J2 index
ARTICLES | FEATURES | INTERVIEWS | REVIEWS | COMMENTARIES | REISSUES | PODCASTS
POEMS | GALLERIES
Poetry and science: An introduction
Gilbert Adair
A little yod and a rocking enormity: Reading Drafts
Daniel Bouchard
Have net, will travel: The new face of Chinese poetry
Steve Bradbury
Stephen Ratcliffe’s “[where late the sweet] BIRDS SANG”: Or, writing through Shakespeare’s sonnets
Vincent Broqua
Unanism and the crowd: Early modern social lyric
Louis Cabri
Wanderkammer: A walk through texts
J. R. Carpenter
Sentimental spaces: On Mei-mei Berssenbrugge’s Nest
Natalia Cecire
The plural of us: Uses and abuses of an ambiguous pronoun
Bonnie Costello
Stephen Ratcliffe’s Hamlet
Michael Cross
On Bob Kaufman, Does the Secret Mind Whisper
Maria Damon
I think I understand Emma Bee Bernstein
Alan Davies
I to eye: Self and society in the poetry of Lawrence Joseph
Thomas Depietro
Inverting the middle: Turning points in Drafts
Thomas Devaney
The German Baroness: Else von Freytag-Loringhoven’s German poetry
Gaby Divay
A grave in exchange for the commons: Fred Moten and the resistance of the object
Thom Donovan
Somatic poetics
Thom Donovan
Robert Duncan’s notes on Ron Silliman’s “Opening”
Robert Duncan and Ron Silliman
On Frank O’Hara, Second Avenue
Rachel Blau DuPlessis
New life writing
Patrick F. Durgin
Murdering alphabets, disorienting romance: John Tranter and postmodern poetics
Kate Fagan and Peter Minter
Commentary on Larry Eigner’s On My Eyes: A response to Charles Bernstein’s 1960 symposium presentation
Curtis Faville
Introduction to the poetry and poetics of 1960
Al Filreis
Jerome Rothenberg: The real revolation is tragic
Al Filreis
Stanley Burnshaw comes to PennSound
Al Filreis
Ground zero Baudelaire: Into It and the poetics of shock
Norman Finkelstein
On Portraits and Repetition
Norman Fischer
Bringing Harry Mathews to PennSound (and you)
Chris Funkhouser
On Jackson Mac Low, Stanzas for Iris Lezak
Chris Funkhouser
On LeRoi Jones, A Preface to a Twenty-Volume Suicide Note
Kristen Gallagher
The view from performance: A report from the Marin Headlands
Ariel Goldberg
Drafts and fragments: Rachel Blau DuPlessis' s (counter-) Poundian project
Alan Golding
On Gwendolyn Brooks, The Bean Eaters
Judith Goldman
Mobilizing the POLI: theprecession.org and languages of the Internet populace
Laura Goldstein
On Selected Days
Robert Grenier and Stephen Ratcliffe
Docupoetry and archive desire
Joseph Harrington
The Small Press Traffic school of dissimulation: New Narrative, New Sentence, New Left
Kaplan Harris
On Daiy Aldan, A New Folder
Michael S. Hennessey
Envoy: Postings on the digital life poem
Paul Jaussen
Notions of poetry and narration
Lawrence Joseph
A World According to G. W.: On Grzegorz Wróblewski
Anna Kałuża
On Barbara Guest, The Location of Things
erica kaufman
Openings: Some notes on the political in Drafts
Eric Keenaghan
Readymade Baroness: The gendered language of Dadaist dress
Kimberly Lamm
Breathing a fire of risk: Kunitz and Guest in the KWH 1960 symposium
Dorothea Lasky
"Why not say what happens?": Modernism, traumatic memory, and Lawrence Joseph's Into It
John Lowney
How to mourn-touch: The redactive prosodies of Rachel Blau DuPlessis
C. J. Martin
On Pitch, with special reference to "Hard Copy"
C. J. Martin
Christianity, civilization, colonialism, and other diseases: The poetry of Haunani-Kay Trask
Brandy Nalani McDougall
On Bill Berkson and Frank O’Hara, Hymns of St. Bridget
Mel Nichols
Rexroth to Kerouac
Josephine Park
Drafts and the epic moment
Bob Perelman
On Don Allen, The New American Poetry
Bob Perelman
Signs of being: Chamoru poetry and the work of Cecilia C. T. Perez
Craig Santos Perez
Toward a conceptual lyric: From content to context
Marjorie Perloff
A website for one shoe: A review of The Ministry of Walking
Yvette Poorter
"All serifs are seraphim:" Midrash as the angel of history
Patrick Pritchett
Shifting stories, codes of violence: Two perspectives on Lawrence Joseph
Frank D. Rashid
Reading 'sound'
Stephen Ratcliffe
Words as 'things' ('actions'/'events')
Stephen Ratcliffe
"The force of an intervention:" Rachel Blau DuPlessis's response to Oppen
Libbie Rifkin
1960: A first remembrance
Jerome Rothenberg
The making of Tender Buttons: Gertrude Stein’s subjects, objects, and the illegible
Josh Schuster
Several kinds of chronicler, he's been: The books and selves of Lawrence Joseph
Eric Selinger
At the critical/poetic boundary: Rachel Blau DuPlessis's arguments with Adorno
Naomi Shulman
On Robert Duncan, The Opening of the Field
Ron Silliman
Un-scene, ur-new: The history of the long poem and The Collage Poems of Drafts
Ron Silliman
On John Cage, Cartridge Music
Danny Snelson
In moveme/braces: Erica Baum’s Dog Ear
Kaegan Sparks
Ordinary capaciousness: Looking forward to 1960
Lisa Steinman
"Telling the time": Narrative and lyric in the poetry of Lawrence Joseph
Lisa Steinman
"The page is slowly turning black:" Rachel Blau DuPlessis's Torques: Drafts 58-76
Harriet Tarlo
Take your time: The ethics of the event in Drafts
Catherine Taylor
Ghost tracks: Reading the signs in Pitch: Drafts 77-95
Chris Tysh
Norman Fischer: A “test case for being”
Brian Ungar
Embedded chronicles: Lawrence Joseph's poetry of urgency
Lee Upton
On Ed Dorn, The Newly Fallen
Fred Wah
Only, document: Stephen Ratcliffe’s REAL
Carol Watts
The landscape of Hannah Weiner’s late work: The Book Of Revelations
Marta Werner
Before the laws: The secular, sacred and aesthetic cases of Lawrence Joseph
Tyrone Williams
“Their own privately subsidized firm:” Bryher, H.D. and “curating” modernism
Emily Wojcik
On Gary Snyder, Myths & Texts
David Wyatt
Stanley Burnshaw: The poet in the world
Robert Zaller
The Tolerance Project: Projection of the intimate into the historical
Rachel Zolf
Like a metaphor: Ongoing relations between "poetry" and "science"
Gilbert Adair
Barbara Guest: The art of poetry
Charles Bernstein
Listening to Stephen Ratcliffe
Julia Bloch
There is no reconciliation
Luke Bloomfield and Brandon Downing
Fifty-one contemporary poets from Australia
Pam Brown
Walk poems: A series of reviews of walking projects
Louis Bury and Corey Frost
Dropping the Baroness on the middle: Elsa von Freytag-Loringhoven, Dada dressing, German Arts and poetry today
Tanya Clement
On Australian Aboriginal poetry
Sarah Dowling
New Brazilian poets
Farnoosh Fathi
Poetry in 1960, a Symposium
Al Filreis
Stanley Burnshaw
Al Filreis
Drafting beyond the ending: On Rachel Blau DuPlessis
Patrick Pritchett
Sound, poetry: The feature
a. rawlings
Look and look again
Jack Ross
Pacific poetries: Forms for an ocean
Susan M. Schultz
Poet with a steady job: An introduction to Lawrence Joseph
Eric Selinger
Discourses on vocality: Vanessa Place and Kim Rosenfield
Divya Victor
Hannah Weiner’s The Book Of Revelations
Marta L. Werner
Not just to see and note the birds but to say them
A review of A Reading: Birds, by Beverly Dahlen
Charles Alexander
How surfaces can be tweaked and spun
A review of New Depths of Deadpan, by Michael Gizzi
Nico Alvarado
Multilingual Latin American poetries
A review of The Oxford Book of Latin American Poetry, ed. Cecilia Vicuña and Ernesto Livon-Grosman
Candice Amich
Throughput
A review of The Port of Los Angeles, by Jane Sprague
Stan Apps
The letters of the alphabet and letters to the dead
A review of Two, by Paul Vangelisti
Art Beck
“another personal narrative burns to a heap of citations”
A review of Bharat jiva, by kari edwards
Cara Benson
A memoir of exchange: Michael Gottlieb and the praxis of essay
Steve Benson
A literary walking uphill
A review of Not Blessed, by Harold Abromowitz
Nikhil Bilwakesh
A review of Late Antiquity: Poems 1996-2008
Luke Bloomfield
The through thing: Static in Karen Weiser
A review of To Light Out, by Karen Weiser
Mark Boccard
Registers of breath: On origins and concession
A review of The Concession Stand: Exaptation at the Margins, by Arpine Konyalian Grenier
Daniel Bratton
Getting to know each other better
A review of Lovely, Raspberry, by Aaron Belz
Erika Jo Brown
A talk review of Ten Walks/Two Talks
Louis Bury and Corey Frost
Dorothea Lasky, it's unbelievable
A review of Black Life and Awe, by Dorothea Lasky
Robert Dewhurst
A Marxian whelm of a pillowcase
A review of The Cloud Corporation
Drew Dillhunt
The new ground still remaining
A review of A Place in the Sun, by Lewis Warsh
Denise Dooley
Permission to be a poet
A review of Inferno (A Poet's Novel), by Eileen Myles
Dennis Dooley
There is a war. There is a neighbor.
A review of Neighbor, by Rachel Levitsky
Marcella Durand
“What kind of poem would you make out of that?”
A review of Coal Mountain Elementary, by Mark Nowak
Dan Featherston
Exiting the sacred wood
A review of On Mount Vision: Forms of the Sacred in Contemporary American Poetry, by Norman Finkelstein
Jonathan Fedors
“A speck of behavior, a fleck of culture”
A review of Field Work: Notes, Songs, Poems, 1997–2010, by David Hadbawnik
Zach Finch
Prefacing a new book on E-poetry
On the tenth anniversary of the Electronic Poetry Festival
Chris Funkhouser
Cooking a book with low-level durational energy: How to read Tan Lin’s Seven Controlled Vocabularies
Kristen Gallagher
Apocalypse and/or poiesis
A review of 2000 Years of Mayan Literature, by Dennis Tedlock
Edgar Garcia
The buried encounter: Josie Sigler’s living
A review of Living Must Bury, by Josie Sigler
Kiala Givehand
Writing the nothing that is
A review of Visiting Wallace: Poems Inspired by the Life and Work of Wallace Stevens, ed. Dennis Barone and James Finnegan
Brian Glaser
A narrative recollection of the week of the Chicago Durutti Skool: And beyond
Laura Goldstein
But there is a person there
A review of The morning News is Exciting, by Don Mee Choi
Sarah Louise Green
The point of contact they create
A review of Three Novels, by Elizabeth Robinson
David Hadbawnik
The way we tend to compose, or hear, poetry these days
A review of The Odicy, by Cyrus Console
David Hadbawnik
An antagonistic paraphernalium
A review of Phil Guston: Collected Writings, Lectures, and Conversations, ed. Clark Coolidge
Patrick James Dunagan
Surprise of another "impossible" category
A review of Portrait and Dream, by Bill Berkson
James Hart III
As the elevator moves skyward, it reveals a widening horizon
A review of Elevators, by Rena Rosenwasser
Julie Joosten
A sensuous field of attention
A review of Concordance, by Mei-Mei Berssenbrugge
Julie Joosten
Allowing oneself to 'be the city'
A review of The City Real & Imagined, by CA Conrad and Frank Sherlock
erica kaufman
The enlightenment of bushes and grasses
A review of Ghost Snow Falls Through the Void (Globalization)
Paul Klinger
Perfecting dissatisfaction
A review of The Smaller Half, by Marc Rahe
Steve Langan
Contagious poetry
A review of Mommy Must Be a Fountain of Feathers, by Kim Hyesoon
Jessica Lawson
Who is writing the translator
A review of Ventrakl, by Christian Hawkey
Paul Legault
A detour from more traditional paths of composition
A review of An Attempt at Exhausting a Place in Paris, by Georges Perec and trans. Marc Lowenthal
Eugene Lim
Serious play
A review of Trial by Ink, by Yahia Lababidi
Andrew Madigan
A careful assemblage
A review of Nox, by Anne Carson
Lorraine Martinuik
Art-trash
On Chelsey Minnis' Poemland and CA Conrad's The Book of Frank
Joyelle McSweeney
Fractures of the self
A review of Radical Coherency, by David Antin
Douglas Messerli
Cookies and vortices
A review of The Madeleine Poems, by Paul Legault
Ben Mirov
Coming to terms with absence
A review of censory impulse, by erica kaufman
Brian Mornar
Trying to keep your voice clear (your voice will break)
A review of Testify, by Joseph Lease
Sheila A. Murphy
Ecologies of the Margin
A review of Hidden Agendas: Unreported Poetics, ed. Louis Armand
Jeroen Nieuwland
To get you out walking
A review of Stroll: Pscychogeographic Walking Tours of Toronto, by Shawn Micallef
Taien Ng-Chan
When even the good seems violent
A review of 100 Notes on Violence, by Julie Carr
Mia Nussbaum
Doll/bat/baby face: Secession in echolalia
A review of Modernism and Poetic Inspiration: The Shadow Mouth, by Jed Rasula
John Paetsch
More vans arrive, all of them inert
A review of Driven to Abstraction, by Rosmarie Waldrop
John Paetsch
The Sickbed: On pain, love, ekphrasis and Craig Dworkin’s Dure
Caryl Pagel
A community so well versed in the other possibilities of the computer
On the tenth anniversary of the Electronic Poetry Festival
Katie L. Price
Against elegy: Michael Palmer’s Book of the Dead
Patrick Pritchett
On Both Sides and the Center
A review of the festival, part one
Andrea Quaid
On Both Sides and the Center
A review of the festival, part two
Andrea Quaid, with Amina Cain and Teresa Carmody
An abecedarian
A review of Things Come On: {an amneoir}, by Joseph Harrington
Matt Reeck
Blueprints, or sight-maps
A review of Meddle English, by Caroline Bergvall
Matt Reeck
Community as culture
A review of Poetic Intention, by Nathalie Stephens
Matt Reeck
The importance of nouns
A review of N7ostradamus, by Travis Macdonald
Matt Reeck
Reformulating precision as excess
A review of Portrait of Colon Dash Parenthesis, by Jeffrey Jullich
Sean Reynolds
"Say what you know"
A review of A Tourist in Hell, by Eleanor Wilner
W. M. Rivera
The imagination's shifts between stability and disorientation
On Reading as Belief
Elizabeth Robinson and Joel Bettridge
An identity in relation: Anne Tardos on absence
A review of I Am You, by Anne Tardos
Kit Robinson
A gap in the throat
A review of The Orphan and Its Relations, by Elizabeth Robinson
Jamie Robles
We can’t do it without the rose
A review of the film Under Foot & Overstory
Rebecca Rutkoff
File under: New media poetics, electronic literature, technotext, flarf and so on
A review of Electro Þerdix, by Christopher Funkhouser
Marcus Salgado
On returning
A review of A Book of Unknowing, by John High
Zach Savich
The longing, in language, for a connection
A review of Under the Dome: Walks with Paul Celan, by Jean Daive
Gail Scott
Hundered-spired muse
A review of From a Terrace in Prague: A Prague Poetry Anthology, ed. Stephen Delbos
Ryan Scott
Antenna openings
A review of Late in the Antenna Fields
Dale Smith
Notes on a phenomenological poetics
A review of Kevin Varrone’s g-point almanacs
Leah Souffrant
To experience a broadcast
A review of Mama Mortality Corridos
Jennifer Tamayo
This other things the kids are doing
A review of Museum of the Weird, by Amelia Gray
David Frederick Thomas
On three recent books of poetry
Reviews of Tichy, Tadić, and Barskova
Jay Thompson
A catalogue of poetics as community
A review of two Slack Buddha Press chapbooks
J. Townsend
Fanny Howe’s revelation
A review of Emergence, by Fanny Howe
Steven Toussant
A global regional poetics
A review of A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area, ed. Sarah Rosenthal
Mark Wallace
Taking the concept of meaning-making by storm
A review of Cyclones in High Northern Latitudes, by Jeffrey Side and Jake Barry
Jacquilyn Weeks
We have a choice
A review of To See the Earth Before the End of the World, by Ed Roberson
Eric Weinstein
Morse code
A review of After Jack, by Garry Thomas Morse
Bruce Whiteman
Woo
A review of not merely because of the unknown that was stalking towards them, by Jenny Bouly
Amy Wright
LINEbreak: Bruce Andrews, New York City 1995
Bruce Andrews with Charles Bernstein
A conversation with Caroline Bergvall
Caroline Bergvall with Susan Rudy
On being stubborn: Close Listening with Christian Bök
Christian Bök with Charles Bernstein
Talking with Daniel Borzutzky
Daniel Borzutzky with Craig Santos Perez
Talking with Gina Caciolo of Stamped Books
Gina Caciolo with Craig Santos Perez
Asking Creeley about Williams
Robert Creeley with Al Filreis
Linh Dinh’s state of the union
Linh Dinh with Andrew Cox
Threads talk: Johanna Drucker on Granary Books
Johanna Drucker with Leo Genji Amino
Even when those texts look indistinguishable from the work that is included
Craig Dworkin with Katie L. Price
LINEbreak: Barbara Guest in conversation with Charles Bernstein
Barbara Guest with Charles Bernstein
I am suddenly aware that phrases happen: Lyn Hejinian at Kelly Writers House, February 22, 2005
Lyn Hejinian with Al Filreis
Sound I polypoetry: Maja Jantar in conversation with Oana Avasilichioaei
Maja Jantar with Oana Avasilichioaei
The crowd inside me
Michael Lally with Burt Kimmelman
We listen with our throats and we speak with our ears: An Interview with Leevi Lehto
Leevi Lehto with Carmel Purkis
Close Listening: Ear turned toward the emergent
Myung Mi Kim with Charles Bernstein
Renunciation: Aaron Kunin and Ben Lerner in conversation
Aaron Kunin and Ben Lerner
Talking with Kimberly Mahler of the International Poetry Library of San Francisco
Kimberly Mahler with Craig Santos Perez
Sound og polipoetry
Eiríkur Örn Norðdahl with Cris Costa
Ted Pearson in conversation with Luke Harley
Ted Pearson with Luke Harley
Seven discourses with Vanessa Place
Vanessa Place with Divya Victor
The poem that marks things
Stephen Ratcliffe with Linda Russo
On duration
Stephen Ratcliffe with Jeffrey Schrader
Sound of waves in channel
Stephen Ratcliffe with Jonathan Skinner
Talking with Barbara Jane Reyes
Barbara Jane Reyes with Craig Santos Perez
Eight discourses with Kim Rosenfield
Kim Rosenfield with Divya Victor
Jerome Rothenberg at Kelly Writers House, April 29, 2008
Jerome Rothenberg with Al Filreis
Insistent memory
Susan M. Schultz with Leonard Schwartz
Talking with Chad Sweeney
Chad Sweeney with Craig Santos Perez
The sung word: Caetano Veloso in 1979
Cetano Veloso with Régis Bonvicino
White engine against black magic: Aboriginal song poetry and anthology
Robbie Wood with Andrew Dowding
Charles Alexander
A wing and a word
Brian Ang
PennSound and Politics
Oana Avasilichioaei
Folding borders: Experimenting in the Canadian laboratory
Eric Baus
Notes on PennSound
Charles Bernstein
A weblog of contemporary poetics
Jules Boykoff & Kaia Sand: moxie politik
What might a poetics of moxie politik look like?
Pam Brown
Jacket the first
J. R. Carpenter
Performing digital texts in European contexts
Thom Donovan
Self, life, writing
Steve Evans
The phonotextual braid
Michael Farrell
Australia, fitzroy
Al Filreis
Notes on modern & contemporary poetry, literary politics & pedagogy
Michael S. Hennessey
Notes on Jacket2
Jen Hofer: trans positions
Commentary on things in transit, in transition, in translation, in motion, and in between
Jacket2
Editorial notes and news (send us your news!)
Hilary Kaplan
Brazilian poetry and poetics
Astrid Lorange
Fossicks and offerings from Sydney
Craig Santos Perez: Last commentator in paradise
Commentary on the themes of Achiote Press
Kyle Schlesinger
Book arts
Kathy Lou Schultz
Epic worlds
Susan M. Schultz
Experimental poetries in the Pacific / editing TinFish Press
Leonard Schwartz
Cross Cultural Poetics commentary
Jonathan Skinner
Ecopoetics
PoemTalk
Commentary on the podcast series PoemTalk
Stephanie Young
The more territories, the more circulation
Notes on Bay Area poetics
Combo: A Journal of Poetry and Poetics, 1998-2003
Ed. Michael Magee
Secession, 1922–24
Gorham B. Munson
Dreamtime
An introduction to the Alcheringa Archive
Dennis Tedlock
Alcheringa Archive: A Journal of Ethnopoetics, 1970–1980
Dennis Tedlock and Jerome Rothenberg, ed. for the web by Danny Snelson
Into the Field: Alejandro Crawford
Into the Field: Ben Friedlander
Into the Field: Dale Smith and Hoa Nguyen
Into the Field: Souvankham Thammavongsa
Into the Field: Jeremy James Thompson
PoemTalk #40: Susan Schultz’s Dementia blog
PoemTalk #41: Pound’s Canto III
PoemTalk #42: Nathaniel “Unravelling / Shock”
PoemTalk #49: Writing slow-down
Poems by John Adams
John Adams
Poems by Raewyn Alexander
Raewyn Alexander
Who?
Sasha Chernyi
Green Verses
Sasha Chernyi
Poems (from the Pacific poetries feature)
Jen Coleman
Midway: A Requiem (from the Pacific poetries feature)
Stephen Collis
Poems by Jen Crawford
Jen Crawford
The Husband of a Younger Cousin on My Father’s Side (from the Pacific poetries feature)
Zhang Er
New poems by Norman Fischer
Norman Fischer
polyphonic ringtones (from the New Brazilian poets feature)
Angélica Freitas
boa constrictor (from the New Brazilian poets feature)
Angélica Freitas
one more tiny thing (from the New Brazilian poets feature)
Angélica Freitas
Peter and the Wolf (from the New Brazilian poets feature)
Leonardo Gandolfi
Itinerary (from the New Brazilian poets feature)
Leonardo Gandolfi
Everything I Have is Yours (from the New Brazilian poets feature)
Leonardo Gandolfi
Three poems
Barbara Guest
Typescript of two early poems
Barbara Guest
Poems by Scott Hamilton
Scott Hamilton
Two poems
Jared Hayes
The World (from the Pacific poetries feature)
Hung Hung
Poems (from the Pacific poetries feature)
Yu Jian
Untitled
Semen Khanin
Poems by Leicester Kyle
Leicester Kyle
Poems by Aleksandra Lane
Aleksandra Lane
Poems (from the Pacific poetries feature)
Yang Li
Poems (from the Pacific poetries feature)
Yin Lichuan
Poems by Thérèse Lloyd
Thérèse Lloyd
Drâstel
Román Luján
Poems (from the Pacific poetries feature)
Ye Mimi
Top Row Retort
Nick Montfort
Untitled (from the New Brazilian poets feature)
Ismar Tirelli Neto
Afternoon Poem (from the New Brazilian poets feature)
Ismar Tirelli Neto
Untitled
Artur Punte
Poems by Stephen Ratcliffe
Stephen Ratcliffe
Poems by Richard Reeve
Richard Reeve
The Dead
María Rivera
The Open
Javier Sicilia
The world is no longer worthy of the word
Javier Sicilia
Poems by Michael Steven
Michael Steven
Poems by Amanda Stewart
Amanda Stewart
Poems by James Stuart
James Stuart
Poems by Richard von Sturmer
Richard von Sturmer
NINEs 51 to 56 (in response to a symposium on 1960)
Anne Tardos
Poems by Apirana Taylor
Apirana Taylor
Poems by Richard Taylor
Richard Taylor
The Anaglyph
John Tranter
Poems by Ann Vickery
Ann Vickery
Biri (from the Pacific poetries feature)
Zhai Yongming
Poems (from the Pacific poetries feature)
Hsia Yü
Poems by Corey Wakeling
Corey Wakeling
Sarsaparilla: a Calypso
Alan Wearne
The Book Of Revelations (diplomatic transcript)
Hannah Weiner
The Book Of Revelations (searchable Word transcript)
Hannah Weiner
Poems by Adrian Wiggins
Adrian Wiggins
Poems by Fiona Wright
Fiona Wright
Poems by Tim Wright
Tim Wright
Poems by Mark Young
Mark Young
Artwork by Louis Armand and Paul Sloan
Photographs from Dog Ear
Erica Baum
Pacific rim and basin art
Curated by Gaye Chan for the Pacific poetry feature
State of the union: Photographs by Linh Dinh
Linh Dinh
Recent collages
Brandon Downing
Robert Duncan’s notes on Ron Silliman’s “Opening”
