PoemTalk

No spell broken (PoemTalk #94)

CA Conrad, two poems from '(Soma)tic Midge'

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Trace Peterson, erica kaufman, and Gabriel Ojeda-Sague joined Al Filreis at the Renee & Chaim Gross Foundation in New York City to discuss two poems in CA Conrad’s chapbook, (Soma)tic Midge, published by Faux Press in Cambridge, Massachusetts (2008). Each of the seven poems in the series was written while the poet was under the influence of a color — worn, ingested, or otherwise enveloped.

Dreams not spoiled by roaches (PoemTalk #93)

Helen Adam, 'Cheerless Junkie's Song'

Helen Adam; screenshot courtesy Ron Mann's "Poetry in Motion" (1981/82) (c); republished by The Voyager Company (1992)

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Corina Copp, Laura Sims, and Richard Deming joined Al Filreis in the Wexler Studio of the Kelly Writers House to talk about one of Helen Adam’s poem-songs, “Cheerless Junkie’s Song.”

An abductee, in theory (PoemTalk #92)

Bob Perelman, 'Confession'

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Al Filreis convened Kristen Gallagher, Kathy Lou Schultz, and Bruce Andrews for a conversation about a poem by Bob Perelman, “Confession,” which the poet once introduced (jokingly, yes?) as “the inside story of Language writing.” “Confession” was published as the first poem in — indeed, arguably it serves as a proem to — Perelman’s book The Future of Memory. Its speaker satirically imagines that avant-garde poets had been abducted by aliens, in the manner of 1950s science fiction.

The body in pain (PoemTalk #91)

Gil Ott, 'The Forgotten'

From left to right: Jenn McCreary, Pattie McCarthy, Frank Sherlock

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Jenn McCreary, Frank Sherlock, and Pattie McCarthy joined Al Filreis in the Wexler Studio of the Kelly Writers House to discuss a poem by Gil Ott. The poem is called “The Forgotten” and it was published in Public Domain of 1989. PennSound’s recording of the poem comes from a performance at the Ear Inn in New York City on February 19, 1989. In No Restraints (an anthology of writings about disability culture), Gil Ott’s contribution is about invisible disability. Pattie notes that “The Forgotten” enacts this notion, especially at the beginning when it “points so much to the interior” of sourceless hurt, of forgotten wound.

The fuck-you bow (PoemTalk #90)

Gertrude Stein, 'How She Bowed to Her Brother'

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Maxe Crandall, Julia Bloch, and Sarah Dowling joined Al Filreis to talk about Gertrude Stein’s “How She Bowed to Her Brother.” It was written in late 1931. The text can be found in A Gertrude Stein Reader, edited by Ulla Dydo (564). On PennSound’s Gertrude Stein page, which has been edited and annotated by Dydo, one can hear a recording of Stein performing the first section of the three-section poem.