Rae Armantrout: Four new poems
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TRUE NORTH
Reindeer pull a sleigh
(through early spring thaw)
on the roof
of the True North
nail salon
*
Signed turn-out
where tourists take snapshots
of the pipeline, elevated
on small plinths,
amid scattered birch
*
Aurora’s green sky
gives the mind
what it thinks
it wants: a different
nature, a new world
*
And notes
of a wind chime —
dissonant, rounded —
Nabokov’s “nymphets”
fleeting in place
POSE
So the problem we pose
is how to create an intelligent
agent
and then prevent it
from destroying this world?
*
“Content monitoring
that required the AI’s
intentional states
to be transparent
might not be feasible
for all architectures.”
*
A long green straw
stuck in the ground
with two ears (leaves)
protruding
on either side
at intervals
*
What we meant
by “listening stations”
and when we began
to mean this.
*
Perhaps its goal would be
to have “thoughts”
pass through its “head”
so it could record them.
*
“Preparedness is critical.”
“Kiss all hope goodbye.”
“A friend wants you to like it.”
LIKE
Small white lights
twined around white
dead sticks
under a glass dome
flash -
like getting an idea
was the idea.
*
Like thinking
I want to fall asleep,
each night coming so soon
after the last,
and hosting a string
of tedious dreams
like trying to get back
to my office
*
I head
back in
to clear it
out,
my head
PHILOSOPHICAL INVESTIGATIONS
1
What are your interests?
I’m interested in the way
interest
creates finitude.
*
Differently translated,
“in choosing itself,
existing being
closes a circuit.”
*
Now every sixteen seconds,
the engine will pass the brakeman
with his arm always raised
beside the empty station.
2
What do you want to do?
All impulses come
from the gods,
as we know,
and lead god knows where,
though each hero
has her own set
of god-given epithets,
“Insta-bright”
and
“All-dimming”
[Rae Armantrout has emerged in recent years as an essential contributor to a new and evolving American poetry, the force of the work in fulfillment of Lydia Davis’s earlier assessment: “In every line, every stanza of these brief and dense poems, Rae Armantrout’s powerful mix of scientific inquiry and social commentary, wit and strangeness, is profoundly stimulating. She changes the way one sees the world and hears language — every poem an explosion on the page in which her individuality shines through. Is the work funny? Absolutely. Moving? Yes. But beware — after reading Armantrout you will question everything, including what it means to be ‘funny’ and ‘moving.’” Previous postings on Poems & Poetics can be found here and here, as well as Marjorie Perloff’s essay “An Afterword for Rae Armantrout.” (J.R.)]
Poems and poetics