[Hers is the extraordinary opening poem in Homage to the Alphabet, an online gathering of poets, published by Metambesen and including individual poems, each using the letters of our or any other alphabet in sequential order. Initiated by master poet Robert Kelly, other contributors include Lila Dunlap, Mikhail Horowitz, Charlotte Mandell, Joel Newberger, Tamas Panitz, Charles Stein, Peter Lamborn Wilson, and Maggie Louisa Zavgren.]
Al Filreis convened Selena Dyer, Jonathan Dick, and Jerome Rothenberg to talk about three poems in Michael McClure’s Ghost Tantras. The three poems can be found here. One of them is number 49 in the series, and there is a complicated history of performances. At Birkbeck College in London, McClure, performing some tantras, offered a brief commentary on 49 and then played a famous earlier recording in which he performed the poem (in 1964 and again in 1966) at the San Francisco Zoo in the lions’ house. Each time the lions roared in response.
Lyre is a collection of poems that attempts to translate more-than-human worlds into different kinds of poetry. As much as my encounter with each animal, plant, and landform produced differences of syntax and vocabulary across the poems, I also wanted to allow the subject to unsettle poetic form itself. In other words, it wasn’t enough just to describe the different worlds or unwelten of these different beings; as nonhuman lives were being translated into human poetry, human poetry also needed to undergo some kind of translation into something else.
Note: The following open letter was originally published in Jerome Rothenberg and Dennis Tedlock’s journal of ethnopoetics, Alcheringa, no. 3 (Winter 1971): 94–95 (a facsimile is available online at Independent Voices). The immediate occasion was a statement made by Ted Wilentz, Weatherly’s coeditor for the Natural Process anthology, in his introduction to that volume.
Note: The following open letter was originally published in Jerome Rothenberg and Dennis Tedlock’s journal of ethnopoetics, Alcheringa, no. 3 (Winter 1971): 94–95 (a facsimile is available online at Independent Voices).
[EDITOR’S NOTE: The following is a further installment of John Bloomberg-Rissman’s ongoing collage epic, composed, as with much of his writing, (almost) entirely from words or sounds appropriated from other writers.
[AUTHOR’S NOTE: The Homeless Library (2014–17) is “the first history of British homelessness. A collection of books handmade by homeless people, reflecting on their lives and how they connect with the wider, previously unwritten heritage of homelessness. The books describe lived experience in interviews, poetry, art.” It was created by poet Philip Davenport and artist Lois Blackburn under their experimental arts organization arthur+martha, based in Manchester, UK.
[In putting together a transnational and historical anthology of the Americas North and South (now in progress), Javier Taboada and I are looking also at founders and representatives of new or revived American-based religions, who speak and write in forms of prophetic and visionary language that resembles what we otherwise would think of as open-verse poetry. In the present instance the outsider poets on display are Joanna Kitchel, a follower of Mother Anne Lee and the Society of Believers in Christ’s Second Coming (a.k.a. Shakers); El Niño Fidencio (Fidencio Constantino Síntora), a mid–twentieth-century healer and cult figure from Mexico; and Essie Parrish, cofounder of the Pomo Indian “dreamer religion” of California. The images above are of Fidencio and Parrish. (J.R.)]
[In putting together a transnational and historical anthology of the Americas North and South (now in progress), Javier Taboada and I are looking also at founders and representatives of new or revived American-based religions, who speak and write in forms of prophetic and visionary language that resembles what we otherwise would think of as open-verse poetry. In the present instance the outsider poets on display are Joanna Kitchel, a follower of Mother Anne Lee and the Society of Believers in Christ’s Second Coming (a.k.a.
[With the help of Henri Delaage (a well-known figure in the nineteenth century among the “initiated” in Paris) and some illustrators (including the famous Nadar, who was a designer before becoming a photographer), Gerard de Nerval composed the journal Le Diable Rouge, which was meant to be a “Cabalistic Almanac for 1850.” Le Diable Rouge inaugurated Nerval’s “Republican” period, the one that would see him, in 1850, publishing in Le National, the great daily organ of the Left.
Billie Chernicoff: A Marian Alphabet
[Hers is the extraordinary opening poem in Homage to the Alphabet, an online gathering of poets, published by Metambesen and including individual poems, each using the letters of our or any other alphabet in sequential order. Initiated by master poet Robert Kelly, other contributors include Lila Dunlap, Mikhail Horowitz, Charlotte Mandell, Joel Newberger, Tamas Panitz, Charles Stein, Peter Lamborn Wilson, and Maggie Louisa Zavgren.]