Jerome Rothenberg

Poems and poetics

Jerome Rothenberg in conversation with Irakli Qolbaia, on the origins of Ethnopoetics, deep image, gematria, and other early matters

Jerome Rothenberg in conversation with Irakli Qolbaia

Reading at Morden Tower, Newcastle, circa 1967, with Tony Harrison (left).
Reading at Morden Tower, Newcastle, circa 1967, with Tony Harrison (left).

[This conversation was carried on between Tbilisi, Georgia, and Encinitas, California in late 2017.  Other work by Irakli Qolbaia can be found here and here on Poems and Poetics.]

[This conversation was carried on between Tbilisi, Georgia, and Encinitas, California in late 2017.  Other work by Irakli Qolbaia can be found here and here on Poems and Poetics.]

 

Julian Beck: the state will be served even by poets

[Reposted here as a follow-up to recent discussions of the use of Ezra Pound’s name by the neofascist Casa Pound party in Italy, as a reminder of the larger problem that confronts us, even today, even as poets. In memory, too, of Julian Beck and Judith Malina. (J.R.)]

[Reposted here as a follow-up to recent discussions of the use of Ezra Pound’s name by the neofascist Casa Pound party in Italy, as a reminder of the larger problem that confronts us, even today, even as poets. In memory, too, of Julian Beck and Judith Malina. (J.R.)]

 

the breasts of all the women crumpled like gas bags when neruda wrote his hymn celebrating the explosion of a hydrogen bomb by soviet authorities

 

Jerome Rothenberg: 'The Pound Project,' sixteen poems after lines by Ezra Pound

Jerome Rothenberg: 'The Pound Project'

[The abomination of the neofascist “Casa Pound” party in contemporary Italian politics brings me back to a sixteen-poem series I wrote several years ago, with Ezra Pound — a strong poetry influence for many of us (myself included) and in politics a fool or worse — as the central focus.

Michael Davidson: 'Cleavings: Critical Losses in the Politics of Gain'

[Reposted from Disability Studies QuarterlyVol 36, No 2 (2016), where all sources are cited with pertinent footnotes. In the present version, however, I would like to stress the fusion of critical and personal voices by Michael Davidson, himself a pioneer in literature-based disability studies and a poet and essayist of considerable accomplishment. A major essay of his on “the poetics of disability” in the work of Larry Eigner can be found here and on Poems and Poetics. It also forms a chapter in his book Concerto for the Left Hand: Disability and the Defamiliar Body, University of Michigan Press, 2008. (J.R.)]

[Reposted from Disability Studies Quarterly, Vol 36, No 2 (2016), where all sources are cited with pertinent footnotes. In the present version, however, I would like to stress the fusion of critical and personal voices by Michael Davidson, himself a pioneer in literature-based disability studies and a poet and essayist of considerable accomplishment.