Articles
| Jennifer Aglio | Myung Mi Kim's performance of language | Apr 12, 2013 |
| Sandra Alland | Introduction | Oct 11, 2012 |
| Sandra Alland |
Lady Lingual An introduction to Adeena Karasick |
Mar 29, 2013 |
| Mesbah Alam Arghya | 'Woodense': A close twinning | May 21, 2012 |
| Louis Armand | Poetry and the unpoetic | Sep 07, 2012 |
| Bob Arnold |
The man who always was On Cid Corman |
Dec 24, 2012 |
| Jan Baetens | Perloff and/in France | Nov 08, 2012 |
| Subhro Bandopadhyay | Fence consciousness | May 21, 2012 |
| derek beaulieu | Poetic representations of the holocaust | Apr 29, 2012 |
| Melanie Bell |
Speaking together against the fixed Lisa Robertson on poetry as citizenship |
Mar 29, 2013 |
| Kyle Bella |
Queering racialized bodies Disidentity in the works of Akilah Oliver and Ronaldo Wilson |
Jul 01, 2013 |
| Steve Benson |
What nothing is in here? The novel in a virtual absentia |
Oct 04, 2013 |
| Caroline Bergvall | Four wheels and a broken glass | Nov 08, 2012 |
| Bill Berkson | Circa 1966 | Mar 01, 2013 |
| Bill Berkson | Schuyler entries | Jun 30, 2012 |
| Charles Bernstein |
Gertrude Stein taunts Hitler in 1934 and 1945 (Sieg heil, sieg heil, right in der Fuehrer's face.) |
May 09, 2012 |
| Charles Bernstein | On Larry Eigner, 'On My Eyes' | May 02, 2011 |
| Charles Bernstein | Ways of reading: Marjorie Perloff and the sublimity of pragmatic criticism | Nov 08, 2012 |
| Anselm Berrigan |
Poetry as music A different way of thinking |
Mar 01, 2013 |
| Robert Bertholf | On John Taggart's 'There Are Birds' | Jun 18, 2014 |
| Gregory Betts | Not against expression | Mar 29, 2013 |
| Julia Bloch |
Epic silence On Myung Mi Kim's 'Under Flag' |
Apr 12, 2013 |
| Daniel Bouchard |
A little yod and a rocking enormity Reading 'Drafts' |
Dec 14, 2011 |
| Kevin Bowen |
Reclaiming Corman Cid Corman's Dorchester past |
Dec 24, 2012 |
| Steve Bradbury |
Have net, will travel The new face of Chinese poetry |
Apr 02, 2011 |
| Susan Briante |
Defacing the monument Rukeyser’s innovations in docupoetics |
Apr 21, 2014 |
| Vincent Broqua |
Stephen Ratcliffe’s '[where late the sweet] BIRDS SANG' Or, writing through Shakespeare’s sonnets |
Oct 20, 2011 |
| Edward Burns and Ulla E. Dydo |
A letter to the editor 'The Nation,' 1987 |
May 09, 2012 |
| Edward Burns | Gertrude Stein: a complex itinerary, 1940–1944 | May 09, 2012 |
| Edward Burns and Ulla E. Dydo |
Gertrude Stein: September 1942–September 1944 from 'The Letters of Gertrude Stein and Thornton Wilder' |
May 09, 2012 |
| Louis Cabri |
Unanimism and the crowd Early modern social lyric |
Nov 09, 2011 |
| Sarah Campbell |
'Reported ocean' One or more voices out loud |
Apr 12, 2013 |
| Teresa Carmody | On small press publishing | Sep 25, 2013 |
| J. R. Carpenter |
Wanderkammer A walk through texts |
Nov 01, 2011 |
| Natalia Cecire |
Sentimental spaces On Mei-mei Berssenbrugge's 'Nest' |
May 23, 2011 |
| Joseph Ceravolo | Letter to David Shapiro, 6/29/65 | Mar 01, 2013 |
| Circumcontentive Poets |
Circumcontentive poetry An off-white paper |
May 21, 2012 |
| Tanya Clement | The Baroness in little magazine history | May 05, 2011 |
| David A. Colón | Avant-Latino poetry | Jun 26, 2014 |
| James Cook |
"To find out for yourself" Maximus at Gloucester High School |
Dec 24, 2012 |
| Matthew Cooperman |
'Surroundings answer questions' Experimental pastoralisms in O’Brien and Taggart |
Jun 18, 2014 |
| William Corbett | A few words on James Schuyler | Jun 30, 2012 |
| William Corbett | Larry Eigner, an advertisement | Dec 24, 2012 |
| Bonnie Costello |
The plural of us Uses and abuses of an ambiguous pronoun |
Jan 06, 2012 |
| Randall Couch | On the art of Susan Stewart | Nov 29, 2012 |
| Michael Cross | Stephen Ratcliffe's Hamlet | Oct 20, 2011 |
| Maria Damon |
Desiring visual texts A collage and embroidery dialogue |
Mar 25, 2013 |
| Maria Damon | On Bob Kaufman, 'Does the Secret Mind Whisper?' | May 03, 2011 |
| Maria Damon |
Poetry isolation and collective clumsiness An antonymic exploration |
Sep 25, 2013 |
| Alan Davies | I think I understand Emma Bee Bernstein | Dec 09, 2011 |
| Alan Davies |
Never without On Diane Ward |
Apr 09, 2012 |
| Thomas DePietro |
I to eye Self and society in the poetry of Lawrence Joseph |
Feb 09, 2012 |
| Thomas Devaney |
Inverting the middle Turning points in 'Drafts' |
Dec 14, 2011 |
| Anne Dewey |
Projecting Amy Lowell Olsonian poetics of the body in Rosmarie Waldrop's "A Form / of Taking / It All" |
Dec 24, 2012 |
| Gaby Divay |
The German Baroness Else Baroness von Freytag-Loringhoven's German poetry |
Jun 02, 2011 |
| Joseph Donahue |
Approaching Taggart chapel Ritual, Rothko, and poetic form |
Jun 18, 2014 |
| Thom Donovan |
A grave in exchange for the commons Fred Moten and the resistance of the object |
Apr 06, 2011 |
| Thom Donovan | Somatic poetics | Oct 18, 2011 |
| Johanna Drucker | 'Radical Artifice' | Nov 08, 2012 |
| Robert Duncan | Robert Duncan's notes on Ron Silliman's 'Opening' | May 16, 2011 |
| Jim Dunn |
The old brick city by the Atlantic John Wieners's Boston haunts |
Dec 24, 2012 |
| Rachel Blau DuPlessis | On Frank O'Hara, 'Second Avenue' | May 02, 2011 |
| Patrick F. Durgin | New life writing | Feb 14, 2012 |
| Craig Dworkin | A note on Conceptualism | Sep 25, 2013 |
| Kristin Dykstra | Dispatch from Havana: Ricardo Alberto Perez | Oct 14, 2013 |
| Jacob Edmond |
Everybody’s a genius Conceptual writing and community |
Sep 25, 2013 |
| Maude Emerson | James Schuyler's 'Freely Espousing' | Jun 30, 2012 |
| Andrew Epstein |
'Building a nest out of torn up letters' James Schuyler, trash, and the poetics of collage |
Jun 30, 2012 |
| George Evans |
Bashō's Pheasant Cid Corman and Kyōto |
Dec 24, 2012 |
| Kate Fagan |
Murdering alphabets, disorienting romance John Tranter and postmodern poetics |
Apr 04, 2011 |
| Elena Fanailova | Lena and Lena | Jan 17, 2013 |
| Curtis Faville |
Commentary on Larry Eigner's 'On My Eyes' A response to Charles Bernstein's 1960 symposium presentation |
May 03, 2011 |
| Curtis Faville | The text as an image of itself | Dec 24, 2012 |
| J. Gordon Faylor | Marjorie Perloff: A bibliographic essay | Nov 08, 2012 |
| Derek Fenner |
Gerrit Lansing: A personal reliquary Or, notes toward an essay |
Dec 24, 2012 |
| Al Filreis | Flipped poetics and the resources (such as they are) of the academy | Sep 25, 2013 |
| Al Filreis | Introduction to the poetry and poetics of 1960 | May 09, 2011 |
| Al Filreis | Jerome Rothenberg: The real revolution is tragic | Dec 10, 2011 |
| Al Filreis | Poetry in 1960, A Symposium: Question & Answer Session | May 04, 2011 |
| Al Filreis | Stanley Burnshaw comes to PennSound | Jun 28, 2011 |
| Al Filreis | The unprepared future of an exophonic refugee | Nov 08, 2012 |
| Thomas Fink | Reading Joe Ceravolo's 'Migratory Noon' with Ron Silliman | Mar 01, 2013 |
| Norman Finkelstein |
Ground zero Baudelaire 'Into It' and the poetics of shock |
Feb 09, 2012 |
| Jessyka Finley |
'How I got ovah' Humor and discontent in women’s poetry of the Black Arts Movement |
Sep 25, 2013 |
| Norman Fischer | A note on the visual poetry of Whalen, Grenier, and Lazer | May 23, 2014 |
| Norman Fischer | On 'Portraits & Repetition' | Oct 20, 2011 |
| Stephen Fredman | 'The Poetics of Indeterminacy: Rimbaud to Cage' | Nov 08, 2012 |
| Chris Funkhouser | Bringing Harry Mathews to PennSound (and you) | May 05, 2011 |
| Chris Funkhouser |
On Jackson Mac Low, 'Stanzas for Iris Lezak' Mac Low as a Shadow Beatnik |
Apr 27, 2011 |
| Kristen Gallagher | On LeRoi Jones, 'Preface to A Twenty-Volume Suicide Note' | Apr 27, 2011 |
| Susan Gevirtz | Outer Event | Apr 12, 2013 |
| Sukanta Ghosh | The circumcontent of science and poetry | May 21, 2012 |
| Jean-Marie Gleize | Democracy | Apr 10, 2014 |
| Ariel Goldberg |
The view from performance A report from the Marin Headlands |
Oct 20, 2011 |
| Alan Golding |
Drafts and fragments Rachel Blau DuPlessis’s (counter-) Poundian project |
Dec 14, 2011 |
| Judith Goldman | On Gwendolyn Brooks, 'The Bean Eaters' | Apr 29, 2011 |
| Kenneth Goldsmith | On Brion Gysin, 'Minutes to Go' | Apr 28, 2011 |
| Mark Goldstein |
Constant renewal Nicole Brossard at Kelly Writers House |
Mar 29, 2013 |
| Laura Goldstein |
Mobilizing the POLI theprecession.org and languages of the Internet populace |
Jul 14, 2011 |
| Robert Grenier | On 'Selected Days' | Oct 20, 2011 |
| Barbara Guest |
Typescript of two early poems by Barbara Guest 'Escape' and 'The Inhabitants' |
Jun 15, 2011 |
| Piotr Gwiazda |
'A naked singularity' James Merrill and identity politics |
Sep 25, 2013 |
| Joseph Harrington | Docupoetry and archive desire | Oct 27, 2011 |
| Kaplan P. Harris |
The Small Press Traffic school of dissimulation New Narrative, New Sentence, New Left |
Apr 07, 2011 |
| Stefania Heim |
Trespass and presumption Susan Howe and Muriel Rukeyser |
Sep 25, 2013 |
| Michael S. Hennessey | On Daisy Aldan, 'A New Folder' | Apr 28, 2011 |
| Eric Hoffman |
Clarity and sincerity Disillusionment in George Oppen’s postwar poetic |
Nov 08, 2012 |
| Susan Holbrook | M. NourbeSe Philip's unrecoverable subjects | Mar 29, 2013 |
| Ray Hsu | Another day: Derksen v. America | Mar 29, 2013 |
| Paul Jaussen | Envoy: Postings on the digital life poem | Dec 14, 2011 |
| Lawrence Joseph | Notions of poetry and narration | Feb 09, 2012 |
| Adeena Karasick |
Exile and nomadicism Communi[]t[] manifesto |
Sep 25, 2013 |
| Leon Katz | A response to “Gertrude Stein's Translations of Speeches by Philippe Petain” | May 10, 2013 |
| Vincent Katz | Poems from '6x6' vis-a-vis a poem by Joe Ceravolo | Mar 01, 2013 |
| Erica Kaufman | On Barbara Guest, 'The Location of Things' | Apr 28, 2011 |
| David Kaufmann | James Schuyler's specimen days | Jun 30, 2012 |
| Anna Kałuża |
A World According to G.W. On Grzegorz Wróblewski |
Jan 09, 2012 |
| Eric Keenaghan | Openings: Some notes on the political in 'Drafts' | Dec 14, 2011 |
| Nathan Kernan |
Past = past Some notes on James Schuyler’s 'Salute' |
Jun 30, 2012 |
| Sonnet L'Abbé | Proc[edur]ession, a cross | Mar 29, 2013 |
| Kimberly Lamm |
Readymade Baroness The gendered language of Dadaist dress |
Jun 02, 2011 |
| Mark Lamoureux | What Gerrit gives us | Dec 24, 2012 |
| Dorothea Lasky |
Breathing a fire of risk Kunitz and Guest in the KWH 1960 symposium |
May 04, 2011 |
| Ruth Lepson | "Nor … ever some place else": Wieners in Boston | Dec 24, 2012 |
| Rachelle Katz Lerner | Rexroth's "The Dragon and the Unicorn" | Dec 24, 2012 |
| Sandra Lim | Three looks | Dec 09, 2013 |
| John Lowney |
'Why not say what happens?' Modernism, traumatic memory, and Lawrence Joseph's 'Into It' |
Feb 09, 2012 |
| Kimberly Lyons |
Closer to everything An appreciation of Joseph Ceravolo |
Mar 01, 2013 |
| Marit MacArthur | The skinny on Schuyler's line | Jun 30, 2012 |
| Robert Majzels |
The Xenotext Experiment and the gift of death 'Eunoia' patanoia patadox patadise |
Mar 29, 2013 |
| C. J. Martin |
How to mourn-touch The redactive prosodies of Rachel Blau DuPlessis |
Dec 14, 2011 |
| C. J. Martin | On 'Penury' | Apr 12, 2013 |
| C. J. Martin | On 'Pitch,' with special reference to 'Hard Copy' | Dec 14, 2011 |
| John Mateer |
'Invictus' and the negotiated revolution or Clint Eastwood’s idea of the lyric poem |
Jul 15, 2013 |
| Brandy Nālani McDougall |
Christianity, civilization, colonialism, and other diseases The poetry of Haunani-Kay Trask |
Mar 29, 2011 |
| Jerome McGann | On the unoriginal genius of Marjorie Perloff | Nov 08, 2012 |
| rob mclennan | Some notes on Lisa Jarnot's 'Sea Lyrics' | Feb 27, 2013 |
| kevin mcpherson eckhoff and Jake Kennedy | Why is Jordan Scott? | Mar 29, 2013 |
| Peter Middleton | Close, very close | Nov 08, 2012 |
| David Mikics | Days and nights with James Schuyler | Jun 30, 2012 |
| Jennifer Moore |
'Something that stutters sincerely' Contemporary poetry and the aesthetics of failure |
Feb 08, 2012 |
| Tracie Morris | Additional notes on Will Alexander's 'Compound Hibernation' | Apr 08, 2014 |
| Jason Morris |
Crystal gazing Clark Coolidge’s ‘Crystal Text’ |
Oct 03, 2012 |
| Dee Morris |
Sound bytes and computer blips Marjorie Perloff's electronic world |
Nov 08, 2012 |
| Nick Moudry | Book history and the poetry reading | Feb 19, 2013 |
| Jennifer Moxley |
Boiled Dinner A Tasteless Comedy in One Act |
Dec 09, 2013 |
| Robert Mueller | The time-presence prescience of Eleni Sikelianos's Pindar | Apr 15, 2014 |
| Aryanil Mukherjee | A poetics of informationalism | May 21, 2012 |
| Chris Mustazza |
Provenance report William Carlos Williams’s 1942 reading for the NCTE |
May 21, 2014 |
| Peter Nicholls | Marjorie Perloff's 21st-century modernism | Nov 08, 2012 |
| Mel Nichols |
On Bill Berkson and Frank O'Hara, 'Hymns of St. Bridget' Deep Fun |
May 02, 2011 |
| Charles North | A few of Schuyler's revisions | Jun 30, 2012 |
| Charles North | Note to 'Wild Provoke of the Endurance Sky' | Mar 01, 2013 |
| Peter O'Leary |
This poem is a song an act a work of love Taggart and repetition |
Jun 18, 2014 |
| Maggie O'Sullivan | For Marjorie | Nov 08, 2012 |
| Jena Osman | Playing the world | Aug 31, 2012 |
| Niamh O’Mahony | The munificence of Trevor Joyce | Feb 03, 2014 |
| Niamh O’Mahony | Trevor Joyce: A bibliography | Feb 03, 2014 |
| Ron Padgett | On 'Wild Flowers Out of Gas' | Mar 01, 2013 |
| Václav Paris | Gertrude Stein's Translations of Speeches by Philippe Petain | May 06, 2013 |
| Josephine Park | Rexroth to Kerouac | May 03, 2011 |
| Ted Pearson | Bruce Andrews: 'Debauching the Sine Wave' | Jan 23, 2014 |
| Jenny Penberthy | The very variants: A few revisions to Lorine Niedecker's 'Collected Works' | Jun 24, 2013 |
| Bob Perelman | 'Drafts' and the epic moment | Dec 14, 2011 |
| Bob Perelman |
A Williams soundscript Listening to ‘The Sea-Elephant’ |
Mar 11, 2013 |
| Bob Perelman | On Don Allen, 'The New American Poetry' | Apr 29, 2011 |
| Craig Santos Perez |
Signs of being Chamoru poetry and the work of Cecilia C. T. Perez |
Apr 02, 2011 |
| Marjorie Perloff | A short response to Alan Dershowitz | May 09, 2012 |
| Marjorie Perloff |
Towards a conceptual lyric From content to context |
Jul 28, 2011 |
| Jennifer Phelps | Mysticpoetics: Writing the alchemical self in Brenda Hillman's poetry | Sep 12, 2013 |
| M. NourbeSe Philip |
Wor(l)ds Interrupted The Unhistory of the Kari Basin |
Sep 17, 2013 |
| Vanessa Place | Marjorie Perloff: Die Dichtung und das Ding (poetry and the thing) | Nov 08, 2012 |
| Vanessa Place | Zombie poetry | Sep 25, 2013 |
| Poetry & Science Panelists | Basics of definition | Mar 13, 2012 |
| Yvette Poorter |
A website for one shoe A review of 'The Ministry of Walking' |
Nov 02, 2011 |
| Patrick Pritchett |
'All serifs are seraphim' Midrash as the angel of history |
Dec 14, 2011 |
| Patrick Pritchett |
'Giant Steps': John Taggart's sheets of sound and messianic jazz With special reference to Theodor Adorno |
Jun 18, 2014 |
| Steve Prygoda | Beginzone: "There's Ridgeway Lane forever" (the message) | Dec 24, 2012 |
| Meredith Quartermain |
The Wah in water On a reading by Fred Wah |
Mar 29, 2013 |
| Jean-Michel Rabaté | 'The Futurist Moment' | Nov 08, 2012 |
| Frank D. Rashid |
Shifting stories, codes of violence Two perspectives on Lawrence Joseph |
Feb 09, 2012 |
| Stephen Ratcliffe | Reading 'sound' | Oct 20, 2011 |
| Stephen Ratcliffe | Words as 'things' ('actions'/'events') | Oct 20, 2011 |
| Brian Reed | Becoming Marjorie Perloff | Nov 08, 2012 |
| Pam Rehm | John Taggart: From his own words | Jun 18, 2014 |
| Joan Retallack |
Joan Retallack on Stein's war years From her introduction to 'Gertrude Stein: Selections' |
May 09, 2012 |
| Joan Retallack | On 'The Poetics of Indeterminacy' | Nov 08, 2012 |
| David Rich | Gerrit Lansing: Under the gazebo / evening | Dec 24, 2012 |
| Libbie Rifkin |
'The force of an intervention' Rachel Blau DuPlessis’s response to Oppen |
Dec 14, 2011 |
| Jerome Rothenberg | 1960 A First Remembrance | May 03, 2011 |
| Jenny Sampirisi |
Sound body, sound text On a.rawlings and Maja Jantar |
Mar 29, 2013 |
| Kaia Sand |
Pacific poets imagine the future David Buuck's pre-enactments, Craig Santos Perez's truncun nunu, and Jen Coleman's vivifying prophesies |
Apr 04, 2011 |
| Steve Savage | Addendum to her howlings | Mar 29, 2013 |
| Kathy Lou Schultz | The Chicago School, Imagism, and early poetry of Melvin Tolson | Sep 25, 2013 |
| Joshua Schuster |
The making of 'Tender Buttons' Gertrude Stein's subjects, objects, and the illegible |
Apr 21, 2011 |
| Mark Scroggins | Taggart: Sound and Vision | Jun 18, 2014 |
| Eric Selinger |
Several kinds of chronicler, he’s been The books and selves of Lawrence Joseph |
Feb 09, 2012 |
| Bela Shayevich | Vsevolod Nekrasov: Nothing on the page | Aug 15, 2013 |
| Evie Shockley | Is 'Zong!' conceptual poetry? Yes, it isn’t. | Sep 17, 2013 |
| Naomi Shulman |
At the critical/poetic boundary Rachel Blau DuPlessis's arguments with Adorno |
Dec 14, 2011 |
| Richard Sieburth |
The contemporary of our grandchildren A view from the eighties |
Nov 08, 2012 |
| Ron Silliman |
On Robert Duncan, 'The Opening of the Field' Re Opening |
Apr 29, 2011 |
| Ron Silliman |
Un-scene, ur-new The history of the longpoem and 'The Collage Poems of Drafts' |
Dec 14, 2011 |
| Emily Skillings | Uptick | Dec 09, 2013 |
| Danny Snelson | On John Cage, 'Cartridge Music' | Apr 28, 2011 |
| Mark So | Farms | Dec 09, 2013 |
| Kaegan Sparks |
In moveme/braces Erica Baum's 'Dog Ear' |
Apr 12, 2011 |
| Lisa Steinman |
'Telling the time' Narrative and lyric in the poetry of Lawrence Joseph |
Feb 09, 2012 |
| Lisa Steinman |
Ordinary capaciousness Looking forward to 1960 |
Jun 24, 2011 |
| Renate Stendhal | Why the witch-hunt against Gertrude Stein? | May 15, 2013 |
| Seth Stewart |
'The most beautiful and truest' Collecting the letters of John Wieners |
Dec 24, 2012 |
| Christine Stewart | Responding to Fred Wah | Mar 29, 2013 |
| Sarah Stone |
The Plain Edition Gertrude Stein and modernist book history |
Sep 25, 2013 |
| Dawn Akemi Sueoka | Hidden harmonies in John Cage's 'Empty Words' | Aug 29, 2012 |
| Mecca Jamilah Sullivan | 'Unsayable secrets' of diaspora's bodily history | Sep 17, 2013 |
| James D. Sullivan |
Book-length broadside Bob Grenier’s ‘CAMBRIDGE M’ASS’ |
Mar 20, 2013 |
| Richard Swigg |
The test of belief Or, why George Oppen quarrelled with Denise Levertov |
Oct 25, 2012 |
| John Taggart | On singing and thinking | Jun 18, 2014 |
| Anne Tardos | NINEs 51 to 56 (in response to a symposium on 1960 poetry) | May 03, 2011 |
| Harriet Tarlo |
'The page is slowly turning black' Rachel Blau DuPlessis’s 'Torques: Drafts 58–76' |
Dec 14, 2011 |
| Catherine Taylor | Take your time: The ethics of the event in 'Drafts' | Dec 14, 2011 |
| Sharon Thesen | Response to Nicole Brossard | Mar 29, 2013 |
| Madeline Tiger | Reactions to Basil King's work | Jul 03, 2014 |
| Charles Tomlinson | Beginnings, 1963 | May 19, 2014 |
| Charles Tomlinson | Catching up, 1968–70 | May 19, 2014 |
| Charles Tomlinson | Relocation, 1966–67 | May 19, 2014 |
| Charles Tomlinson | Retrospection, 1972–81 | May 19, 2014 |
| Charles Tomlinson | Texts and travels, 1964–65 | May 19, 2014 |
| Chris Tysh |
Ghost tracks Reading the signs in 'Pitch: Drafts 77–95' |
Dec 14, 2011 |
| Jean Uhm |
'Languaging' the third space Language as activity in the prosody of Myung Mi Kim |
Apr 12, 2013 |
| Brian Unger | Norman Fischer: A 'test case for being' | Jul 14, 2011 |
| Lee Upton |
Embedded chronicles Lawrence Joseph's poetry of urgency |
Feb 09, 2012 |
| John Emil Vincent | Personae, wonder, vetch: 'Crowd Conditions' | Dec 09, 2013 |
| Fred Wah | On Ed Dorn, 'The Newly Fallen' | May 03, 2011 |
| Fred Wah | Reading M. NourbeSe Philip's 'Zong!' | Mar 29, 2013 |
| Carol Watts |
Only, document Stephen Ratcliffe's REAL |
Oct 20, 2011 |
| Hannah Weiner | 'The Book of Revelations': The diplomatic transcript | Mar 25, 2011 |
| Marjorie Welish |
That Taggart ‘Grey Scale/Zukofsky’ |
Jun 18, 2014 |
| Marta L. Werner | Acknowledgments | Mar 22, 2011 |
| Marta L. Werner |
Appendices to this edition Spellings, neologisms, part-words, proper names, and literary allusions |
Mar 29, 2011 |
| Marta L. Werner |
Notes on this edition 'The Book Of Revelations' |
Mar 31, 2011 |
| Marta L. Werner |
The landscape of Hannah Weiner's late work 'The Book of Revelations' |
Apr 05, 2011 |
| John Wieners | The dark grammarian | Dec 24, 2012 |
| Tyrone Williams |
Before the laws The secular, sacred and aesthetic cases of Lawrence Joseph |
Feb 09, 2012 |
| Trevor Winkfield | Star-crossed | Dec 09, 2013 |
| Emily Wojcik |
'Their own privately subsidized firm' Bryher, H.D., and 'curating' modernism |
Sep 28, 2011 |
| David Wyatt | On Gary Snyder, 'Myths & Texts' | May 04, 2011 |
| John Yau | Excerpts from 'The Poet as Art Critic' | Dec 09, 2013 |
| Karl Young |
Shadow memory shadows music Contextualized notes on John Taggart’s prosody |
Jun 18, 2014 |
| Robert Zaller | Stanley Burnshaw: The poet in the world | Jun 28, 2011 |
| Rachel Zolf | Noone bears witness | Dec 14, 2012 |
| Rachel Zolf |
The Tolerance Project Projection of the intimate into the historical |
Jul 21, 2011 |