Articles
| Archive of detainee artwork | May 31, 2019 | |
| Guantánamo Bay library catalog | May 31, 2019 | |
| Letter from the Department of Defense | May 31, 2019 | |
| Tilde Acuña |
Zine qua non Malversations |
Jun 20, 2019 |
| Jennifer Aglio | Myung Mi Kim's performance of language | Apr 12, 2013 |
| Chris Alexander | Current status | Feb 05, 2016 |
| Sandra Alland | Introduction | Oct 11, 2012 |
| Sandra Alland |
Lady Lingual An introduction to Adeena Karasick |
Mar 29, 2013 |
| Sam Amico |
Reminiscence On Tom Weatherly and Kenneth Bluford, 1972 |
Sep 06, 2019 |
| Aaron Apps |
An affective response On canon, Kenneth Goldsmith, and reading |
Feb 05, 2016 |
| Mesbah Alam Arghya | 'Woodense': A close twinning | May 21, 2012 |
| Louis Armand | Poetry and the unpoetic | Sep 07, 2012 |
| Bob Arnold |
The man who always was On Cid Corman |
Dec 24, 2012 |
| John Ashbery |
Reminiscence On Tom Weatherly, October 2014 |
Sep 06, 2019 |
| Jan Baetens | Perloff and/in France | Nov 08, 2012 |
| Subhro Bandopadhyay | Fence consciousness | May 21, 2012 |
| Polina Barskova |
Poetry after the Siege of Leningrad Montage, ekphrasis, allegory |
Aug 08, 2014 |
| Kacper Bartczak | On Różewicz and contemporary Polish poetry | Nov 24, 2015 |
| derek beaulieu | Poetic representations of the holocaust | Apr 29, 2012 |
| Caleb Beckwith | Angelo Suárez's 'Philippine English' and the language of Conceptual writing | Feb 05, 2016 |
| Melanie Bell |
Speaking together against the fixed Lisa Robertson on poetry as citizenship |
Mar 29, 2013 |
| Kyle Bella |
Queering racialized bodies Disidentity in the works of Akilah Oliver and Ronaldo Wilson |
Jul 01, 2013 |
| Steve Benson |
What nothing is in here? The novel in a virtual absentia |
Oct 04, 2013 |
| Levi Bentley | Belief in iterative growth, a breath work | Apr 13, 2018 |
| Jeffrey Bergfalk | 'yet another order / of the closeness we had found' | Nov 18, 2014 |
| Caroline Bergvall | Four wheels and a broken glass | Nov 08, 2012 |
| Bill Berkson | Circa 1966 | Mar 01, 2013 |
| Bill Berkson | Schuyler entries | Jun 30, 2012 |
| Charles Bernstein |
Gertrude Stein taunts Hitler in 1934 and 1945 (Sieg heil, sieg heil, right in der Fuehrer's face.) |
May 09, 2012 |
| Charles Bernstein | On Larry Eigner, 'On My Eyes' | May 02, 2011 |
| Charles Bernstein | Ways of reading: Marjorie Perloff and the sublimity of pragmatic criticism | Nov 08, 2012 |
| Anselm Berrigan |
Poetry as music A different way of thinking |
Mar 01, 2013 |
| Robert Bertholf | On John Taggart's 'There Are Birds' | Jun 17, 2014 |
| Robert Bertholf | On Kenneth Irby's 'The Intent On: Collected Poems, 1962–2006' | Nov 18, 2014 |
| Gregory Betts | Not against expression | Mar 29, 2013 |
| Julia Bloch |
Epic silence On Myung Mi Kim's 'Under Flag' |
Apr 12, 2013 |
| Kenneth Bluford | Essay with Tom Weatherly in it | Sep 06, 2019 |
| Christian Bök | To ward off a diabolical poetry | Mar 23, 2017 |
| Daniel Bouchard |
A little yod and a rocking enormity Reading 'Drafts' |
Dec 14, 2011 |
| Kevin Bowen |
Reclaiming Corman Cid Corman's Dorchester past |
Dec 24, 2012 |
| Peter Boyle |
José Kozer's stylistics Religion, the surreal, and the neobaroque |
Jun 28, 2016 |
| Steve Bradbury |
Have net, will travel The new face of Chinese poetry |
Apr 02, 2011 |
| Sean Braune | Hannah Weiner and the limit experience of language | Jun 20, 2019 |
| Susan Briante |
Defacing the monument Rukeyser's innovations in docupoetics |
Apr 20, 2014 |
| Vincent Broqua |
Stephen Ratcliffe's '[where late the sweet] BIRDS SANG' Or, writing through Shakespeare's sonnets |
Oct 20, 2011 |
| Elizabeth-Jane Burnett |
'Swims' Body, ritual, and erasure |
Feb 05, 2016 |
| Edward Burns |
A letter to the editor 'The Nation,' 1987 |
May 09, 2012 |
| Edward Burns | Gertrude Stein: A complex itinerary, 1940–1944 | May 09, 2012 |
| Edward Burns |
Gertrude Stein: September 1942–September 1944 From 'The Letters of Gertrude Stein and Thornton Wilder' |
May 09, 2012 |
| Louis Cabri |
Unanimism and the crowd Early modern social lyric |
Nov 09, 2011 |
| Marty Cain |
'It Wasn't a Dream, It Was a Flood' Approaching realness in Frank Stanford |
Jul 15, 2015 |
| Sarah Campbell |
'Reported ocean' One or more voices out loud |
Apr 12, 2013 |
| Teresa Carmody | On small press publishing | Sep 25, 2013 |
| J. R. Carpenter |
Wanderkammer A walk through texts |
Nov 01, 2011 |
| Julie Carr |
The poet-scholar A list |
Jun 07, 2015 |
| Julie Carr | Three future dances, or the dance feministic | Apr 13, 2018 |
| Samantha Carrick |
'Maybe, it is only on Earth / that we lose the body?' Williams and the decaying body |
Apr 14, 2015 |
| Natalia Cecire |
Sentimental spaces On Mei-mei Berssenbrugge's 'Nest' |
May 23, 2011 |
| Joseph Ceravolo | Letter to David Shapiro, 6/29/65 | Mar 01, 2013 |
| Margaret Christakos |
No, MY Ariel An engagement with Sina Queyras's 'My Ariel' |
Jan 16, 2019 |
| Circumcontentive Poets |
Circumcontentive poetry An off-white paper |
May 21, 2012 |
| Shaunnah Ysabel Cledera | 'Intimate' texts against the state as emergency | Jun 20, 2019 |
| Tanya Clement | The Baroness in little magazine history | May 05, 2011 |
| Georgina Colby | Forms of solidarity | Apr 13, 2018 |
| Stephen Collis | On embedded poetry | Aug 07, 2015 |
| Stephen Collis |
The call to be disobedient On Michael Nardone |
Oct 06, 2016 |
| David A. Colón | Avant-Latino poetry | Jun 26, 2014 |
| Cyrus Console | 'Study is the gate': A conversation about Ken Irby | Nov 18, 2014 |
| James Cook |
'To find out for yourself' Maximus at Gloucester High School |
Dec 24, 2012 |
| Matthew Cooperman |
'Surroundings answer questions' Experimental pastoralisms in O’Brien and Taggart |
Jun 17, 2014 |
| William Corbett | A few words on James Schuyler | Jun 30, 2012 |
| William Corbett | Larry Eigner, an advertisement | Dec 24, 2012 |
| Joshua Corey |
Three pebbles Or, the minimal materialisms of late modernism |
Feb 18, 2019 |
| Bonnie Costello |
The plural of us Uses and abuses of an ambiguous pronoun |
Jan 06, 2012 |
| Randall Couch | On the art of Susan Stewart | Nov 29, 2012 |
| Alejandro Crawford | Blunt Objects | Feb 05, 2016 |
| Michael Cross | Stephen Ratcliffe's 'Hamlet' | Oct 20, 2011 |
| Maria Damon |
Desiring visual texts A collage and embroidery dialogue |
Mar 25, 2013 |
| Maria Damon | On Bob Kaufman, 'Does the Secret Mind Whisper?' | May 03, 2011 |
| Maria Damon |
Poetry isolation and collective clumsiness An antonymic exploration |
Sep 25, 2013 |
| Solveig Daugaard |
Stein's propagandistic potential A note on Gertrude Stein's 'La langue française' and 'Patrie' |
Jan 04, 2019 |
| Alan Davies | I think I understand Emma Bee Bernstein | Dec 09, 2011 |
| Alan Davies |
Never without On Diane Ward |
Apr 09, 2012 |
| Raymond de Borja |
Lineated time Some thoughts on the line in poetry |
Sep 18, 2019 |
| Thomas DePietro |
I to eye Self and society in the poetry of Lawrence Joseph |
Feb 09, 2012 |
| Thomas Devaney |
Inverting the middle Turning points in 'Drafts' |
Dec 14, 2011 |
| Anne Dewey |
Projecting Amy Lowell Olsonian poetics of the body in Rosmarie Waldrop's 'A Form / of Taking / It All' |
Dec 24, 2012 |
| Georges Didi-Huberman |
Poetic uprisings Poetry, knowledge, imagination |
Oct 19, 2016 |
| Gaby Divay |
The German Baroness Else Baroness von Freytag-Loringhoven's German poetry |
Jun 02, 2011 |
| Joseph Donahue |
Approaching Taggart chapel Ritual, Rothko, and poetic form |
Jun 17, 2014 |
| Thom Donovan |
A grave in exchange for the commons Fred Moten and the resistance of the object |
Apr 06, 2011 |
| Thom Donovan | Somatic poetics | Oct 18, 2011 |
| Sarah Dowling |
Reloading the canon On Lillian Allen and the history of dub |
Oct 06, 2016 |
| Dave Drayton | monoconsonance | Jun 20, 2019 |
| Johanna Drucker |
'From A to Z' Forty years later |
Aug 11, 2017 |
| Johanna Drucker | 'Radical Artifice' | Nov 08, 2012 |
| Heather Dubrow |
Two roads diverged? Bridging the roles of scholar and poet |
Jun 07, 2015 |
| Robert Duncan | Robert Duncan's notes on Ron Silliman's 'Opening' | May 16, 2011 |
| Jim Dunn |
The old brick city by the Atlantic John Wieners's Boston haunts |
Dec 24, 2012 |
| Rachel Blau DuPlessis | On Frank O'Hara, 'Second Avenue' | May 02, 2011 |
| Rachel Blau DuPlessis |
Theorizing the alphabet On Steve McCaffery's 'Nichol's Graphic Cratylism' |
Oct 06, 2016 |
| Patrick F. Durgin |
Disaster and revival On Cha, Goldsmith, Pendleton |
Feb 05, 2016 |
| Patrick F. Durgin | New life writing | Feb 14, 2012 |
| Craig Dworkin | A note on Conceptualism | Sep 25, 2013 |
| Kristin Dykstra | Dispatch from Havana: Ricardo Alberto Perez | Oct 14, 2013 |
| Kristin Dykstra | The sea doesn't have to be a wall | Dec 01, 2016 |
| Jacob Edmond |
Everybody's a genius Conceptual writing and community |
Sep 25, 2013 |
| Maude Emerson | James Schuyler's 'Freely Espousing' | Jun 30, 2012 |
| Lori Emerson |
Social media, for social justice On Erin Wunker's 'Technological Subjects' |
Oct 06, 2016 |
| Andrew Epstein |
'Building a nest out of torn up letters' James Schuyler, trash, and the poetics of collage |
Jun 30, 2012 |
| Logan Esdale | Barbara Will, unliking Stein, and scholarly malpractice | Jul 23, 2018 |
| George Evans |
Bashō's Pheasant Cid Corman and Kyōto |
Dec 24, 2012 |
| Kate Fagan |
Murdering alphabets, disorienting romance John Tranter and postmodern poetics |
Apr 04, 2011 |
| Daniel Falb | A note on terrapoetics | Feb 05, 2016 |
| Elena Fanailova | Lena and Lena | Jan 17, 2013 |
| Curtis Faville |
Commentary on Larry Eigner's 'On My Eyes' A response to Charles Bernstein's 1960 symposium presentation |
May 03, 2011 |
| Curtis Faville | The text as an image of itself | Dec 24, 2012 |
| J. Gordon Faylor | Marjorie Perloff: A bibliographic essay | Nov 08, 2012 |
| J. Gordon Faylor | On dakim's '34 Fragments' | Feb 05, 2016 |
| John Felstiner | Maverick translation | Nov 21, 2014 |
| Derek Fenner |
Gerrit Lansing: A personal reliquary Or, notes toward an essay |
Dec 24, 2012 |
| Al Filreis | Flipped poetics and the resources (such as they are) of the academy | Sep 25, 2013 |
| Al Filreis | Introduction to the poetry and poetics of 1960 | May 09, 2011 |
| Al Filreis | Jerome Rothenberg: The real revolution is tragic | Dec 10, 2011 |
| Al Filreis | Poetry in 1960, a symposium: Question and answer session | May 04, 2011 |
| Al Filreis | Stanley Burnshaw comes to PennSound | Jun 28, 2011 |
| Al Filreis | The unprepared future of an exophonic refugee | Nov 08, 2012 |
| Thomas Fink | Reading Joe Ceravolo's 'Migratory Noon' with Ron Silliman | Mar 01, 2013 |
| Norman Finkelstein |
Ground zero Baudelaire 'Into It' and the poetics of shock |
Feb 09, 2012 |
| Norman Finkelstein | On Harvey Shapiro's 'A Momentary Glory' | Sep 02, 2014 |
| Jessyka Finley |
'How I got ovah' Humor and discontent in women's poetry of the Black Arts Movement |
Sep 25, 2013 |
| Norman Fischer | A note on the visual poetry of Whalen, Grenier, and Lazer | May 23, 2014 |
| Norman Fischer | On 'Portraits & Repetition' | Oct 20, 2011 |
| Piotr Florczyk | On Różewicz and Wojciech Bonowicz | Nov 24, 2015 |
| Darek Foks | Różewicz, close to reality | Nov 24, 2015 |
| Stephen Fredman | 'The Poetics of Indeterminacy: Rimbaud to Cage' | Nov 08, 2012 |
| Benjamin Friedlander | The walk to the Paradise Garden | Nov 18, 2014 |
| Chris Funkhouser |
Being matter recorded Cecil Taylor on/poetry |
Feb 20, 2017 |
| Chris Funkhouser | Bringing Harry Mathews to PennSound (and you) | May 05, 2011 |
| Chris Funkhouser |
On Jackson Mac Low, 'Stanzas for Iris Lezak' Mac Low as a shadow beatnik |
Apr 27, 2011 |
| Chris Funkhouser | Peter Lamborn Wilson: A PennSound archive | Dec 22, 2015 |
| Derek Furr |
Total translation Navajo song and the story of US modernism |
May 02, 2017 |
| Kristen Gallagher | Notes toward an anthropological process | Feb 05, 2016 |
| Kristen Gallagher | On LeRoi Jones, 'Preface to A Twenty-Volume Suicide Note' | Apr 27, 2011 |
| Angela Genusa | Manifest | Feb 05, 2016 |
| Susan Gevirtz | Outer Event | Apr 12, 2013 |
| Sukanta Ghosh | The circumcontent of science and poetry | May 21, 2012 |
| Steve Giasson | 'I'M A REAL ARTIST' | Feb 05, 2016 |
| Jean-Marie Gleize | Democracy | Apr 10, 2014 |
| Ariel Goldberg |
The view from performance A report from the Marin Headlands |
Oct 20, 2011 |
| Alan Golding |
Drafts and fragments Rachel Blau DuPlessis's (counter-) Poundian project |
Dec 14, 2011 |
| Judith Goldman | On Gwendolyn Brooks, 'The Bean Eaters' | Apr 29, 2011 |
| Kenneth Goldsmith | On Brion Gysin, 'Minutes to Go' | Apr 28, 2011 |
| Laura Goldstein |
Concept Constraint and construction, body as page |
Feb 05, 2016 |
| Mark Goldstein |
Constant renewal Nicole Brossard at Kelly Writers House |
Mar 29, 2013 |
| Laura Goldstein |
Mobilizing the POLI theprecession.org and languages of the Internet populace |
Jul 14, 2011 |
| Benjamin Goluboff |
Heller's 'Dianoia' A briefing |
Aug 29, 2018 |
| Rita Gonzalez | On 'Area Sneaks' | Feb 05, 2016 |
| Hillary Gravendyk |
Uses of the useless Against the division of poetry and scholarship |
Jun 07, 2015 |
| Robert Grenier | For Kenneth Irby / 'The Intent On' (January–May 2012) | Nov 18, 2014 |
| Robert Grenier | On 'Selected Days' | Oct 20, 2011 |
| David Grundy |
'never muted heart' Tom Weatherly's trespass |
Sep 06, 2019 |
| Barbara Guest |
Typescript of two early poems by Barbara Guest 'Escape' and 'The Inhabitants' |
Jun 15, 2011 |
| Alexis Pauline Gumbs |
Angel's Basic School d'bi.young anitafrika and black queer divinity |
Oct 06, 2016 |
| Jacek Gutorow | Różewicz and the organic | Nov 24, 2015 |
| Piotr Gwiazda |
'A naked singularity' James Merrill and identity politics |
Sep 25, 2013 |
| Piotr Gwiazda | Grzegorz Wróblewski and Różewicz | Nov 24, 2015 |
| Luke Harley |
Words that bleed music Postbop jazz in the poetry of Amiri Baraka and Nathaniel Mackey |
Jan 16, 2018 |
| Joseph Harrington | Docupoetry and archive desire | Oct 27, 2011 |
| Joseph Harrington |
Kansas and/or Oz The poetry of Kenneth Irby and Ronald Johnson |
Nov 18, 2014 |
| Kaplan Harris | On Weiner, Acconci, Perreault, and Graham | Feb 05, 2016 |
| Kaplan Harris |
The Small Press Traffic school of dissimulation New Narrative, New Sentence, New Left |
Apr 07, 2011 |
| Stefania Heim |
Trespass and presumption Susan Howe and Muriel Rukeyser |
Sep 25, 2013 |
| Lyn Hejinian | 'We might say poetry' | Nov 18, 2014 |
| Michael Heller | from 'The Premises of Poetry' | Aug 29, 2018 |
| Michael S. Hennessey | On Daisy Aldan, 'A New Folder' | Apr 28, 2011 |
| Mary Hickman |
Defaced/refaced books The erasure practices of Jen Bervin and Mary Ruefle |
Sep 18, 2014 |
| Laura Hinton |
Spatial motion On Leslie Scalapino's 'How Phenomena Appear to Unfold/the Hind' |
Dec 30, 2014 |
| Matthew Hofer | On evaluation, reflection, and revelation | Nov 18, 2014 |
| Eric Hoffman |
Clarity and sincerity Disillusionment in George Oppen's postwar poetic |
Nov 08, 2012 |
| Cynthia Hogue |
On being 'ill'-informed H.D.'s late modernist poetics (of) d'espère |
Jul 09, 2018 |
| Susan Holbrook | M. NourbeSe Philip's unrecoverable subjects | Mar 29, 2013 |
| Chris Holdaway |
A spring in one's death Or: a fountain of youth/doom in (Middle English) lyric |
Jun 20, 2019 |
| Akua Lezli Hope | Poem and reminiscence | Sep 06, 2019 |
| Ray Hsu | Another day: Derksen v. America | Mar 29, 2013 |
| Marco Antonio Huerta |
'Antígona González' On necrowritings and disappropriation |
Feb 05, 2016 |
| Ken Irby | April 17, 1966 | Nov 18, 2014 |
| Ken Irby | April 30, 1963 | Nov 18, 2014 |
| Ken Irby | April 8, 1963 | Nov 18, 2014 |
| Ken Irby | December 26, 1965 | Nov 18, 2014 |
| Ken Irby | February 12, 1971 | Nov 18, 2014 |
| Ken Irby | February 12, 1974 | Nov 18, 2014 |
| Ken Irby | January 16, 1963 | Nov 18, 2014 |
| Ken Irby | July 7, 1966 | Nov 18, 2014 |
| Ken Irby | Kenneth Irby visits Carl O. Sauer and James C. Malin | Nov 18, 2014 |
| Ken Irby | May 14, 1972 | Nov 18, 2014 |
| Ken Irby | October 21, 1964 | Nov 18, 2014 |
| Ken Irby | September 12, 1963 | Nov 18, 2014 |
| Ken Irby | September 27, 1973 | Nov 18, 2014 |
| Kenneth R. James |
Mirror and maze Editing the journals of Samuel R. Delany |
Feb 12, 2015 |
| Laura Jaramillo | 'Desire' and time | Dec 17, 2014 |
| Jerzy Jarniewicz | Reticence: On Różewicz | Nov 24, 2015 |
| Paul Jaussen | Envoy: Postings on the digital life poem | Dec 14, 2011 |
| Jeff T. Johnson |
'Trouble Songs' A musicological poetics |
May 18, 2015 |
| Jeff T. Johnson |
Janky materiality Artifice and interface |
Sep 13, 2019 |
| Pierre Joris | Irby's very own North Atlantic turbine | Nov 18, 2014 |
| Lawrence Joseph | Notions of poetry and narration | Feb 09, 2012 |
| Elisabeth Joyce |
Time-lapse poemography Ron Silliman's poetry of accretion |
Jan 08, 2015 |
| Adeena Karasick |
Exile and nomadicism Communi[]t[] manifesto |
Sep 25, 2013 |
| Leon Katz | A response to 'Gertrude Stein's Translations of Speeches by Philippe Petain' | May 10, 2013 |
| RE Katz |
Critical color theory On Angelica Dass and Divya Victor |
Feb 05, 2016 |
| Vincent Katz | Poems from '6x6' vis-a-vis a poem by Joe Ceravolo | Mar 01, 2013 |
| erica kaufman | On Barbara Guest, 'The Location of Things' | Apr 28, 2011 |
| David Kaufmann | James Schuyler's specimen days | Jun 30, 2012 |
| Anna Kałuża |
A world according to G.W. On Grzegorz Wróblewski |
Jan 09, 2012 |
| Douglas Kearney | Repetition and revulsion | Feb 05, 2016 |
| Eric Keenaghan | Openings: Some notes on the political in 'Drafts' | Dec 14, 2011 |
| Lynn Keller | a.rawlings: Ecopoetic intersubjectivity | Jul 21, 2015 |
| Kaie Kellough |
mantra of no return a dialogue with Lee Maracle's keynote address |
Oct 06, 2016 |
| Jake Kennedy | Why is Jordan Scott? | Mar 29, 2013 |
| Nathan Kernan |
Past = past Some notes on James Schuyler's 'Salute' |
Jun 30, 2012 |
| Matt Kilbane | An indexical lyric | Dec 09, 2016 |
| Burt Kimmelman | The blues, Tom Weatherly, and the American canon | Sep 06, 2019 |
| Shiv Kotecha | Little-Richards | Feb 05, 2016 |
| Tom Kozlowski |
Sited On Jenny Xie and the fate of the flâneur |
Nov 11, 2019 |
| Dylan W. Krieger | Morettian 'abstract models' for poetry analysis | Sep 11, 2014 |
| Sonnet L'Abbé | Proc[edur]ession, a cross | Mar 29, 2013 |
| Ivan Emil Labayne | Letting the toilets come clean | Jun 20, 2019 |
| Kimberly Lamm |
Readymade Baroness The gendered language of Dadaist dress |
Jun 02, 2011 |
| Mark Lamoureux | What Gerrit gives us | Dec 24, 2012 |
| Matthew Landis | 'Corpaphysics, Conceptualism, and dualism | Feb 05, 2016 |
| Dorothea Lasky |
Breathing a fire of risk Kunitz and Guest in the KWH 1960 symposium |
May 04, 2011 |
| Sophia Le Fraga | Imagine Brown | Feb 05, 2016 |
| Sueyeun Juliette Lee | 한 :: Concept : Spirit : Break | Feb 05, 2016 |
| Michael Leong |
Bad combinations Flarf, Amiri Baraka, paranoia, and cultural memory |
Jun 20, 2019 |
| Ruth Lepson | 'Nor … ever some place else': Wieners in Boston | Dec 24, 2012 |
| Rachelle Katz Lerner | Rexroth's 'The Dragon and the Unicorn' | Dec 24, 2012 |
| Sandra Lim | Three looks | Dec 09, 2013 |
| Ira Livingston |
Erotic particularity, metacognition, survival Of Samuel Delany |
Feb 12, 2015 |
| Peter Longofono | [On Ken Irby] | Nov 18, 2014 |
| Denise Low |
Sensory type/topographies Ken Irby's atlas to the world |
Nov 18, 2014 |
| John Lowney |
'Why not say what happens?' Modernism, traumatic memory, and Lawrence Joseph's 'Into It' |
Feb 09, 2012 |
| Kimberly Lyons |
Closer to everything An appreciation of Joseph Ceravolo |
Mar 01, 2013 |
| Marit MacArthur | The skinny on Schuyler's line | Jun 30, 2012 |
| Aditi Machado | On Etel Adnan's 'The Arab Apocalypse' | Nov 30, 2016 |
| Nathaniel Mackey | From 'From a Broken Bottle Traces of Perfume Still Emanate' | Dec 17, 2014 |
| Robert Majzels |
The Xenotext Experiment and the gift of death 'Eunoia' patanoia patadox patadise |
Mar 29, 2013 |
| Christodoulos Makris |
Monoculture beer no more Other poetries from Ireland |
Aug 21, 2014 |
| C. J. Martin |
How to mourn-touch The redactive prosodies of Rachel Blau DuPlessis |
Dec 14, 2011 |
| C. J. Martin | On 'Penury' | Apr 12, 2013 |
| C. J. Martin | On 'Pitch,' with special reference to 'Hard Copy' | Dec 14, 2011 |
| Chris Martin | On 'Short History of the Saxophone' | Sep 06, 2019 |
| John Mateer |
'Invictus' and the negotiated revolution Or Clint Eastwood's idea of the lyric poem |
Jul 15, 2013 |
| Brandy Nālani McDougall |
Christianity, civilization, colonialism, and other diseases The poetry of Haunani-Kay Trask |
Mar 29, 2011 |
| Jerome McGann | On the unoriginal genius of Marjorie Perloff | Nov 08, 2012 |
| rob mclennan | Some notes on Lisa Jarnot's 'Sea Lyrics' | Feb 27, 2013 |
| Fiona McMahon | Michael Heller, 'The Chronicle Poet' | Aug 29, 2018 |
| Calista McRae |
Blurring realms Michael Heller's New World |
Aug 29, 2018 |
| Maciej Melecki | Keeping company: On Różewicz | Nov 24, 2015 |
| Sarah Micklem | A tribute to Samuel Delany | Feb 12, 2015 |
| Peter Middleton | Close, very close | Nov 08, 2012 |
| David Mikics | Days and nights with James Schuyler | Jun 30, 2012 |
| Tyrus Miller |
Spectral rescue On Jeff Derkson and Louis Cabri |
Oct 06, 2016 |
| Heather Milne |
Polyvocal affects Rachel Zolf's 'Janey’s Arcadia' in Winnipeg |
Oct 06, 2016 |
| Albert Mobilio |
'Red Flash on a Black Field' What there is in it |
Dec 17, 2014 |
| Feliz Lucia Molina | Selections from 'The Beginning' | Feb 05, 2016 |
| Jennifer Moore |
'Something that stutters sincerely' Contemporary poetry and the aesthetics of failure |
Feb 08, 2012 |
| J. Peter Moore | Dissertation songs | Dec 17, 2014 |
| Tracie Morris | A familial touchstone via 'Dhalgren' | Feb 12, 2015 |
| Tracie Morris | Additional notes on Will Alexander's 'Compound Hibernation' | Apr 08, 2014 |
| Jason Morris |
Crystal gazing Clark Coolidge's 'Crystal Text' |
Oct 03, 2012 |
| Tracie Morris | Samuel R. Delany's worlds: An introduction | Feb 12, 2015 |
| Dee Morris |
Sound bytes and computer blips Marjorie Perloff's electronic world |
Nov 08, 2012 |
| Fred Moten | Amuse-bouche | Feb 12, 2015 |
| Nick Moudry | Book history and the poetry reading | Feb 19, 2013 |
| Erín Moure |
Monster on the 'L'oose On Ron Silliman's monsters |
Oct 06, 2016 |
| Jennifer Moxley |
'Boiled Dinner' A tasteless comedy in one act |
Dec 09, 2013 |
| Robert Mueller | The time-presence prescience of Eleni Sikelianos's Pindar | Apr 15, 2014 |
| Nicolas Mugavero | A pale Usher | Feb 05, 2016 |
| Aryanil Mukherjee | A poetics of informationalism | May 21, 2012 |
| Efe Murad |
A word's autobiography Seyhan Erözçelik's 'KırAğı' and 'Rosebud' |
Mar 30, 2017 |
| Chris Mustazza |
Provenance report William Carlos Williams's 1942 reading for the NCTE |
May 21, 2014 |
| Michael Nardone | On settler conceptualism | Feb 05, 2016 |
| Nhã Thuyên |
Open Mouth The revolt of trash in contemporary Vietnamese poetry |
Jun 20, 2019 |
| Peter Nicholls | Marjorie Perloff's twenty-first-century modernism | Nov 08, 2012 |
| Mel Nichols |
On Bill Berkson and Frank O'Hara, 'Hymns of St. Bridget' Deep fun |
May 02, 2011 |
| Aldon Lynn Nielsen | From 'This Ain't No Disco' | Sep 06, 2019 |
| Aldon Lynn Nielsen | The day the sixties became the seventies | Nov 18, 2014 |
| Charles North | A few of Schuyler's revisions | Jun 30, 2012 |
| Charles North | Note to 'Wild Provoke of the Endurance Sky' | Mar 01, 2013 |
| Peter O'Leary | An imaginal homage to Joseph Donahue | Dec 17, 2014 |
| Peter O'Leary |
The art of lyrical commentary Michael Heller's poetic achievement |
Aug 29, 2018 |
| Peter O'Leary |
This poem is a song an act a work of love Taggart and repetition |
Jun 17, 2014 |
| Kenna O'Rourke |
The gifts her ancestors gave The Women’s March and black erasure |
Apr 13, 2018 |
| Maggie O'Sullivan | For Marjorie | Nov 08, 2012 |
| Jena Osman | A toast to Chip Delany | Feb 12, 2015 |
| Jena Osman | Playing the world | Aug 31, 2012 |
| Eugene Ostashevsky | Alexander Vvedensky's 'The Soldier Ay Bee See' | Aug 08, 2014 |
| Geoffrey O'Brien | The art of the unanswerable question | Dec 17, 2014 |
| Niamh O’Mahony | The munificence of Trevor Joyce | Feb 03, 2014 |
| Niamh O’Mahony | Trevor Joyce: A bibliography | Feb 03, 2014 |
| Ron Padgett | On 'Wild Flowers Out of Gas' | Mar 01, 2013 |
| Václav Paris | 'Gertrude Stein's Translations of Speeches' by Philippe Petain | May 06, 2013 |
| Josephine Park | Rexroth to Kerouac | May 03, 2011 |
| Edward Pasewicz | Różewicz the playwright | Nov 24, 2015 |
| Ted Pearson | Bruce Andrews: 'Debauching the Sine Wave' | Jan 23, 2014 |
| Nico Peck | Into friendship and poetry with Kenneth Irby | Nov 18, 2014 |
| Jenny Penberthy | The very variants: A few revisions to Lorine Niedecker's 'Collected Works' | Jun 24, 2013 |
| Bob Perelman | 'Drafts' and the epic moment | Dec 14, 2011 |
| Bob Perelman |
A Williams soundscript Listening to ‘The Sea-Elephant’ |
Mar 10, 2013 |
| Bob Perelman | On Don Allen, 'The New American Poetry' | Apr 29, 2011 |
| Craig Santos Perez |
Signs of being Chamoru poetry and the work of Cecilia C. T. Perez |
Apr 02, 2011 |
| Marjorie Perloff | A short response to Alan Dershowitz | May 09, 2012 |
| Marjorie Perloff | Joseph Donahue's 'bowls of memory' | Dec 17, 2014 |
| Marjorie Perloff |
Towards a conceptual lyric From content to context |
Jul 28, 2011 |
| Holly Pester |
Gossip as method The corruption of information hierarchies |
Feb 05, 2016 |
| Jennifer Phelps | Mysticpoetics: Writing the alchemical self in Brenda Hillman's poetry | Sep 11, 2013 |
| M. NourbeSe Philip |
Wor(l)ds interrupted The unhistory of the Kari Basin |
Sep 17, 2013 |
| Julie Phillips Brown |
Otherbreath Bare life and the limits of self in Claudia Rankine's 'Citizen' |
Jun 20, 2019 |
| JH Phrydas | Empathetics: A somatic approach | Feb 05, 2016 |
| Vanessa Place |
A fool for a lawyer or a client On Christian Bök |
Oct 06, 2016 |
| Vanessa Place | Marjorie Perloff: Die Dichtung und das Ding (poetry and the thing) | Nov 08, 2012 |
| Vanessa Place | Zombie poetry | Sep 25, 2013 |
| Kevin M. F. Platt | Now poet: Dmitry Golynko and the new social epic | Aug 08, 2014 |
| Marta Podgórnik | Growing up to Różewicz | Nov 24, 2015 |
| Poetry & Science Panelists | Basics of definition | Mar 13, 2012 |
| Alex Porco |
CTRL + F Jordan Abel's 'Injun' |
Oct 06, 2016 |
| Patrick Pritchett |
'All serifs are seraphim' Midrash as the angel of history |
Dec 14, 2011 |
| Patrick Pritchett |
'Giant Steps': John Taggart's sheets of sound and messianic jazz With special reference to Theodor Adorno |
Jun 17, 2014 |
| Steve Prygoda | Beginzone: 'There's Ridgeway Lane forever' (the message) | Dec 24, 2012 |
| Meredith Quartermain |
The Wah in water On a reading by Fred Wah |
Mar 29, 2013 |
| Jean-Michel Rabaté | 'The Futurist Moment' | Nov 08, 2012 |
| Frank D. Rashid |
Shifting stories, codes of violence Two perspectives on Lawrence Joseph |
Feb 09, 2012 |
| Stephen Ratcliffe | Reading 'sound' | Oct 20, 2011 |
| Stephen Ratcliffe | Words as 'things' ('actions'/'events') | Oct 20, 2011 |
| Jake Reber | Hysterically Real | Feb 05, 2016 |
| Brian Reed | Becoming Marjorie Perloff | Nov 08, 2012 |
| Brian Reed |
Stanisław Dróżdż From Conceptual poem to concept-shape |
Feb 05, 2016 |
| Pam Rehm | John Taggart: From his own words | Jun 17, 2014 |
| Joan Retallack | Alterity, Misogyny & the Agonistic Feminine | Feb 06, 2018 |
| Joan Retallack |
Joan Retallack on Stein's war years From her introduction to 'Gertrude Stein: Selections' |
May 09, 2012 |
| Joan Retallack | On 'The Poetics of Indeterminacy' | Nov 08, 2012 |
| David Rich | Gerrit Lansing: Under the gazebo / evening | Dec 24, 2012 |
| Eugene Richie |
Reminiscence On Thomas Elias Weatherly |
Sep 06, 2019 |
| Libbie Rifkin |
'The force of an intervention' Rachel Blau DuPlessis's response to Oppen |
Dec 14, 2011 |
| Evelyn Hoard Roberts | Tom Weatherly in 'Dictionary of Literary Biography' | Sep 06, 2019 |
| Margaret Ronda |
'Outside of knowledge' On the poet-scholar |
Jun 07, 2015 |
| Janet Rosen | Tom Weatherly's memorial, November 2014 | Sep 06, 2019 |
| Jerome Rothenberg | 1960: A first remembrance | May 03, 2011 |
| Jenny Sampirisi |
Sound body, sound text On a.rawlings and Maja Jantar |
Mar 29, 2013 |
| Kaia Sand |
Pacific poets imagine the future David Buuck's pre-enactments, Craig Santos Perez's truncun nunu, and Jen Coleman's vivifying prophesies |
Apr 04, 2011 |
| James Sanders |
Antindex Extreme fact |
Jun 20, 2019 |
| Stephanie Sandler | Arkadii Dragomoshchenko: Poet and photographer | Aug 08, 2014 |
| Aram Saroyan | On Tom Weatherly, February 2017 | Sep 06, 2019 |
| Steve Savage | Addendum to her howlings | Mar 29, 2013 |
| Jennifer Scappettone |
I 0we v. I/O Poetics of veil-piercing on a corporate planet |
Dec 14, 2016 |
| Jennifer Scappettone |
Introducing PennSound Italiana Curated by Jennifer Scappettone |
Jun 13, 2015 |
| Jennifer Scappettone |
The thick and the slow of knowledge On the poet-scholar |
Jun 07, 2015 |
| Andrew Schelling | On Kenneth Irby and 'Catalpa' | Nov 18, 2014 |
| Lauri Scheyer (Ramey) | The technological poetics of Thomas Weatherly | Dec 04, 2019 |
| Eric Schmaltz |
At the surface and medium-depth Theorizing a haptic poetic |
Jun 20, 2019 |
| Kathy Lou Schultz | The Chicago School, Imagism, and early poetry of Melvin Tolson | Sep 25, 2013 |
| Joshua Schuster |
The making of 'Tender Buttons' Gertrude Stein's subjects, objects, and the illegible |
Apr 21, 2011 |
| Leonard Schwartz | Mythography in 'Before Creation' | Dec 17, 2014 |
| Mark Scroggins | Taggart: Sound and vision | Jun 17, 2014 |
| Eric Selinger |
Several kinds of chronicler, he's been The books and selves of Lawrence Joseph |
Feb 09, 2012 |
| Michele Seminara |
Truth in the cage The poetry of Mohammad Ali Maleki |
Jun 20, 2019 |
| Marcin Sendecki | Matching Różewicz | Nov 24, 2015 |
| Martin Glaz Serup |
Captions without images On Robert Fitterman's 'Holocaust Museum' |
Jan 26, 2015 |
| Bela Shayevich | Vsevolod Nekrasov: Nothing on the page | Aug 15, 2013 |
| Ryan Sheldon |
Nice Dream? Heriberto Yépez: Allegory and radical mimesis |
Feb 05, 2016 |
| Robert Sheppard |
Poetics and the manifesto On Pierre Joris and Adrian Clarke |
Aug 25, 2014 |
| Frank Sherlock | On Chip Delany | Feb 12, 2015 |
| Evie Shockley | Is 'Zong!' conceptual poetry? Yes, it isn’t. | Sep 17, 2013 |
| Evie Shockley | On the question of Joe | Dec 17, 2014 |
| Naomi Shulman |
At the critical/poetic boundary Rachel Blau DuPlessis's arguments with Adorno |
Dec 14, 2011 |
| Richard Sieburth |
The contemporary of our grandchildren A view from the eighties |
Nov 08, 2012 |
| Kate Siklosi |
Handle with care A study in (poetic) fragility |
Jun 20, 2019 |
| Ron Silliman |
On Robert Duncan, 'The Opening of the Field' Reopening |
Apr 29, 2011 |
| Ron Silliman |
Un-scene, ur-new The history of the longpoem and 'The Collage Poems of Drafts' |
Dec 14, 2011 |
| Krzysztof Siwczyk | Singular Różewicz | Nov 24, 2015 |
| Emily Skillings | Uptick | Dec 09, 2013 |
| Dale Smith | Kenneth Irby's homecoming | Nov 18, 2014 |
| T'ai Smith | Ready-made shirts, ready-made readings | Feb 05, 2016 |
| Dale Smith |
Rhetoric of the everyday Lorine Niedecker's 'Lake Superior' |
Jun 22, 2015 |
| Andrew J. Smyth |
Anne Tardos in high definition Polylingualism and extremity in 'Uxudo' |
Jun 20, 2019 |
| Danny Snelson | On John Cage, 'Cartridge Music' | Apr 28, 2011 |
| Mark So | Farms | Dec 09, 2013 |
| Juliana Spahr | The time of the poet-scholar | Jun 07, 2015 |
| Kaegan Sparks |
In moveme/braces Erica Baum's 'Dog Ear' |
Apr 12, 2011 |
| Jared Spears |
The severity and sympathy of Ezra Pound A newly translated 1928 letter to René Taupin |
Jun 25, 2015 |
| Brian Kim Stefans | A poetics of virtuosity | Nov 25, 2014 |
| Lisa Steinman |
'Telling the time' Narrative and lyric in the poetry of Lawrence Joseph |
Feb 09, 2012 |
| Lisa Steinman |
Ordinary capaciousness Looking forward to 1960 |
Jun 24, 2011 |
| Renate Stendhal | Why the witch-hunt against Gertrude Stein? | May 15, 2013 |
| M. G. Stephens |
Obituary Tom Weatherly |
Sep 06, 2019 |
| Paul Stephens | The transrealism of Norman Pritchard | Jun 20, 2019 |
| M. G. Stephens | These poems are loaded | Sep 06, 2019 |
| Seth Stewart |
'The most beautiful and truest' Collecting the letters of John Wieners |
Dec 24, 2012 |
| Christine Stewart | Responding to Fred Wah | Mar 29, 2013 |
| Sarah Stone |
The Plain Edition Gertrude Stein and modernist book history |
Sep 25, 2013 |
| Angelo V. Suárez | Appropriative resistance | Feb 05, 2016 |
| Angelo V. Suárez |
Art serves the masses by abolishing itself Philippine poetry and institutional critique in a time of protracted people's war |
Jun 20, 2019 |
| Angelo V. Suárez |
Philippine literary production under fascism Introduction to the Philippines dossier |
Jun 20, 2019 |
| Dawn Akemi Sueoka | Hidden harmonies in John Cage's 'Empty Words' | Aug 29, 2012 |
| Mecca Jamilah Sullivan | 'Unsayable secrets' of diaspora's bodily history | Sep 17, 2013 |
| James D. Sullivan |
Book-length broadside Bob Grenier's 'CAMBRIDGE M'ASS' |
Mar 20, 2013 |
| Richard Swigg |
The test of belief Or, why George Oppen quarrelled with Denise Levertov |
Oct 25, 2012 |
| John Taggart | On singing and thinking | Jun 17, 2014 |
| Marylyn Tan |
Leav Rupi alone eXXXtreme #instapoetry |
Jun 20, 2019 |
| Harriet Tarlo |
'The page is slowly turning black' Rachel Blau DuPlessis's 'Torques: Drafts 58–76' |
Dec 14, 2011 |
| Catherine Taylor | Take your time: The ethics of the event in 'Drafts' | Dec 14, 2011 |
| Sharon Thesen | Response to Nicole Brossard | Mar 29, 2013 |
| Orchid Tierney |
Imagining assemblage as maintenance Rachel Blau DuPlessis and the 'Graphic Novella' |
Jun 20, 2019 |
| Madeline Tiger | Reactions to Basil King's work | Jul 03, 2014 |
| Yeshua G. B. Tolle |
FREE BLACK TERRITORY On Dingane Joe Goncalves |
Jun 20, 2019 |
| Charles Tomlinson | Beginnings, 1963 | May 19, 2014 |
| Charles Tomlinson | Catching up, 1968–70 | May 19, 2014 |
| Charles Tomlinson | Relocation, 1966–67 | May 19, 2014 |
| Charles Tomlinson | Retrospection, 1972–81 | May 19, 2014 |
| Charles Tomlinson | Texts and travels, 1964–65 | May 19, 2014 |
| Naomi Toth | Echo's echoes, or what to do with Vanessa Place | May 01, 2018 |
| Chris Tysh |
Ghost tracks Reading the signs in 'Pitch: Drafts 77–95' |
Dec 14, 2011 |
| Jean Uhm |
'Languaging' the third space Language as activity in the prosody of Myung Mi Kim |
Apr 12, 2013 |
| Brian Unger | Norman Fischer: A 'test case for being' | Jul 14, 2011 |
| Lee Upton |
Embedded chronicles Lawrence Joseph's poetry of urgency |
Feb 09, 2012 |
| Peter Valente |
Funeral rites On Nanni Balestrini's 'Blackout' |
Dec 12, 2019 |
| Kasia van Schaik |
On being prone Violence and vulnerability in Bhanu Kapil's 'Ban en Banlieue' |
Jun 20, 2019 |
| Matias Viegener | The assassination of Kathy Acker | Jun 20, 2019 |
| John Emil Vincent | Personae, wonder, vetch: 'Crowd Conditions' | Dec 09, 2013 |
| Anna Vitale | The blackness of Holly Melgard's 'Black Friday' | Feb 05, 2016 |
| Chris Vitiello | How to answer questions | Dec 17, 2014 |
| Marci Vogel | Andrée Chedid and the alchemy of poetry | Jul 21, 2015 |
| Marci Vogel | Andrée Chedid and the contradictions of translation | Aug 18, 2014 |
| Catherine Wagner |
Messing with the beholder Claudia Rankine's 'Citizen' and embedded Conceptualism |
Feb 05, 2016 |
| Fred Wah | On Ed Dorn, 'The Newly Fallen' | May 03, 2011 |
| Fred Wah | Reading M. NourbeSe Philip's 'Zong!' | Mar 29, 2013 |
| Rosanne Wasserman |
Weatherly's words A tribute to Tom Weatherly |
Sep 06, 2019 |
| Carol Watts |
Only, document Stephen Ratcliffe's 'REAL' |
Oct 20, 2011 |
| Kyle Waugh |
'Arise and unbuild it again' Homing in on Irbyland |
Nov 18, 2014 |
| Kyle Waugh | Acknowledgements | Nov 18, 2014 |
| Kyle Waugh | Kenneth Lee Irby: A chronology | Nov 18, 2014 |
| Tom Weatherly | 'Thumbprint' | Sep 06, 2019 |
| Tom Weatherly |
Black oral poetry in America An open letter |
Sep 06, 2019 |
| Tom Weatherly | Email to Jerome Rothenberg | Sep 06, 2019 |
| Tom Weatherly | Emails to Lauri Scheyer (Ramey), 2005–2014 | Dec 04, 2019 |
| Hannah Weiner | 'The Book of Revelations': The diplomatic transcript | Mar 25, 2011 |
| Scott Weintraub | Finding (the other) Juan Luis Martínez | Apr 20, 2015 |
| Marjorie Welish |
That Taggart 'Grey Scale/Zukofsky' |
Jun 17, 2014 |
| Jared Wells | On Craig Dworkin and Jarrod Fowler's 'Rhythmic Fact' | Jun 20, 2019 |
| Marta L. Werner | Acknowledgments | Mar 22, 2011 |
| Marta L. Werner |
Appendices to this edition Spellings, neologisms, part-words, proper names, and literary allusions |
Mar 29, 2011 |
| Marta L. Werner |
Notes on this edition 'The Book Of Revelations' |
Mar 31, 2011 |
| Marta L. Werner |
The landscape of Hannah Weiner's late work 'The Book of Revelations' |
Apr 05, 2011 |
| Christine Wertheim |
'we're decoys, baby!' A CUnT-UP in torn parts |
Jun 20, 2019 |
| Adam Wiedemann | Różewicz and purity | Nov 24, 2015 |
| John Wieners | The dark grammarian | Dec 24, 2012 |
| Tyrone Williams |
Before the laws The secular, sacred, and aesthetic cases of Lawrence Joseph |
Feb 09, 2012 |
| Rachael M. Wilson | Clark Coolidge's cave art | Oct 30, 2015 |
| Trevor Winkfield | Star-crossed | Dec 09, 2013 |
| Emily Wojcik |
'Their own privately subsidized firm' Bryher, H.D., and 'curating' modernism |
Sep 28, 2011 |
| R. D. Wood | From Oceania with love | Sep 08, 2016 |
| David Wyatt | On Gary Snyder, 'Myths & Texts' | May 04, 2011 |
| John Yau | Excerpts from 'The Poet as Art Critic' | Dec 09, 2013 |
| Mia You | Begin again | Apr 13, 2018 |
| Karl Young |
Shadow memory shadows music Contextualized notes on John Taggart's prosody |
Jun 17, 2014 |
| Logan K. Young |
Software as lip service Jennifer Walshe's Snapchat scores |
Feb 05, 2016 |
| Timothy Yu | Engagement, race, and public poetry in America | Mar 20, 2015 |
| Connie Yu | Stalling in 'Solidarity Texts' | Apr 13, 2018 |
| Robert Zaller | Stanley Burnshaw: The poet in the world | Jun 28, 2011 |
| Mande Zecca |
'Absolutely temporary' Spicer, Burgess, and the ephemerality of coterie |
Jan 21, 2015 |
| Desmond Kon Zhicheng-Mingdé | Of theology, forms, and absence | Feb 05, 2016 |
| Rachel Zolf | Noone bears witness | Dec 14, 2012 |
| Rachel Zolf |
The Tolerance Project Projection of the intimate into the historical |
Jul 20, 2011 |