Jerome Rothenberg

Poems and poetics

Alison Knowles: 17 event scores & where they happened

[EDITOR’S NOTE. The following are a reminder of the pivotal role played by Alison Knowles in what can be described in retrospect as the Fluxus revolution of the 1960s. With their deceptively simple surface Knowles’s performance works exemplified the thrust of many artists, poets & performers to build on what Allan Kaprow & John Cage spoke of as an erasure of the boundaries between art & life.

From 'America a Prophecy: Anthology as Collage' (Dekanawideh, Whitman, Pound, Stein)

[In a previous posting on Poems & Poetics I followed Susan Howe’s lead in calling attention to the effort by George Quasha & myself – in America a Prophecy (1973) – to create a new form of anthology, not so much a ranking of notable American poets as a juxtaposition of disparate, often incongruous voices, putting collage or assemblage at the service of a new omnipoetics, “from pre-Columbian times to the present.” While that much was clear to some at the time of first publication, to others – like Helen Vendler in a characteristically obtuse review of the book – the point of the work was clearly beyond their tolerance or comprehension. What appears here, then, are the four opening poems from America a Prophecy, brought together as a foretelling of the total work to follow. That work, after a long hiatus, is newly re-available through Quasha’s Station Hill Press – a limited printing but enough to get the book back into circulation. ]

Outsider poems, a mini-anthology in progress (39): From 'Missing Larry: The Poetics of Disability in Larry Eigner' by Michael Davidson

[NOTE. Michael Davidson has been a major thinker toward the construction of a new poetics of disability, which raises questions as well as to how disabilities, physical as well as mental, might affect ideas of outsiderness that I’ve been exploring in these postings & that John Bloomberg-Rissman and I are moving toward publication in an anthology still in progress. It is in particular the connection between the physical body and the structure & shape of the poem that Davidson gets at clearly in the following, which should be read as well in connection to an earlier posting in Poems & Poetics. (J.R.)]

how to dance
sitting down
(Charles Olson, “Tyrian Business”)

My title refers to Larry Eigner, a significant figure in the New American Poetry, who is missing in a number of senses. On a personal level, I miss Larry, who died in February 1996 as a poet whose curiosity and attentiveness remain a model of poetic integrity. Although his movements were extremely restricted due to cerebral palsy contracted at birth, he was by no means “missing” from the poetry world, particularly after his move to Berkeley. Thanks to the efforts of Bob Grenier, Kathleen Frumkin and Jack Foley, Larry was present at many readings, talks, and parties throughout the 1980s. Nor, as those who knew him can attest, was a reticent presence at such events. He was a central influence on the emerging “language-writing” movement of the mid-1970s, publishing in their magazines (L=A=N=G=U=A=G=EBezoar, This, Hills) and participating in their talk and reading series. His emphasis on clear, direct presentation of moment-to-moment perceptions also linked him to the older Objectivists (George Oppen, Carl Rakosi, Charles Reznikoff, and Louis Zukofsky) as well as poets of his own generation living in the San Francisco Bay region such as Robert Duncan and Michael McClure.  

Pierre Joris & Habib Tengour: From the 'Diwan Ifrikiya' (forthcoming), a preview & selection

NOTE.  The following offers a first look at what will be the fourth volume of Poems for the Millennium, the experimental anthology that Pierre Joris and I initiated in the mid-1990s as an attempt to lay out & map what I've more recently come to describe as a global or omnipoetics.  With volume 4, Joris & Habib Tengour move the focus to a particular demographic & cultural area, exploring it over a 2000-year span & with a sense of the often unacknowledged diversities (both formal & cultural) that such a region & history contain.  Their workings will otherwise speak for themselves.  (J.R.)





Our working title for the anthology that will be published as The University of California Book of North African Literature, namely Diwan Ifrikiya, combined the well-known Arabic word fora gathering, a collection or anthologyof poems, diwan, with one of the earliest names of (at least part of) the region covered, Ifrikiya, which is an Arabization of the Latin wordAfrica” — & which the Romans took from the Egyptians who spoke of the land of the ifri,referring to the original inhabitants of North Africa, the people the Romans called the Berbers, but who call themselves the Amazigh, & in whose language, Tamazight, the wordifriis found even today in tribal names such as the Beni Ifren.

Toward an omnipoetics: From an interview in Rampike magazine

NOTE. The following posting inaugurates the appearance of Poems and Poetics as a section of “commentaries” for Jacket2. The blog/journal as such has been active on the internet for almost four years now & will still be viewable at the old blogger site. In its new presentation I expect, among other things, to continue it as a platform for the presentation of an outsider anthology-in-progress & to launch a discussion of that omnipoetics that I see as the most ambitious & still unrealized thrust of many of our lives & works as poets & readers. That I have no ready definition of either outsider poetry or omnipoetics (among various ongoing concerns) is surely one of the lacks that keeps me going. (J.R.)

Editorial Associate & Confidant: Amish Trivedi

[The following is an excerpt from a recent interview by Karl Jirgens in Rampike magazine (University of Windsor, Ontario, Canada): “Omnipoetics & Ethnopoetics: Talking with Jerome Rothenberg,”. In the course of being questioned about the international/intercultural implications of works like Technicians of the Sacred & Poems for the Millennium, I hit on “omnipoetics” as yet another attempt at pinning down what many of us had been pursuing with more or less success over the last several decades, & more. The ideas embodied in the word are matters I would care to pursue still further over the years to come. (J.R.)]