Coolitude poetics interview with Ian Harnarine

Ian K. Harnarine

Ian K. Harnarine was born in Toronto to Trinidadian parents. He studied physics at York University and the University of Illinois. He has an MFA from NYU’s Graduate Film School where he now teaches with the Physics department.

As a location sound mixer, Harnarine has mixed God of Love (Academy Award), The Fly Room, Stuck Between Stations, and numerous award-winning short films, features, documentaries, special events, and commercials.

Toward a poetry of the Americas (8): Pablo Neruda, 'Ode to Walt Whitman'

Translation from Spanish by Martín Espada


I don’t know

at what age,

or where,

in the great wet South

or on the fearsome coast

beneath the brief

scream of the seagulls,

I touched a hand and it was

Bodies-cities part 2: James Schuyler's somatic urbanism

Clark Park, December 2017. Photo by the author.

I began this project a year ago to ask some questions about how queer spatial studies and city planning history each model cities and urban life, and how experimental poems further bring these models into conversation with one another.

Remixing the Sound Archive: Cut-up Poetry Recordings

Brandon Walsh

[Recently I spoke at NEMLA 2017 with Ken Sherwood and Chris Mustazza. The panel was on “Pedagogy and Poetry Audio: DH Approaches to Teaching Recorded Poetry/Archives,” and my own contribution extended some past experiments with using deformance as a mode of analysis for audio recordings. The talk was given from notes, but the following is a rough recreation of what took place.]

On Leslie Scalapino’s 'New Time' and the perceptual city

In the essay “Bodies-Cities,” Elizabeth Grosz argues that “[t]he city is one of the crucial factors in the social production of (sexed) corporeality: the built environment provides the context and coordinates for contemporary forms of body.”[1] There are a number of claims within this one: that corporeality is a social production, that the way corporeality is socially produced is inconsistent across bodies, and that what a body is must be bound up in what buildings are and how they use each other.