Sophia DuRose

As words label space (PoemTalk #164)

Leslie Scalapino, "'Can't' is 'Night'"

Leslie Scalapino (photo by erica kaufman).

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Knar Gavin, Anna Vitale, and Sophia DuRose joined Al Filreis in the Arts Café of the Kelly Writers House to discuss a three-page section of Leslie Scalapino’s “‘Can’t’ is ‘Night’” — the passage having been chosen by the poet for It’s Go in Horizontal: Selected Poems, 1974–2006. Our recording of the poem comes from a May 17, 2007, episode of Charles Bernstein’s series Close Listening. It requires close listening indeed, and a somewhat distinct encounter of seeing the poem as text. Scalapino does have a remarkable talent for sounding out words she has put in quotation marks (can you hear them here?). Crucially, she sounds out linebreaks too: listen for the break between “character” and “night” in “separation of character and / night.” After all, “night exists at day — but is not the same night so / night is not-existing.”

Biologically speaking (PoemTalk #160)

Edna St. Vincent Millay, 'Love Is Not All' and 'I Shall Forget You Presently'

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Al Filreis convened Lisa New, Jane Malcolm, and Sophia DuRose to talk about two well-known sonnets of Edna St. Vincent Millay, “I Shall Forget You Presently” and “Love Is Not All.” “I Shall Forget You Presently” became widely available as one of the four sonnets presented at the end of the book A Few Figs from Thistles (first published in 1920). “Love Is Not All” of 1931 was in Millay’s collection of fifty-two sonnets, Fatal Interview. Both poems were performed by Millay in an undated recording we include on our Millay PennSound page.

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