NOTE. Anne Tardos’s The Camel’s Pedestal: Poems 2009–2017was published earlier this year by BlazeVOX Books. Of these poems and of what Gary Snyder has called the “real work of modern man: to uncover the inner structure and actual boundaries of the mind,” John Olson writes: “There is a splendid lucidity to Tardos’s writing, a jesting, inquisitive spirit nimbly examining the relationship between language and reality in inventive articulations that jingle with wit and perceptivity. Lines like ‘I am lost in a desert of my own making’ and ‘Do words work as wood works’ juggle phenomenology, advancing what Tardos observes as ‘the true state of things expressed in phenomena but inexpressible in language.’ Contradiction, paradox, incongruity; it’s all here, the entire caravan of linguistic apparatus crossing the dunes of this enigma, this desolation of self-awareness, this epistemology of dromedaries on the very edge of things. This collection is well-crafted, precise, imaginative, clear. I feel a great intelligence moving among these words. It’s exhilarating. This is the kind of work that inspires me.”
Life is a raw event I give you roses You give me roses As I speak and as you listen, I feel the traction of my words in the terrain of your mind We speak of the great emptiness which is ultimately empty of itself (it is not reality either) We discuss the limits of thought The paradox of expressibility The familiar, the habitual, we appropriate Our mental attitudes then crystallize into instincts
[Writes Owens of her new masterwork: “In the order of the letters of the alphabet I am making use in these poems of a system of mental relations which by the act of writing becomes the poem, a cosmic meditation.”]
[Writes Owens of her new masterwork: “In the order of the letters of the alphabet I am making use in these poems of a system of mental relations which by the act of writing becomes the poem, a cosmic meditation.”]
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Poems and poetics