Jerome Rothenberg

Poems and poetics

Mikhl Likht, from 'Procession IV'

Proem and Poem [Adam Kadmon], with endnotes

The translation of Likhts “Every New Poet: Proem” will appear in Global Modernists on Modernism, a two-hundred-thousand-word anthology of texts — manifestos, essays, prologues, statements, forewords, letters, etc — by modernists across the arts, with an emphasis on texts that reflect on the theory and/or practice of modernism in a range of national, transnational, indigenous, regional, diasporic, and stateless contexts. 

Translation from Yiddish by Ariel Resnikoff and Stephen Ross

 

[Every New Poet: Proem]

Janaka Stucky: From 'Ascend Ascend,' a work in progress, with a note by the author

Janaka Stucky: From 'Ascend Ascend'

[Excerpted from Janaka Stucky’s forthcoming book, Ascend Ascend (Third Man Books, April 2019). The accompanying portrait of the author is by photographer Adrianne Mathiowetz.]

[Excerpted from Janaka Stucky’s forthcoming book, Ascend Ascend (Third Man Books, April 2019). The accompanying portrait of the author is by photographer Adrianne Mathiowetz.]

 

Blessed is the lotus

The day’s bleeding wound

 

Blessed are the spiders their alphabet

Twenty six stones my corpse is dancing

Clayton Eshleman: For the Night Poem 8 Aug 2010

[N.B.: Writes Eshleman of the poem’s origin and rediscovery: “This poem was written after studying Weston La Barre’s Muellos: A Stone Age Superstition About Sexuality (Columbia University Press, 1985). It is dated 8 August 2010. It will appear in my book Pollen Aria, to be published by Black Widow Press, spring 2019. After writing the poem I forgot about it, and would have lost it had not my Georgian translator Irakli Qolbaia come across it online. How or where he found it I do not know. But he sent it to me and I recognized it as one of my own.”]

Looking into the telescope of the night,

with its vehicular cinders, its naked sea butterflies,

I contemplate the composted humanity

under me, or

of self, so latent as to be a dwarf lantern,

to realize what the male head means in my Sepik layers,

to kill so as to amass souls, soul strength of others,

Mark Weiss: Suite of Dances XXIV

Song of a Leaping Girl

NOTE. A writer of remarkable skills and insights, Weiss has written of the present venture: “I’ve joked before that my work isn’t so much composition by field as composition of field. A Suite of Dances might be composition by notebook.”

Unfolds herself from the chair.

 

Each line a decision.

 

“Already the years will pass without me.”

 

This time of year no nights are green,

Maid Marian.

 

Lost thoughts

Toward a poetry and poetics of the Americas (13): Haroldo de Campos, three poems and an essay on poetry

Haroldo de Campos, three poems and an essay on poetry

NOTE. The basic book for Haroldo de Campos in English is Novas: Selected Writings, edited by Antonio Sergio Bessa, Odile Cisneros, and Roland Greene, published by Northwestern University Press in 2007. While Haroldo died in 2003, he and his brother Augusto are widely acknowledged today as two of the truly major poets of the last hundred years, bringing poetry and poetics together.

[Best known among us as the cofounder (with his brother Augusto de Campos and Décio Pignatari) of Noigandres, the great Brazilian experimental and concrete poetry movement of the later twentieth century, Haroldo moved his work in multiple directions, to place him among the truly grand poets of the Americas, North and South, early and late, and in multiple languages.