Note: Cid Corman passed away in Kyoto on March 12, 2004. Although the first three volumes of his large book of were published prior to his death, the final two volumes remained unpublished until now. This interview with Bob Arnold, the executor of the Cid Corman estate, and the editor and publisher of these final volumes of the book, agreed to speak with me about the final two volumes (volumes 4 and 5) and his efforts to edit them and bring them forward. Our conversation was conducted through a series of email exchanges during the winter months of 2015. — Gregory Dunne
Editorial note:This interview was first published in Arabic on March 15, 2015 in Al Arab and Al Jadeed, both of London. Among American poets, Linh Dinh is unique in that he writes regularly for several political webzines and also appeared regularly, for a few years, on Iran’s Press TV as well as Russia Today. His primary audience, then, is a non-poetry one, and he reaches them through an active blog that features photos, essays, and poems. — Tahseen al-Khateeb
It was a brisk spring night when I went to hear Endi Bogue Hartigan read as part of the Loggernaut Reading Series in Portland. What struck me about her person was a quiet intensity; her work, with its eerie incantatory power, unsettled me. I admired this, found it refreshing in a time when a lot of poetry readings have a light or casual tone — with poets starting out with jokes or stories, or if they are from out of town, something they like about Portland. While I enjoy those readings, too, I was drawn to her work partly because the way she read aligned brilliantly with the collection's strong aesthetics of muscular repetition and urgent complexity. I decided to approach her about an interview because I wanted to know more about how this collection came into being. What follows is an interview conducted over email, stringing out over several months as we slowly found an afternoon here, an evening there, to keep the conversation going.
Métis/mixed-blood writer Joanne Arnott’s sixth and latest poetry collection, Halfling Spring: An Internet Romance, is an intriguing weave of writing about love, culture, and relationship mediated through textuality — both on- and offline. The play of environment, distance, geography, community, and indigenous ways of knowing, as well as the relationship with materiality and the tangible (the body and the physical world), are fascinating.
Note: What follows is an edited transcript of PennSound Podcast #48, a March 18, 2015, conversation between Rachel Zolf and Brian Teare. Zolf and Teare discuss Zolf’s most recent book, Janey’s Arcadia, which Teare described in his introduction to Zolf’s reading at Temple University in November 2014 as a work that “situates us in a Canadian national history in which the ideology of nation building prescribes genocide for Indigenous people, and enlists all its settler-subjects in the campaigns of conversion, dislocation, assimilation, and disappearance.”