Wallace Stevens, 'Not Ideas about the Thing but the Thing Itself'

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PoemTalk listeners will want to stick around for the end of this show in particular, when Nada Gordon, a first-time PoemTalker, recites her flarfistic rewriting of Wallace Stevens’ late poem, “Not Ideas about the Thing but the Thing Itself.” Meantime, of course, we give the poem a good going-through. The talkers this time, beside Nada, are Lawrence Joseph and Charles Bernstein, and we were (for the first time in PoemTalk’s short history) on the road, at Studio 92 on the Upper West Side of Manhattan.

Anyone who deals with this poem has to understand the rhetorical gist of Stevens's “like”: the cry he thinks he hears seemed “like” a sound in his mind; it was “like” a new knowledge of reality. Charles half-jokes that it’s anachronistically (and uncharacteristically) a 1960s like: a cool “very,” an intensifer, a pause. Al tries to stipulate that this is a Keats-at-the-casement poem: he’s inside, looking out and hearing minimal late-winter birdsong. But Larry believes firmly in the radical open-ness of this poem: we are neither inside nor out. There is no conventional place of standing. “Three times in the poem,” Nada has written elsewhere, “he says the sound was coming ‘from outside.’ But I don’t believe him. How can I believe this from a poet whose ‘actual candle blazed with artifice’?”

This was certainly the threesome, too, to say interesting things about the alphabetical “c” that precedes the choir.

Our recording comes from the wonderful collection of recordings at the Woodberry Poetry Room at Harvard, and we wish to thank Don Share, Christina Davis, Peter Steinberg, and others who have taken such good care of that material. Stevens traveled to Harvard to record this poem on October 8, 1954 (he died in 1955).

Ezra Pound, 'Cantico del Sole'

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Ezra Pound integrates — or, rather, doesn’t quite integrate — a response to a stupid contemporary judicial ruling on censorship and a fragment from the Canticle of Simeon (Luke, 2:29-32) to make a powerful, comic (even schticky) satire on American culture of his time and perhaps of ours. How this works, variously (and depending too on which recording of Pound reading the poem you hear), is the topic of our twelfth PoemTalk. Talkers this time: Charles Bernstein, Joshua Schuster, Rachel Levitsky.

How broad is the satire? Is the figure whose sleep is troubled by Americans reading classics widely the anxious, sensorious judge, relieved that no one really reads the indecent classics? Or is he the modernist poet, aiming for whatever would strike such a man as indecent? (Is this just another early-Pound personae? Is it the performance of a subject position Pound would never quite occupy? Does the speaker's elitist animosity toward America confirm the judge’s disquietude?

PennSound’s Pound collection (it’s complete — everything recorded by Pound that we know of) includes several readings of “Cantico del Sole.” PoemTalk plays two of them, one from the 1930s, the other from the late 50s.

The thought of what America would be like
If the Classics had a wide circulation
       Troubles my sleep,
The thought of what America,
The thought of what America,
The thought of what America would be like
If the Classics had a wide circulation
      Troubles my sleep.
Nunc dimittis, now lettest thou thy servant,
Now lettest thou thy servant
       Depart in peace.
The thought of what America,
The thought of what America,
The thought of what America would be like
If the Classics had a wide circulation...
       Oh well!
       It troubles my sleep.

PoemTalk’s director, engineer and editor is Steve McLaughlin, who, by the way, has recently taken a turn at selecting his 12 favorite PennSound recordings.

This episode of PoemTalk was recorded in the Arts Café of the Kelly Writers House in Philadelphia. Next time, PoemTalk goes on the road - to our Broadway studios in New York, for a discussion of a late poem by Wallace Stevens and the talkers are Nada Gordon, Lawrence Joseph, and Charles Bernstein. Stay tuned.