From left: Michelle Taransky, Sally Van Doren, Christy Davids
Al Filreis convened Michelle Taransky, Christy Davids, and Sally Van Doren. Sally traveled to be with us for the day: she gave a an evening reading of mostly her new poems, paired with a reading by Michelle; and she spent more time in our studio in an interview with Al about her new poems. For the PoemTalk episode — we discussed a series of numbered poems by Marjorie Welish, going under the title “Begetting Textile.”
Knar Gavin, our current Fellow in Poetic Practice, reviews Woodrat Flat by Albert Saijo, A Tale of Magicians Who Puffed Up Money That Lost Its Puff by Kaia Sand, and A Complex Sentence by Marjorie Welish. From the Sand review: 'The money-puffing magician-financiers who, in “waving wands around” bits of mortgage, engineered the 2008 financial collapse, provide the backdrop for Sand’s deft depiction of this “difficult ecology of now,” which bleats for help — from the “public citizen,” the “citizen intervenor.”'
In weaving—from basic hand weaving to mechanized looms—the direction is back and forth, left to right and right to left and again. Other actions take place between these movements: a stick lifts one set of threads up and down to create a shed through which the shuttle moves across. Heddles—through which various warp fibers are threaded in order to create patterns—lift and fall in various sequences.
Complex futures
Knar Gavin
Knar Gavin, our current Fellow in Poetic Practice, reviews Woodrat Flat by Albert Saijo, A Tale of Magicians Who Puffed Up Money That Lost Its Puff by Kaia Sand, and A Complex Sentence by Marjorie Welish. From the Sand review: 'The money-puffing magician-financiers who, in “waving wands around” bits of mortgage, engineered the 2008 financial collapse, provide the backdrop for Sand’s deft depiction of this “difficult ecology of now,” which bleats for help — from the “public citizen,” the “citizen intervenor.”'