Alan Golding, Lily Applebaum, and Herman Beavers joined Al Filreis in the Wexler Studio at the Kelly Writers House — the first time PoemTalk recorded in the new studio — to discuss two short poems by Tyrone Williams that appear in the book published by Omnidawn in 2008 called On Spec. The two poems appear in the book’s first section, called “Eshuneutics.” “Written By H’Self” [text] is the first poem in the section and the very first in the book. “Cant” [text] appears fourth in the book.
Bernadette Mayer, Julia Bloch, and Erica Kaufman joined Al Filreis to discuss James Schuyler’s poem “February.” Schuyler read the poem at the Dia Art Foundation in New York on November 15, 1988. John Ashbery gave the introduction, emphasizing how reluctant Schuyler was to read in public. He noted: “As far as I know, this is the first public [reading] he has ever given.” One can tell from the tone of Ashbery’s remarks that he felt that he and the audience were in for a rare treat, a savoring for which years of waiting were worthwhile.
Julia Bloch, Dee Morris, and Annette Debo joined Al Filreis for this extended episode of PoemTalk, and their task — to give a sense of the whole of H.D.’s lyric epic Helen in Egypt through a discussion of five selected small parts — certainly pushed at the limit of PoemTalk’s scope and mode.
Among the last things Wallace Stevens wrote was a metapoem, a poem in which a man — a reader and presumably a poet too — does not write a poem but picks his way among the aspects of an old poem, the poem that had once helped him by standing in for a mountain. He composes (or rather “recompos[s]”) the objects and perspectives of the way or path up the mountain. It had been a “direction.” Was it now again?
Anthony Madrid, Laura Goldstein, and Don Share joined Al Filreis at the Poetry Foundation in Chicago for a special on-the-road PoemTalk episode, a discussion of Carl Rakosi’s poem “In What Sense I Am I.” The poem appeared in Rakosi’s Collected Poems in the mid-1980s, but otherwise the group was not able to date the poem except through internal evidence — and there’s plenty of that — although taken all together such evidence leaves things open — for instance, the reference to Eliot’s Prufrock.