017 |
| Megan Burns |
Creative defense Pafunda's 'Natural History Rape Museum' |
Oct 06, 2015 |
| Louis Bury | A talk review of 'Ten Walks/Two Talks' | Nov 02, 2011 |
| Louis Bury |
The task of onwardness A review of Kristen Case's 'American Pragmatism and Poetic Practice' |
Jul 08, 2013 |
| David Buuck |
Infrastructures of feeling Fugitive fugues in the undying present |
Jul 17, 2020 |
| Kim Calder | On QED II, part one: The presence of absence | Mar 28, 2014 |
| Kim Calder | QED II, part three: Not (quite) easily done | Mar 28, 2014 |
| Kim Calder | QED II, part two: Inchoate affinities | Mar 28, 2014 |
| Allison Cardon | Potential loss | Oct 26, 2016 |
| Angela Carr |
After Stein's closet A tender reading from 'Tender Buttons' |
Mar 10, 2015 |
| Laura Carter |
Habitation caesurae A review of Heather Christle's 'Heliopause' |
Jun 22, 2015 |
| Laura Carter |
Motley attire A review of Anne Boyer's 'Garments Against Women' |
Oct 01, 2015 |
| Laura Carter |
The joy at the heart of us Elizabeth Willis's 'Alive: New and Selected Poems' |
Dec 19, 2016 |
| Sarah Case |
Songs and sonnets A review of Peter Gizzi's 'Threshold Songs' and K. Silem Mohammad's 'Sonnagrams 1–20' |
Sep 09, 2012 |
| Bonny Cassidy |
Infidel poetics A review of John Mateer's 'Unbelievers' |
Mar 25, 2015 |
| Bonny Cassidy |
Multicultural sleep A review of 'Fainting with Freedom' by Ouyang Yu |
Feb 24, 2016 |
| Mandana Chaffa |
'I am the hydra of I / and soon I will be the next thing' A review of 'The Malevolent Volume' by Justin Phillip Reed |
Dec 02, 2020 |
| Mandana Chaffa | On Kaveh Akbar's 'Calling a Wolf a Wolf' | Jan 24, 2019 |
| Alan Chamberlain |
Suffering into shape A review of 'Atonement' by Vaughan Rapatahana |
Jan 22, 2019 |
| Ashley Chang |
Between the world and the poem On Dorothy Wang's forms and formations |
Aug 18, 2015 |
| Maxine Chernoff |
A longer stay A review of Stacy Doris's 'Fledge: A Phenomenology of Spirit' |
Feb 10, 2013 |
| Philip Clark |
Against the modular mind Jena Osman's 'Motion Studies' |
Oct 01, 2019 |
| Allison Cobb |
'It has a place for me as living' On Susan Landers's 'Franklinstein' |
Sep 20, 2016 |
| Julia Cohen |
Release we can invent together A review of Feng Sun Chen's 'Butcher's Tree' |
Sep 10, 2013 |
| Julia Cohen |
The poetics of patience and mutiny A review of Carmen Giménez Smith's 'The City She Was' |
Jul 15, 2012 |
| Allison Conner | Poetry in ruins | Feb 03, 2016 |
| Allison Conner |
Unraveling tongues A review of 'She Tries Her Tongue, Her Silence Softly Breaks' |
Apr 04, 2017 |
| CAConrad |
(Soma)tic poetry reading enhancement Andrea Rexilius's 'New Organism' |
Oct 06, 2015 |
| CAConrad |
Perfect bound suckling (soma)tic reading enhancement Rachel Glaser's 'Moods' |
Oct 06, 2015 |
| Eric Conrad |
Scholars to come A review of Matt Miller's 'Collage of Myself' |
May 09, 2012 |
| Joshua Corey |
The poet's novel A review of 'Leaving the Atocha Station' |
Aug 19, 2011 |
| Cecilia Corrigan |
On drowning A review of 'I'll Drown My Book: Conceptual Writing by Women' |
Feb 13, 2014 |
| EC Maxe Crandall | Playing Stein | Mar 10, 2015 |
| Iris Cushing |
Beauty is useless A review of Noel Black's 'Uselysses' |
Mar 28, 2013 |
| Arkava Das |
Movements in 'The Unconditional' wasteland An adventure in thinking |
Oct 01, 2014 |
| Chris Davidson |
The freedom of restraint A review of Devin Johnston's 'Traveler' |
Sep 20, 2012 |
| Alan Davies |
A vacancy one knew Or: shallows of content; or: casuistry |
Feb 11, 2019 |
| Alan Davies |
Eloquence On Sally Silvers's 'Actual Size' |
Jun 20, 2015 |
| Alan Davies |
Messing with your head A review of 'Insolvency, Insolvency!' by Jeremy Hoevenaar |
Oct 21, 2019 |
| Jay Deshpande |
Leaving language A review of Maureen Thorson's 'Applies to Oranges' |
Jul 23, 2012 |
| Robert Dewhurst |
Dorothea Lasky, it’s unbelievable A review of 'Black Life' and 'Awe' |
Dec 19, 2011 |
| Jennifer K Dick | The urban interior-exterior ideal | Jun 02, 2016 |
| Jennifer K Dick |
Timed instants A review of Cole Swensen's 'Landscapes on a Train' |
Feb 23, 2016 |
| Alexander Dickow |
He who sees and listens A review of Mark Weiss, 'A Suite of Dances' |
Jul 19, 2022 |
| Alexander Dickow |
Partial objects Jennifer K. Dick's 'Lilith: A Novel in Fragments' |
Jan 15, 2021 |
| Drew Dillhunt |
A Marxian whelm of a pillowcase A review of Timothy Donnelly's 'The Cloud Corporation' |
Jan 02, 2012 |
| Drew Dillhunt |
Whose hearts are a thousand chemicals A review of Calvin Bedient's 'The Multiple' |
Oct 23, 2013 |
| Denise Dooley |
Permission to be a poet A review of Eileen Myles's 'Inferno (A Poet's Novel)' |
Feb 29, 2012 |
| Denise Dooley |
The new ground still remaining A review of 'A Place in the Sun' |
Jul 05, 2011 |
| Sarah Dowling | Steven G. Yao's flexible methodologies | Sep 25, 2013 |
| Patrick James Dunagan |
'Between appearance and character' On Vallejo's 'Selected Writings' |
Mar 17, 2016 |
| Patrick James Dunagan |
'Cross Worlds' On 'Transcultural Poetics: An Anthology' |
Jun 22, 2015 |
| Patrick James Dunagan |
'Liberation in time of emergency' On the poetics of Duncan and O'Hara |
Nov 11, 2013 |
| Patrick James Dunagan |
'What would I want to do? Hide myself?' Aaron Shurin's life testament to poetry |
Mar 13, 2017 |
| Patrick James Dunagan |
An antagonistic paraphernalium A review of 'Philip Guston: Collected Writings, Lectures, and Conversations' |
Dec 26, 2011 |
| Rachel Blau DuPlessis |
In his element A review of 'The Astonishment Tapes' |
Mar 08, 2016 |
| Rachel Blau DuPlessis | Stein's wedding cake | Mar 10, 2015 |
| Marcella Durand |
'If I lose you in the street' Stacy Szymaszek's 'Hart Island' |
Feb 01, 2016 |
| Marcella Durand | The singularity shows | Mar 10, 2015 |
| Marcella Durand |
There is a war. There is a Neighbor. A review of 'Neighbor' |
Apr 04, 2011 |
| Kristin Dykstra |
On equal footing A review of recent works by Urayoán Noel |
Apr 25, 2012 |
| Paul Ebenkamp |
Cutting through its own knife On Brandon Downing's 'Mellow Actions' |
Aug 25, 2014 |
| Lynley Edmeades |
'Do it like this' Lisa Robertson's '3 Summers' |
Nov 30, 2017 |
| Lynley Edmeades |
'The woman is here to stay' A review of 'A Doll for Throwing' by Mary Jo Bang |
Sep 17, 2019 |
| yasser elhariry | Snap! Blow! The consensus of thinking | Sep 06, 2019 |
| Laura Eve Engel |
One foot in the real, one wing in the ether A review of Julia Cohen's 'Collateral Light' |
Aug 25, 2014 |
| Dale Enggass |
The carceral outside A review of 'The Desert' by Brandon Shimoda |
Oct 01, 2020 |
| Olivia Milroy Evans |
Activist documentary poetics On Susan Briante’s 'Defacing the Monument' |
Aug 24, 2022 |
| Thomas Evans |
Defiant lightness A review of Miles Champion's 'How to Laugh' |
Mar 14, 2016 |
| Michael Farrell | Reading tenderly | Mar 10, 2015 |
| Michael Farrell |
The care and the courage A review of John Mateer's 'The West: Australian Poems 1989–2009' |
Aug 09, 2012 |
| Dan Featherston |
'What kind of poem would you make out of that?' A review of 'Coal Mountain Elementary' |
Apr 04, 2011 |
| Jonathan Fedors |
Exiting the sacred wood A review of 'On Mount Vision: Forms of the Sacred in Contemporary American Poetry' |
Apr 04, 2011 |
| Zack Finch |
'A speck of behavior, a fleck of culture' A review of 'Field Work: Notes, Songs, Poems, 1997–2010' |
Nov 18, 2011 |
| Zack Finch |
Through and never through On Peter Cole's 'The Invention of Influence' |
Aug 01, 2014 |
| Thomas Fink |
A proliferation of differences A review of 'Troubling the Line' |
May 19, 2014 |
| Norman Finkelstein | Divinest sense: On Paul Pines | Oct 05, 2013 |
| Norman Finkelstein | Lawrence Joseph's credo | Mar 30, 2018 |
| BK Fischer |
'A non-sequitur is a song of experience' A review of Lyn Hejinian's 'The Unfollowing' |
Jul 26, 2018 |
| Norman Fischer |
'Gradually the World' A review of Burt Kimmelman's new and selected poems |
Jul 15, 2014 |
| BK Fischer |
Disambiguating rape culture Lynn Melnick’s nouns |
Oct 12, 2018 |
| Norman Fischer |
Necessary companionship A review of Laynie Browne's 'Scorpyn Odes' |
Mar 01, 2016 |
| Norman Fischer | Notes on 'A Mammal of Style' | Jul 15, 2014 |
| Norman Fischer |
Poetry as path, as weapon On Uche Nduka |
Jul 15, 2014 |
| Joe Fletcher |
Why can't I touch it On Chris Hosea's 'Double Zero' |
Feb 22, 2017 |
| Arin Alycia Fong |
Against erasure The silent citizen remembers in Alejandro Zambra's 'Multiple Choice' |
Feb 27, 2019 |
| Seth J. Forrest |
Is it so a noise to be 'Tender Buttons' and noise poetics |
Mar 10, 2015 |
| Katherine Franco |
'Meeting this strangeness' Katherine Agyemaa Agard's 'of colour' |
Jun 28, 2022 |
| Lewis Freedman |
This collision of multiplicity and singularity A review of Thomas Fink's 'Yinglish Strophes 1-19' |
Jan 03, 2012 |
| Leora Fridman |
Haven't worked out the particulars On instructions, position papers, and finding our way |
Jun 27, 2017 |
| Leora Fridman |
Unregulated glamor On Carrie Lorig's 'The Pulp vs. the Throne' |
Apr 26, 2016 |
| Chris Funkhouser |
Prefacing a new book on E-Poetry On the tenth anniversary of the Electronic Poetry Festival |
May 30, 2011 |
| Matthew Gagnon |
A walking proposition On Pam Rehm's 'The Larger Nature' |
Dec 23, 2013 |
| Matthew Gagnon |
Laboratories of rhetoric On Rae Armantrout's 'Just Saying' |
Feb 01, 2016 |
| Matthew Gagnon |
Migratory vernaculars A review of Mark McMoriss's 'Entrepôt' |
Dec 30, 2011 |
| Kristen Gallagher |
Cooking a book with low-level durational energy How to read Tan Lin's 'Seven Controlled Vocabularies' |
May 27, 2011 |
| Shamala Gallagher |
Razor feminine A review of 'Small Siren' |
Sep 20, 2019 |
| Rachel Galvin | Dear Gertrude | Mar 10, 2015 |
| Rachel Galvin |
Gertrude Stein anew A review of 'Stanzas in Meditation: The Corrected Edition' |
Nov 12, 2013 |
| Edgar Garcia |
Apocalypse and/or poiesis A review of '2000 Years of Mayan Literature' |
Oct 23, 2011 |
| John Geraets |
A swirling life dance A review of Mark Young, 'Songs to Come for the Salamander' |
Jan 17, 2023 |
| John Geraets |
Curnow's reach Allen Curnow's 'Collected Poems' and Terry Sturm's 'Simply by Sailing in a New Direction' |
Mar 08, 2019 |
| Michael Gessner |
The poetry of re-formation A review of Jefferson Carter's 'Get Serious' |
Dec 21, 2012 |
| Michael Gessner |
Transitionary framings, a case A review of Geoffrey Gatza's 'House of Forgetting' |
Dec 03, 2013 |
| Katherine Gibbel | Translating in mirrors | Oct 06, 2020 |
| Lawrence Giffin |
On the undesirability of total bliss A review-essay on Jon Leon |
Jul 10, 2012 |
| Matthew Girolami | A review of 'Attributed to the Harrow Painter' | Feb 04, 2019 |
| Kiala Givehand |
The buried encounter Josie Sigler's living |
Jun 22, 2011 |
| Brian Glaser |
Writing the nothing that is A review of 'Visiting Wallace' |
May 04, 2011 |
| Loss Pequeño Glazier |
Tangible expressions of a present poetic A review of E-Poetry 2013 Festival London |
Nov 14, 2013 |
| Laura Goldstein |
A narrative recollection of the week of the Chicago Durutti Skool And beyond |
Nov 14, 2011 |
| Laura Goldstein |
On Cara Benson's 'made' {experimental reflection} |
Oct 06, 2015 |
| Susan Gorgioski |
Europe's shadows vs. America's dreams A review of Andrew Ervin's 'Extraordinary Renditions' |
Mar 19, 2012 |
| Michael Gottlieb | Honesty is the best policy | Sep 24, 2019 |
| Declan Gould |
'Spastic messiah / erotic daughter' On Petra Kuppers's 'PearlStitch' |
Jul 06, 2017 |
| Steph Gray |
Behind the scenes of the city and the writer Messy and fraught with flashes of beauty |
Aug 16, 2016 |
| Steph Gray |
Moving image, moving text, never past, look in mirror (repeat) A review of Lisa Robertson's 'Cinema of the Present' |
Oct 08, 2015 |
| Steph Gray | The hymn of journals, poetic and public | Nov 06, 2017 |
| Steph Gray |
Where we thought the story ends Jennifer Firestone's 'STORY' |
Nov 23, 2021 |
| Steph Gray |
Working in and out of labor A review of Jill Magi's 'Labor' |
Jan 26, 2015 |
| Sarah Louise Green |
But there is a person there A review of 'The Morning News Is Exciting' |
Jun 20, 2011 |
| C. R. Grimmer |
Cripping global queer, antiracist, and decolonial coalitions A review of 'Crip Times' after 'Beauty is a Verb' |
Feb 05, 2020 |
| Jess Grover |
They're on now A review of Geoffrey O'Brien's 'Metropole' |
Jan 13, 2013 |
| Francisco "Kokoy" Guevara | The plasticity of our pagelessness | Apr 11, 2013 |
| Francisco "Kokoy" Guevara | The trial of Elizabeth Willis's 'Address' | Jun 27, 2012 |
| Len Gutkin |
'Imagined lexicography opens onto imagined anthropology' A review of Ben Marcus's 'The Flame Alphabet' |
Oct 21, 2012 |
| David Hadbawnik |
The point of contact they create A review of 'Three Novels' |
Nov 09, 2011 |
| David Hadbawnik |
The way we tend to compose, or hear, poetry these days A review of 'The Odicy' |
Nov 09, 2011 |
| Ross Hair |
'But most by numbers judge a poet’s song' A review of Randall Couch's 'Peal' |
Apr 11, 2018 |
| Steve Halle |
The poem as a type of activism A review of 'War Rug' |
Jul 14, 2011 |
| Luke Harley |
Poetry as virtual community A review of 'The Grand Piano: An Experiment in Collective Autobiography' |
Feb 07, 2013 |
| William J. Harris |
What is poetry? A review of 'What Is Poetry? (Just Kidding, I Know You Know)' |
Oct 08, 2018 |
| James Hart III |
Surprise of another 'impossible' category A Review of 'Portrait and Dream' |
Dec 05, 2011 |
| j/j hastain |
These books need to be collaborated with A review of Debrah Morkun's 'The Ida Pingala' and Aimee Herman's 'to go without blinking' |
May 03, 2012 |
| Carolyn Hembree |
Ways to be A review of 'Kindergarde' |
Mar 18, 2014 |
| Laura Henriksen |
'Power in all its minor forms' Two Takes on Alli Warren's 'I Love it Though' |
Oct 30, 2017 |
| Darren Higgins |
[Objects] in motion A review of Frédéric Forte's 'Minute-Operas' |
Jan 11, 2016 |
| Kelly Hoffer |
Lyric shard as grief's material A review of Diana Khoi Nguyen's 'Ghost Of' |
Jun 30, 2022 |
| Eric Hoffman |
'the pleasure of / companionship' A review of 'The Oppens Remembered' |
Apr 20, 2016 |
| Eric Hoffman |
A life in books A review of Anthony Rudolf's 'Silent Conversations' |
Jun 29, 2015 |
| Eric Hoffman |
A poetry of vision A review of 'This Constellation Is a Name' by Michael Heller |
Nov 11, 2013 |
| Eric Hoffman | ‘the unspeakable, the unutterable’ | Aug 09, 2016 |
| Chris Hosea |
Getting to know nothing A review of Peter Gizzi's 'In Defense of Nothing' |
Jan 06, 2016 |
| Marco Antonio Huerta |
From legalese into nothingness A review of Hugo García Manríquez's 'Anti-Humboldt' |
Sep 07, 2017 |
| Scott Jackshaw |
Mourning worlds A review of Prageeta Sharma's 'Grief Sequence' |
Dec 21, 2020 |
| Paul Jaussen | Shots fired | Mar 16, 2018 |
| Amber Rose Johnson |
'Reader, we were meant to touch' On Erica Hunt's 'Jump the Clock: New and Selected Poems' |
Jul 02, 2021 |
| Julie Joosten |
A sensuous field of attention A review of Mei-mei Berssenbrugge's 'Concordance' |
Jun 22, 2011 |
| Julie Joosten |
As the elevator moves skyward, it reveals a widening horizon A review of Rena Rosenwasser's 'Elevators' |
Jan 30, 2012 |
| Kasey Jueds |
'The Emptiness You Seek Also Takes Time' 'Go On' by Ethel Rackin |
Mar 19, 2018 |
| Kasey Jueds | The lives that include us | May 17, 2016 |
| Mary Kasimor |
Divine and now A review of Tony Leuzzi's 'Radiant Losses' |
Jul 24, 2013 |
| Adam Katz |
The Duncan/Olson dichotomy A review of two volumes |
Feb 11, 2019 |
| erica kaufman | 'Tender Buttons': A pedagogy | Mar 10, 2015 |
| erica kaufman |
Allowing oneself to 'be the city' A review of 'The City Real & Imagined' |
Nov 02, 2011 |
| David Kaufmann |
Distances quickly crossed A review of Larry Eigner's 'Calligraphy Typewriters' |
Feb 09, 2018 |
| David Kaufmann |
Minds of winter A review of 'Dead Winter' by Matvei Yankelevich |
Aug 29, 2022 |
| Michael Kelleher | Dear Aaron Shurin | Oct 06, 2015 |
| Michael Kelleher | Dear Andrew Levy | Oct 06, 2015 |
| Michael Kelleher | Dear Danielle Pafunda | Oct 06, 2015 |
| Michael Kelleher | Dear Diane Wald | Oct 06, 2015 |
| Michael Kelleher | Dear Garrett Caples | Oct 06, 2015 |
| Michael Kelleher | Dear Kate Greenstreet | Oct 06, 2015 |
| Michael Kelleher | Dear Mikhail Epstein | Oct 06, 2015 |
| Michael Kelleher | Dear Stephen Motika | Oct 06, 2015 |
| Michael Kelleher | Dear Tyrone Williams | Oct 06, 2015 |
| Burt Kimmelman |
Let 'em eat kitsch A review of Thomas Fink's 'Joyride' |
Jul 09, 2014 |
| Michael Kirby |
Caspar's Silence A review of 'Registration Caspar' |
Apr 19, 2017 |
| Paul Klinger |
The enlightenment of bushes and grasses A review of 'Ghost Snow Falls Through The Void (Globalization)' |
Dec 29, 2011 |
| Paul Klinger |
To transform hearing's ear A review of Charles Alexander's 'Pushing Water' |
Jan 24, 2013 |
| Davy Knittle |
'deer flesh to human flesh' On C. R. Grimmer's 'The Lyme Letters' |
Dec 15, 2021 |
| Davy Knittle |
A field of the invisible A review of Christina Olivares's 'No Map of the Earth Includes Stars' |
Dec 15, 2015 |
| Davy Knittle |
Pretty information A review of Brandon Brown's 'Top 40' |
Jun 22, 2015 |
| Rodney Koeneke |
Pieces of Bruce 'Bruce Boone Dismembered' |
Jun 29, 2022 |
| Rodney Koeneke |
The posthumous now On Hillary Gravendyk's 'The Soluble Hour' |
Dec 20, 2019 |
| Virginia Konchan |
'Let Her Speak' The (not-so) quiet revolution of the reproductive, performative, and civic body |
Jun 24, 2014 |
| Virginia Konchan |
Cathy Wagner's 'Nervous Device' From commodity fetish to form |
Oct 16, 2013 |
| Virginia Konchan | Renee Gladman and the New Narrative | May 19, 2014 |
| Christopher Kondrich |
Devisable matter and sheer overjoy A review of Peter Richards's 'Helsinki' |
Feb 15, 2013 |
| Christopher Kondrich |
Tunneling through the self On Hoa Nguyen's 'As Long as Trees Last' |
Apr 08, 2014 |
| Srishti Krishnamoorthy-Cavell |
Reading weed acts A review of Carol Watts's 'Dockfield' |
Aug 13, 2020 |
| Seth Landman |
A poem is a sacred attempt at communicating what is impossible to communicate A review of Laura Solomon's 'The Hermit' |
Mar 19, 2012 |
| Seth Landman |
A sound in the mind A review of Peter Gizzi's 'Threshold Songs' |
Jul 13, 2013 |
| Steve Langan |
Perfecting dissatisfaction A review of 'The Smaller Half' |
Nov 30, 2011 |
| Sara Larsen |
There must be pleasure A review of Alli Warren’s 'Little Hill' |
Jun 21, 2022 |
| Jessica Lawson |
Contagious poetry A review of 'Mommy Must Be a Fountain of Feathers' |
Apr 05, 2011 |
| Nicholas Leaskou |
'The earth angel, sorting time' A review of Carrie Hunter's 'Orphan Machines' |
Nov 29, 2017 |
| Nicholas Leaskou |
Nostos — returning home to the self A review of erica lewis's 'daryl hall is my boyfriend' |
Jul 27, 2016 |
| Nicholas Leaskou |
Song is remedy for loss A review of Tiff Dressen's 'Songs from the Astral Bestiary' |
Aug 14, 2015 |
| Sueyeun Juliette Lee |
Stein's spatial poetics Star-light and 'Rooms' |
Mar 10, 2015 |
| Colin Leemarshall |
The poet as symbiont A review of Harry Gilonis's 'Rough Breathing: Selected Poems' |
Jun 26, 2020 |
| Paul Legault |
Who is writing is the translator A review of 'Ventrakl' |
Jun 28, 2011 |
| Charles Legere |
A sense interfused Refiguring the work of ecopoetics |
Apr 04, 2011 |
| Eugene Lim |
A detour from more traditional paths of composition A review of 'An Attempt at Exhausting a Place in Paris' |
Nov 02, 2011 |
| Colin Lodewick |
Continuing a body A review of Bhanu Kapil's 'entre-Ban' |
Sep 12, 2018 |
| Matt Longabucco |
The hurts of wanting the impossible A review of 'Supplication: Selected Poems of John Wieners' |
Jan 28, 2016 |
| Matt Longabucco |
The thing that doesn't fail On Stephanie Young's 'Ursula or University' |
Apr 08, 2014 |
| pablo lopez |
Notes on the discursive A review of Susan Gevirtz's 'Coming Events' |
Feb 28, 2014 |
| pablo lopez |
Poetry at the axis of nothing A review of 'u&i' |
May 26, 2016 |
| Prathna Lor |
'The lip of a paragraph' On Renee Gladman's 'Calamities' |
May 10, 2017 |
| Prathna Lor |
Building sex Renee Gladman's 'Prose Architectures' |
Jun 01, 2018 |
| Astrid Lorange | The index of 'Tender Buttons' | Mar 10, 2015 |
| Mae Losasso |
Telltale misadventure A review of Steven Seidenberg's 'Anon' |
Dec 02, 2022 |
| Ed Luker |
Poetry in crisis Rob Halpern and Keston Sutherland |
Jan 28, 2019 |
| François Luong |
Becoming in transit Sun Yung Shin's 'Unbearable Splendor' |
Oct 31, 2017 |
| Christopher Lura |
This is not a book of surfaces A review of 'The Book of Beginnings and Endings' |
Dec 09, 2011 |
| Andrew Madigan |
Serious play A review of Yahia Lababidi's 'Trial by Ink' |
Jan 26, 2012 |
| Anthony Madrid | Ongoing 'Planisphere' notebook | Dec 19, 2013 |
| Jill Magi |
Sound matters A review of Deborah Meadows's 'Translation, the bass accompaniment' |
Jul 30, 2014 |
| Aylin Malcolm |
Queer treatments A review of 'Each Tree Could Hold a Noose or a House' |
Jun 18, 2020 |
| Jane Malcolm |
We peer through various portals A review of Gail Scott's 'The Obituary' |
Apr 12, 2013 |
| Robert Manaster |
Standstill moments A review of Piotr Gwiazda's 'Messages' |
Dec 02, 2013 |
| Adam Marston |
Punkness and the inescapable self A review of Rod Smith's 'Touché' |
Oct 01, 2015 |
| Lorraine Martinuik |
A careful assemblage A review of 'Nox' |
Dec 08, 2011 |
| Andy Martrich |
Glimpsing the new normal On Kristen Gallagher’s ‘85% True/Minor Ecologies’ |
May 31, 2019 |
| Alexandra Mattraw |
Runes in the noise menagerie A review of Claire Marie Stancek's 'Oil Spell' |
Oct 29, 2018 |
| Aaron McCollough | A review of Amaranth Borsuk's 'Handiwork' | Oct 12, 2013 |
| Seth McKelvey |
Cry criers Jordan Scott's 'Night & Ox' and Andrew Joron's 'The Absolute Letter' |
Mar 26, 2018 |
| rob mclennan |
Quiet demands A review of Sarah Gridley's 'Loom' |
Mar 04, 2014 |
| Erin McNellis |
'It feels like painting a larger picture' A review of 'Try a Little Time Travel' |
Feb 12, 2014 |
| Erin McNellis |
A lot of things happened A review of Lisa Rogal's 'Morning Ritual' |
Apr 11, 2016 |
| Erin McNellis |
Invisible protest A review of Caryl Pagel's 'Experiments I Should Like Tried at My Own Death' |
Aug 13, 2013 |
| Joyelle McSweeney |
Art-trash On Chelsey Minnis and CAConrad |
Dec 15, 2011 |
| Deborah Meadows | A review of 'Memory Wing' | Jul 12, 2012 |
| Joe Milazzo |
The posthuman humane On James Pate's 'Flowers Among the Carrion' |
Jul 06, 2017 |
| Kathleen DelMar Miller |
'The succession of syndromes' A review of erica kaufman's 'INSTANT CLASSIC' |
Jun 22, 2015 |
| David James Miller |
The landscape at present A review of Joseph Massey's 'At the Point' |
Jul 18, 2012 |
| Tyler Mills |
'All my lies are honest' A review of Chad Sweeney's 'Wolf's Milk' |
Oct 11, 2013 |
| Stan Mir |
'My mother's mother-of-pearl' A review of Gro Dahle's 'A Hundred Thousand Hours' |
Jul 31, 2014 |
| Stan Mir |
Erasing history On Jordan Abel's 'The Place of Scraps' |
Mar 18, 2016 |
| Stan Mir |
Outside of any system A review of William Corbett's 'Elegies for Michael Gizzi' |
Aug 07, 2013 |
| Stan Mir |
Textures for the mouth and ear A review of Gale Nelson's 'This Is What Happens When Talk Ends' |
Aug 25, 2013 |
| Stan Mir |
The quiet influence of patience A review of Linda Norton's 'The Public Gardens' |
Nov 21, 2013 |
| Stan Mir |
Without burning up the frame A review of Arkadii Dragomoshchenko's 'Endarkenment' |
Jan 26, 2015 |
| Ben Mirov |
Cookies and vortices A review of 'The Madeleine Poems' |
Oct 20, 2011 |
| Jason Mitchell | What I see in Stein's 'Tender Buttons' | Mar 10, 2015 |
| Jose-Luis Moctezuma |
Antonio Gamoneda and the ontology of disappearance A review of 'Description of the Lie' and 'Gravestones' |
Jan 28, 2015 |
| Lukas Moe |
'Perfect losses we can't mourn' On Rob Halpern's 'Music for Porn' |
Oct 14, 2013 |
| Rajiv Mohabir |
Imaginative reading A review of Hsia Yü's 'Salsa' |
Jun 30, 2015 |
| Rajiv Mohabir |
Labor of we Layers and alliance in Kenji Liu's 'Map of an Onion' |
Jun 06, 2016 |
| Frank Montesonti |
Sailor, sleepwalker A review of 'I Was There for Your Somniloquy' |
Oct 01, 2013 |
| Brian Mornar |
Coming to terms with absence A review of 'censory impulse' |
Jul 08, 2011 |
| Dee Morris | Gertrude Stein sets a table | Mar 10, 2015 |
| Tracie Morris | If I reviewed her (excerpt) | Mar 10, 2015 |
| Seán Morrissey |
Love and rage A review of 'We Want it All: An Anthology of Radical Trans Poetics' |
Sep 27, 2021 |
| Andrew Mossin |
'Walking out the right door' A review of Richard Blevins's 'The Art of the Serial Poem' |
Apr 10, 2018 |
| Andrew Mossin |
A provisional map of who/what/where we are A review of 'Inciting Poetics: Thinking and Writing Poetry' |
Jul 17, 2020 |
| Erín Moure |
Translation's lucky hand A review of 'Fortino Sámano' |
Feb 03, 2014 |
| Robert Mueller |
On gossamer wings A review of 'A Field Guide to Lost Things' |
Jul 13, 2016 |
| Robert Mueller |
The memoir where it matters A review of Eleni Sikelianos's 'You Animal Machine (The Golden Greek)' |
Jan 02, 2015 |
| Sheila E. Murphy |
Trying to keep your voice clear (your voice will break) A review of Joseph Lease's 'Testify' |
Jan 06, 2012 |
| Sawako Nakayasu | A moment in teaching 'Tender Buttons' | Mar 10, 2015 |
| Taien Ng-Chan |
To get you out walking A review of 'Stroll: Psychogeographic Walking Tours of Toronto' |
Nov 02, 2011 |
| Jeff Nguyen |
Poet in profile The scar lit district of Jenny Zhang |
Oct 26, 2015 |
| Andrew S. Nicholson |
'mend the world' A review of Joseph Lease's 'The Body Ghost' |
Sep 24, 2019 |
| Aldon Lynn Nielsen | A review of 'Black Case Volume I and II' | Aug 30, 2021 |
| Jeroen Nieuwland |
Ecologies of the margin A review of 'Hidden Agendas: Unreported Poetics' |
Feb 15, 2012 |
| Collier Nogues |
'The protests became a poem' Liu Waitong's 'Wandering Hong Kong with Spirits' |
Nov 15, 2017 |
| Linda Norton |
His own shine, her smooth inscrutable A review of Pattie McCarthy's 'Marybones' |
Dec 13, 2013 |
| Mia Nussbaum |
When even the good seems violent A review of '100 Notes on Violence' |
May 13, 2011 |
| Gabriel Ojeda-Sagué |
Giving way to a knot A review of 'Anemal Uter Meck' |
Aug 14, 2017 |
| Gabriel Ojeda-Sagué |
Something like flowers A review of Angel Dominguez's 'Black Lavender Milk' |
Mar 10, 2016 |
| John Olson |
Elsewhere is here A review of 'The Camel's Pedestal' by Anne Tardos |
Jun 20, 2018 |
| Amy Paeth | 'I'-criticism in postliterary America | Sep 25, 2013 |
| Amy Paeth |
The products of labor A review of 'lo terciario/the tertiary' |
Dec 13, 2018 |
| John Paetsch |
Doll/bat/baby face Secession in echolalia |
Jul 05, 2011 |
| John Paetsch |
More vans arrive, all of them inert A review of Rosmarie Waldrop's 'Driven to Abstraction' |
Jan 12, 2012 |
| Caryl Pagel |
The Sickbed On pain, love, ekphrasis, and Craig Dworkin's 'Dure' |
Jun 09, 2011 |
| Václav Paris |
The consolation of poetry A review of two recent books by René Char |
Mar 26, 2012 |
| Julian Francis Park |
Mutual-aid amid 'ASoUND' A review of Cheena Marie Lo's 'A Series of Un/Natural/Disasters' |
Aug 10, 2016 |
| Sean Pears |
ko ko thett's cannibalistic poetics A review of 'The Burden of Being Burmese' |
Mar 21, 2016 |
| Bob Perelman | Unlikening 'Tender Buttons' | Mar 10, 2015 |
| Becky Peterson |
Literature's nuisance: (Riding) Jackson's memoir A review of 'The Person I Am: The Literary Memoirs of Laura (Riding) Jackson' |
Feb 15, 2013 |
| Robyn Maree Pickens |
'North of the Equator' 'A TransPacific Poetics' |
Mar 15, 2018 |
| Tom Pilcher |
A poetics of appropriation A review of William Fuller's 'Hallucination' |
Jun 12, 2013 |
| Samantha Pious |
Medievalists and madmen A review of Paul Blackburn’s ‘Proensa’ |
May 02, 2018 |
| Deborah Poe |
A vital territory 'Idylliad' by Elizabeth Savage |
Oct 22, 2015 |
| Deborah Poe |
Sensual infrastructure A review of Jen Currin's 'School' |
Oct 06, 2015 |
| Deborah Poe |
The solar vowels in our throats A review of Meredith Stricker's 'Mistake' |
May 18, 2014 |
| Yvette Poorter |
A website for one shoe A review of 'The Ministry of Walking' |
Nov 02, 2011 |
| Alex Porco |
Wonky structures On Alice Burdick's 'Book of Short Sentences' |
Feb 03, 2017 |
| Betsy Porritt |
The intimacy of the index Listening notes on 'Concordance' |
Feb 15, 2023 |
| Sarah Posman | Breed that | Mar 10, 2015 |
| Nate Preus |
Under the beach, the office On 'The Work of Art in the Age of Deindustrialization' |
Jun 10, 2019 |
| Katie L. Price |
A community so well versed in the other possibilities of the computer On the tenth anniversary of the Electronic Poetry Festival |
May 26, 2011 |
| David Pritchard |
The best of all possible Audens A review of 'Goodnight, Marie, May God Have Mercy on Your Soul' |
Feb 21, 2019 |
| Patrick Pritchett |
Against elegy: Michael Palmer's Book of the Dead A review of 'Thread' |
Aug 29, 2011 |
| Patrick Pritchett |
Resurrectional poetics A review of Raúl Zurita's 'Dreams for Kurosawa' |
Aug 31, 2012 |
| Andrea Quaid |
'Tender Buttons' at 100 'Is there. That was a question. There was no certainty.' |
Mar 10, 2015 |
| Andrea Quaid |
On 'Both Sides and the Center' A review of the festival, part one |
Sep 11, 2011 |
| Andrea Quaid |
On 'Both Sides and the Center' 2 A review of the festival, part two |
Mar 22, 2012 |
| Ethel Rackin |
(Re)animating the city A review of 'Deep City' by Megan Kaminski |
Mar 29, 2017 |
| Dean Rader |
Poetry/painting/history/hermeneutics On 'Cy Twombly: Making Past Present' |
Oct 27, 2021 |
| Yosefa Raz |
On textual cohabiting Jocelyn Saidenberg's 'Dead Letter' and Brandon Brown's 'Top Forty' |
Oct 01, 2015 |
| Anna Reckin |
Existence plus alphabets 'Meaning to Go to the Origin in Some Way' and 'Participant' |
Sep 02, 2016 |
| Matt Reeck |
A very serious joke beneath the (relatively soon to be) exploding sun Review of Joseph Harrington's 'Of Some Sky' |
Sep 20, 2018 |
| Matt Reeck |
An abecedarian A review of Joseph Harrington's 'Things Come On {an amneoir}' |
Feb 07, 2012 |
| Matt Reeck |
Blueprints, or sight-maps A review of 'Meddle English' |
Sep 07, 2011 |
| Matt Reeck |
Community as culture A review of 'Poetic Intention' |
Jan 09, 2012 |
| Matt Reeck |
The importance of nouns A review of 'N7ostradamus' |
Apr 23, 2011 |
| Marthe Reed |
'A grand collage' A review of 'A Jerome Rothenberg Reader' |
Jun 09, 2014 |
| Jessica Reed |
Between the hardly real and the barely there Rae Armantrout's 'Conjure' |
Apr 07, 2021 |
| Matthias Regan |
To return the margin to the center A review of 'Elleguas' |
Aug 03, 2011 |
| Jonathan Regier |
At the surface of days A review of Rebecca Wolff's 'One Morning—' |
Feb 13, 2017 |
| Jonathan Regier |
Denial is political A review of Julie Carr's 'Rag' |
Aug 18, 2014 |
| Jonathan Regier |
Everything remembers equally A review of Jennifer K. Dick's 'Circuits' |
Oct 24, 2013 |
| Heidi Reszies |
Curiosity and rarity A review of Cynthia Cruz's 'Wunderkammer' |
Oct 26, 2015 |
| Sean Reynolds |
Reformulating precision as excess A review of 'Portrait of Colon Dash Parenthesis' |
May 12, 2011 |
| Kylan Rice |
New sentimentalism A review of Julie Carr's 'Someone Shot My Book' |
Jan 10, 2019 |
| Andrew Rippeon |
What lyric itself thinks A review of 'Canto' |
Jul 27, 2011 |
| W. M. Rivera |
'Say what you know' A review of Eleanor Wilner's 'A Tourist in Hell' |
Mar 06, 2012 |
| Kit Robinson |
An identity in relation Anne Tardos on absence |
Apr 17, 2011 |
| Elizabeth Robinson |
The imagination's shifts between stability and disorientation A review of Joel Bettridge's 'Reading as Belief' |
Jan 24, 2012 |
| Jaime Robles |
'To throw doubt in the poet’s mind' A review of Andrew Shelling's 'From The Arapho Songbook' |
Oct 16, 2012 |
| Jaime Robles |
A study in how we define the world outside A review of Maxine Chernoff's 'Without' |
May 20, 2013 |
| Jaime Robles |
The gap in the throat A review of 'The Orphan and Its Relations' |
Jun 02, 2011 |
| Noah Ross |
An archive of feeling A review of 'The Bigness of Things' |
Dec 19, 2018 |
| Bonnie Roy |
Ardour, or … Nicole Brossard’s burning word |
Apr 21, 2017 |
| Bonnie Roy |
Catalog/cloud Dreams of relation in Amish Trivedi's 'Sound/Chest' |
Jan 20, 2016 |
| Lauren Russell |
Bordering on madness A review of Bhanu Kapil's 'Schizophrene' |
Jun 27, 2013 |
| Linda Russo |
Reading 'Iovis' in Bolinas A review of Anne Waldman's ‘The Iovis Trilogy’ |
Feb 24, 2013 |
| Linda Russo |
The light of this An itinerant essay around a reading of 'The Gorgeous Nothings' |
Apr 07, 2014 |
| Rebekah Rutkoff |
We can't do it without the rose A review of the film 'Under Foot & Overstory' |
Nov 02, 2011 |
| Courtney Rydel |
Fits of imagination A review of Thomas Meyer's 'Beowulf' |
Dec 04, 2013 |
| Joe Safdie |
Politics and time The continued relevance of Edward Dorn's 'Gunslinger' |
Oct 28, 2019 |
| Marcus Salgado |
File under: new media poetics, electronic literature, technotext, flarf and so on A review of 'Electro Þerdix' |
Sep 28, 2011 |
| James Sanders |
Infrastructure writing A review of David Buuck's 'Site Cite City' |
Jun 03, 2016 |
| James Sanders |
Writing between A review of 'Writing Surfaces: Selected Fiction of John Riddell' |
Jan 06, 2015 |
| Stephanie Sandler |
'Already free' A review of 'F Letter: New Russian Feminist Poetry' |
Jul 09, 2021 |
| Janice Sapigao |
Navigating the ineffable A review of Prageeta Sharma's 'Undergloom' |
Aug 07, 2014 |
| Janice Sapigao |
Poetics of critical cartography A review of Sebastian Agudelo's 'Each Chartered Street' |
Feb 03, 2015 |
| Aram Saroyan | A review of 'Just Kids' | Jun 27, 2012 |
| Elizabeth Savage |
'silence isn't always a trick' Thomas Devaney's 'Calamity Jane' |
Nov 05, 2015 |
| Elizabeth Savage |
'The government of love' A review of Elizabeth Willis's 'Alive' |
Jan 05, 2017 |
| Elizabeth Savage |
'The heart's vast and cratered purpose' 'In June the Labyrinth' |
Jul 18, 2017 |
| Elizabeth Savage |
'Tide in and tide out' A review of Dean Rader's 'Landscape Portrait Figure Form' |
Mar 22, 2015 |
| Elizabeth Savage |
Drenched A review of Ethel Rackin's 'The Forever Notes' |
Dec 03, 2013 |
| Elizabeth Savage |
The light of happenstance A review of Colleen Lookingbill's 'a forgetting of' |
Jul 19, 2012 |
| Zach Savich |
Between generations A review of Keith Waldrop's 'Selected Poems' |
Mar 30, 2016 |
| Zach Savich |
Complex orphaning A review of Jose Perez Beduya's 'Throng' |
Oct 03, 2014 |
| Zach Savich |
On returning A review of 'A Book of Unknowing' |
May 03, 2011 |
| Adam Sax |
Life-in-death: an agonizing in-between A review of 'The Agony of I.B.' by Pierre Joris |
Apr 30, 2020 |
| Lucina Schell |
Gelmaning on A review of 'Oxen Rage (Cólera buey)' |
Aug 01, 2016 |
| Lily Scherlis |
Beasts of no nation On the poetics of invasion and Marwa Helal |
Sep 16, 2021 |
| Jared Schickling |
Ryan Eckes's American poetry A review of Ryan Eckes's 'Old News' |
May 14, 2013 |
| Rob Schlegel |
Either dissolve a genre or invent one A review of 'Bluets' |
Jun 13, 2011 |
| Simona Schneider |
Geoffrey G. O'Brien's subjunctive 'dividuals 'Experience in Groups' |
Dec 11, 2019 |
| Joshua Schuster | '100 years of reading and unreading' | Mar 10, 2015 |
| Joshua Schuster |
On reading Christian Bök's 'The Xenotext: Book 1' ten thousand years later A xenoreview |
Feb 17, 2016 |
| Barry Schwabsky |
The gestural lyric and beyond A review of Amy King's 'I Want to Make You Safe' |
Nov 10, 2012 |
| G.E. Schwartz |
A point of view where there are no voiceless people A review of John Roche's 'Road Ghosts' |
Jan 26, 2012 |
| Edythe Haendel Schwartz |
Method for facing a chaotic and threatening world A review of Chad Sweeney's 'Parable of Hide and Seek' |
Aug 08, 2012 |
| Ryan Scott |
Hundred-spired muse A review of 'From a Terrace in Prague: A Prague Poetry Anthology' |
Mar 06, 2012 |
| Gail Scott |
The longing, in language, for a connection A review of 'Under the Dome: Walks with Paul Celan' |
Nov 02, 2011 |
| Mark Scroggins |
The spectral resistance A review of 'The OBU Manifestos' |
Jan 09, 2019 |
| Neşe Lisa Şenol |
A practitioner's commitment to principle in art A review of 'An Art of Limina' |
Aug 24, 2011 |
| Jaime Shearn Coan |
Brian Teare's critical ekphrasis A review of 'The Empty Form Goes All the Way to Heaven' |
Feb 16, 2016 |
| Matt Shears |
Revisioning history A review of Jill Magi's 'Slot' |
Jan 14, 2013 |
| James Sherry |
Humanitarian strategies for ecosystem stabilization A review of 're : evolution' |
Dec 11, 2011 |
| Larissa Shmailo |
The author and authority Daniil Kharms and the Russian Absurd |
May 08, 2017 |
| Larissa Shmailo |
Vagabond imagination A review of Leonard Schwartz's 'If' |
Jun 21, 2015 |
| Robert Eric Shoemaker |
Spelling for humanity A review of 'Spells,' edited by Sarah Shin and Rebecca Tamás |
Nov 19, 2019 |
| Jess Shollenberger |
The scholar's blush Shame as method in 'Lyric Shame' |
Dec 09, 2019 |
| Sophie Sills |
The light contingent on darkness A review of 'Black Life' |
Jul 21, 2011 |
| Anna Smaill |
A life lived in pause Lynley Edmeades's 'As the Verb Tenses' |
Feb 12, 2019 |
| Jessica Smith |
A child's history of conflict A review of 'Hardly War' by Don Mee Choi |
Aug 06, 2018 |
| Jessica Smith |
Against apocalypse A review of Ron Silliman's 'Revelator' |
Jun 24, 2014 |
| Dale Smith |
Antenna openings A review of 'Late in the Antenna Fields' |
Dec 30, 2011 |
| Eric Sneathen |
'alchemy's new materials' A review of Jamie Townsend's 'Shade' |
Nov 20, 2015 |
| Jennifer Soong |
Post-landscape Brandon Shimoda's 'The Desert' |
Oct 01, 2020 |
| Leah Souffrant |
'Like a postponed present' Reading reality in Mandelstam's 'Voronezh Notebooks' |
Jul 11, 2017 |
| Leah Souffrant |
A fierce intellectual pacifism Riding's 'Contemporaries and Snobs' |
Jan 06, 2015 |
| Leah Souffrant |
Notes on a phenomenological poetics A review of Kevin Varrone's g-point almanacs |
Nov 02, 2011 |
| Leah Souffrant |
What might be unlocked On Emily Abendroth's ']Exclosures[' |
Oct 01, 2014 |
| Emji Spero |
Between time and the topology of flesh A review of '7 Days and Nights in the Desert' |
Mar 18, 2014 |
| Rob Stanton |
'We want to live on it' A review of 'We Used to Be Generals' |
Jun 24, 2015 |
| Rob Stanton |
Able and vexed A review of Michael Gottlieb's 'What We Do' |
Feb 28, 2017 |
| Rob Stanton |
Attention paid R. F. Langley |
May 20, 2016 |
| Rob Stanton |
Forever is nothing On Montgomery and Armantrout |
Jan 11, 2023 |
| Rob Stanton |
On the outskirts? A review of Stephen Collis's 'On the Material' |
Dec 30, 2011 |
| Chris Stroffolino |
Unfurling futurity A review of 'Further Problems with Pleasure' |
Mar 01, 2019 |
| Aakash Suchak |
Will wonders never cease? Laynie Browne's 'You Envelop Me' |
Jun 12, 2019 |
| Nathan Suhr-Sytsma |
A quiver of chapbooks A review of 'New-Generation African Poets' |
Sep 22, 2017 |
| Chad Sweeney |
'As a friend seated beside the poet' A review of Pam Brown's 'True Thoughts' |
Nov 27, 2012 |
| Eileen R. Tabios |
Reconsidering the environment A review of 'Kindergarde' |
Apr 02, 2014 |
| Jennifer Tamayo |
To experience a broadcast A review of Lisa Samuels's 'Mama Mortality Corridos' |
Dec 30, 2011 |
| Stephen Tapscott | Grief and compensation in Sophie Cabot Black’s 'The Exchange' | Sep 19, 2016 |
| Zachary Tavlin |
Gleam and darkness A review of John Hollander's 'The Substance of Shadow' |
Sep 18, 2017 |
| Charles Theonia |
'Collective poesy' The disruptive pleasures of Caroline Bergvall's 'Alisoun Sings' |
Oct 19, 2020 |
| Charles Theonia |
Life in 'ear'th' On S*an D. Henry-Smith’s 'Wild Peach' |
Dec 07, 2021 |
| Sylvie Thode |
Writing trauma in silence and stillness A review of 'Written in the Dark: Five Poets in the Siege of Leningrad' |
May 03, 2018 |
| David Frederick Thomas |
This other thing the kids are doing A review of 'Museum of the Weird' |
Aug 24, 2011 |
| Jay Aquinas Thompson |
Living fire and flattered lyre On Erica Mena and Robert Fernandez |
Jul 06, 2016 |
| Jay Aquinas Thompson |
On three recent books of poetry Reviews of Tichy, Tadić and Barskova |
Jun 23, 2011 |
| Orchid Tierney |
Code as such A review of 'Dragon Logic' |
Jul 30, 2014 |
| Orchid Tierney |
Make it reappear A review of 'Reading Writing Interfaces: From the Digital to the Bookbound' |
Jun 03, 2015 |
| Orchid Tierney |
Menacing archives A review of Jennifer Scappettone's 'The Republic of Exit 43' |
Apr 28, 2017 |
| Orchid Tierney |
Text in the age of inst@bility A review of 'A New Republic of Letters: Memory and Scholarship in the Age of Digital Reproduction' |
Jul 30, 2014 |
| Steven Toussaint |
Fanny Howe's revelation A review of 'Emergence' |
May 16, 2011 |
| J. Townsend |
A catalogue of poetics as community A review of two Slack Buddha Press chapbooks |
May 02, 2011 |
| Robin Tremblay-McGaw |
Golden Camille Roy's 'Honey Mine' |
Jan 13, 2022 |
| Nicole Trigg |
'This language materialized' A review of Mary Burger's 'Then Go On' |
Nov 22, 2013 |
| Amish Trivedi |
Explorers, anthropologists, and historians A review of 'from unincorporated territory [saina]' |
Jul 18, 2011 |
| Matt Turner |
Between the Devil and God Li Zhimin’s 'Zhongalish' |
Jan 06, 2017 |
| Matt Turner | The visions and worlds of Hagiwara Sakutaro | Nov 06, 2015 |
| Matt Turner |
Translating difficulty On Ouyang Jianghe |
May 11, 2016 |
| Stan Tymorek |
The poetry of a New York hour A thousand singers on a mile-long stage |
May 31, 2019 |
| Brian Unger | Inside Philip Whalen | Feb 27, 2018 |
| Kelsi Vanada |
'playback on the rise' The Señal chapbook series |
Nov 17, 2017 |
| Morgan Võ |
Paper cuts, or the costs of legibility A review of Kimberly Alidio's 'why letter ellipses' |
Aug 16, 2021 |
| Karen Volkman | Gertrude Stein's gustatory sonics | Mar 10, 2015 |
| Mark Wallace |
A global regional poetics A review of 'A Community Writing Itself' |
Jun 07, 2011 |
| Adrienne Walser |
Living Dada A review of 'Irrational Modernism: A Neurasthenic History of New York Dada' |
May 05, 2014 |
| A. E. Watkins |
Investigations in absentia On Paige Ackerson-Kiely |
Oct 10, 2013 |
| Jacquilyn Weeks |
Taking the concept of meaning-making by storm A review of 'Cyclones in High Northern Latitudes' |
Jun 24, 2011 |
| Norman Weinstein |
Healer and hunter A review of Pierre Joris's 'Barzakh' |
Jun 21, 2015 |
| Eric Weinstein |
We have a choice A review of 'To See the Earth Before the End of the World' |
Aug 31, 2011 |
| Eric Weiskott |
Victoria Chang's negative elegy A review of 'Obit' |
Dec 10, 2020 |
| Andrew Wessels | This is the bodies: On Jena Osman and Rob Fitterman | Dec 31, 2014 |
| Andrew Wessels |
Time's loop A review of 'Möbius Crowns' |
Jul 27, 2011 |
| Bruce Whiteman |
Morse Code A review of 'After Jack' |
Oct 23, 2011 |
| Afton Wilky |
To be between A review of Ed Steck's 'The Garden' |
Apr 03, 2015 |
| Afton Wilky |
Typological inquiries On Lori Anderson Moseman's 'All Steel' |
Nov 01, 2013 |
| Tyrone Williams |
Black/women are alive after tomorrow A review of 'Letters to the Future: Black Women/Radical Writing' |
Dec 19, 2019 |
| Tyrone Williams |
Climbing earth The spiritual materials of Hank Lazer and giovanni singleton |
Apr 02, 2013 |
| Tyrone Williams |
Examples of On Barrett Watten's questions |
Jan 18, 2019 |
| Tyrone Williams |
Walking through speech to speaking A review of Jill Magi’s ‘SPEECH’ |
Nov 17, 2020 |
| Mary Wilson | Architecture's a verb | Jul 13, 2022 |
| Aaron Winslow |
'The Liberty of Horrors' On Marie Buck's 'Portrait of Doom' |
Sep 18, 2015 |
| david wolach | A review in turns of Eleni Stecopoulos's 'Armies of Compassion' | Aug 07, 2014 |
| Tim Wood |
All volta A review of Lyn Hejinian's 'The Unfollowing' |
Nov 07, 2016 |
| Tim Wood |
Between bibetgekess and 'but …' A review of Lyn Hejinian's 'The Book of a Thousand Eyes' |
Apr 25, 2013 |
| Amy Wright |
Woo A review of Jenny Boully's 'not merely because of the unknown that was stalking towards them' |
Jan 20, 2012 |
| Ryo Yamaguchi |
Of what use these memorials A review of Henry Wei Leung's 'Goddess of Democracy: An Occupy Lyric' |
Jul 22, 2019 |
| Mia You |
Good fucks A review of Dodie Bellamy's 'Cunt Norton' |
Mar 18, 2014 |
| Mia You | Recreate that thing! | Mar 10, 2015 |
| Andrew Zawacki |
Loosening linking An introduction to Jordan Scott |
Feb 18, 2015 |
| Andrew Zawacki |
Railroad sense An introduction to C. S. Giscombe |
Mar 25, 2015 |
| Steven Zultanski | On Lawrence Giffin's 'Christian Name' | Aug 18, 2014 |
| Steven Zultanski |
Short statement in five parts on 'Statement of Facts' A review of Vanessa Place's 'Statement of Facts' |
Oct 16, 2012 |
| Magdalena Zurawski |
Montreal's was a desiring feminism A review of 'Theory, A Sunday' |
Jul 15, 2014 |