Galleries


	Content suspended	Sep 28, 2011
Louis Armand	Artwork by Louis Armand and Ken Bolton	Nov 16, 2012
Louis Armand	Artwork by Louis Armand and Paul Sloan	Nov 29, 2011
Martín Bakero	Martín Bakero “Abjects” and other poems	Apr 28, 2014
Erica Baum	Photographs from 'Dog Ear'	Mar 09, 2011
Victor Bockris	Tom Weatherly, Philadelphia, 1972 (Telegraph Books Reading)	Sep 06, 2019
Ken Bolton	Artwork by Ken Bolton and Robert Pulie	Apr 12, 2012
Anamaría Briede	Anamaría Briede from “Líneas Contenidas”	Apr 28, 2014
Gaye Chan	Pacific rim and basin art Curated by Gaye Chan	Apr 04, 2011
Brandon Downing	Recent collages	Dec 05, 2011
Chris Edwards	Artwork by Chris Edwards and Angela Gardner	Jul 24, 2012
Kurt Folch	Kurt Folch A sampler	Apr 28, 2014
Gregorio Fontén	Gregorio Fontén from “circle of tones” and “street poem AZ”	Apr 28, 2014
Martín Gubbins	Martín Gubbins from 'Símbolos,' 'Hormigas,' 'nbsp,' and 'White Pages'	Apr 28, 2014
Tero Hannula	Tero Hannula	Feb 15, 2016
Satu Kaikkonen	Satu Kaikkonen	Feb 15, 2016
Jukka-Pekka Kervinen	Jukka-Pekka Kervinen	Feb 15, 2016
Mikko Kuorinki	Mikko Kuorinki	Feb 15, 2016
Tiina Lehikoinen	Tiina Lehikoinen	Feb 15, 2016
Sami Liuhto	Sami Liuhto	Feb 15, 2016
Norman MacAfee	Sixteen drawings for Helen Adam's 'San Francisco's Burning'	Sep 30, 2013
Steve Prygoda	Gallery: John Wieners in 'Tenzone'	Dec 24, 2012
Jennifer Scappettone	Pop-up pastorals from 'The Republic of Exit 43'	Dec 14, 2016
James Schuyler	'Mark Trail' collage poem	Jun 30, 2012
Pete Spence	Artwork by Pete Spence	Jan 24, 2012
Reijo Valta	Reijo Valta	Feb 15, 2016
Rosanne Wasserman	Reading copy of 'Short History of the Saxophone'	Sep 06, 2019
Hannah Weiner	'The Book of Revelations': The diplomatic transcript (gallery view)	Apr 07, 2011

Jacket2 index

Jacket 1997–2010

We maintain the complete archive of Jacket magazine, founded and edited by John Tranter.

Recently in Jacket2

Near/Miss launches

Charles Bernstein

New from University of Chicago Press: paper, cloth, e-book
Audible.com has also published an audiobook of my reading of the full work.

Kit Robinson on Close Listening

Robinson and Uche Nduka at Unnameable Books

Charles Bernstein

Kit Robinson in conversation with me on Close Listening, recorded on October 6, 2019: MP3

We talk about Robinson's early Dolch Stanzas and its vocabulary, based on a list of the most frequently used words English, his use of short lines, changes in his more recent, "late" work, his connection to Tom Raworth, and the relation of his day jobs to his work as a musician and poet.

Elysian weather

A review of Joyelle McSweeney's 'The Necropastoral: Poetry, Media, Occults'

Toby Altman

“I am a Futurist,” writes Joyelle McSweeney, describing the strange historical allegiances of her work: “But I am a Futurist of 1909 rather than a Futurist who believes or anticipates a Future as envisioned by, say, TED talk panelists or believers in the progressive motion of literature as a reinforcement of political/capitalist bona fides.”[1] As declarations of avant-garde intent go, McSweeney’s is deliciously paradoxical: an anachronistic investment in a movement that militated against anachronism, that made war on the past and its pious preservation.