Al Filreis

If nothing ever ended

PoemTalk #38: Norman Fischer's 'I’d Like to See It'

Photo of Norman Fischer (left) by Laura Trippi, via Wikimedia Commons.

Editorial note: The following conversation has been adapted and edited from episode 38 of PoemTalk, recorded December 9, 2010, at the University of Pennsylvania in Philadelphia, and transcribed by Michael Nardone. The episode discusses the poem “I’d Like to See It” from Norman Fischer’s Turn Left in Order to Turn Right (O Books, 1989). Fischer is associated with the Bay Area Language poets and is the former abbot of the San Francisco Zen Center.

On Ayukawa's dark wartime poem 'Man on a Bridge' (1942)

New ModPo video with Yosuke Tanaka

New ModPo video just posted — in which Anna Strong Safford and I talk with Yosuke Tanaka about a dark, wartime poem by Ayukawa Nobuo called “Man on a Bridge” (1942). Click the link (to view the video you must be logged into ModPo — registering is free and open to all):

https://www.coursera.org/learn/modpo/resources/nwo33

Here is a link to the text of the poem.

Herman Beavers, the tundra of yes

A review of 'Obsidian Blues'

Herman Beavers reading from 'Obsidian Blues' at the Kelly Writers House, September 2017

Obsidian Blues, to quote Herman Beavers quoting Ralph Angel, is itself “a still life and a way to get home again.” The poems in this powerful collection often present still lives of stilled lives. The speaker can see “Apples. / The way the light / betrays them” in a poem,“Obsidian Blues 43,” about a guitarist whose stringy wail (“strings judding like a systolic ghost swaggering”) sings a song of variation that reqpeatedly requires renaming. One such tentative title is “Still Life with Guitar and Heartstrike”; another is “Landscape with Skull and Banjo.” 

On September 9, 2017, at the Kelly Writers House, Herman Beavers read poems from his new book, Obsidian Blues. HERE is a link to the video recording of the event, and HERE is a link to the audio-only recording.

Explode for small change (PoemTalk #104)

Akilah Oliver.

Editorial note: The following conversation has been adapted from an episode of PoemTalk recorded in 2016 at the Wexler Studio in the Kelly Writers House in Philadelphia. The episode features Al Filreis, Yolanda Wisher, Charles Bernstein, and Patricia Spears Jones discussing Akilah Oliver’s poem “is you is or is you ain’t” from Oliver’s collection the she said dialogues: flesh memory (Smoke Proof/Erudite Fangs, 1999).

Listen to everything you love disappear (PoemTalk #112)

Patrick Rosal, 'Instance of an Island'

Patrick Rosal.

LISTEN TO THE SHOW

Ross Gay, Josephine Park, and Herman Beavers joined Al Filreis to talk about Patrick Rosal’s “Instance of an Island.” The poem was collected in Rosal’s book Brooklyn Antediluvian (Persea, 2016). Our recording of Rosal performing the poem comes from a Wexler Studio reading done at the Kelly Writers House in March of 2016, just weeks before the book was published. This episode of PoemTalk, number 112 in our ongoing podcast series, is being made available in two versions — the usual audio, downloadable from this Jacket2 page, through iTunes, and on the Poetry Foundation site; and an uncut video recording (see below).

The clumsy Euro-modernist sources of an anti-anti-intellectual

On Charles Bernstein's 'Pitch'

On April 12, 2016, Charles Bernstein gave a reading from his new-new book Pitch of Poetry at the Kelly Writers House. I gave the introduction. Earlier I published a version of that introduction here in my Jacket2 commentary series, titling it “Clumsy, erroneous, freakish, foreign.” Now, thanks to the video editing of Dylan Leahy of the PennSound staff, I am able to make available at video recording, below. And below that is a second video clip from the Pitch event — Bernstein's finale: a selection from the aphorisms that appear toward the end of the book.

Mike Hennessey picks five PennSound recordings

PennSound podcast #54

Michael S. Hennessey

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Michael Hennessey, one of the founding participants of the PennSound archive, and now its editor, stopped by the Wexler Studio of the Kelly Writers House a few months back. He and Al Filreis played and discussed five recordings Mike chose from among the tens of thousands of recordings available in the archive: Bernadette Mayer, “Chocolate Poetry Sonnet”: LINK; Allen Ginsberg, “After Lalon”: LINK; Lew Welch, “A Round of English”: LINK; Harryette Mullen, “Sleeping with the Dictionary”: LINK; and Tuli Kupferberg, “The Hidden Dissuaders”: LINK.

'Planning to Stay'

No Press (2010)

A short talk I gave at Banff, Alberta — at the Centre for the Arts there — in February 2010 was later published by No Press in Calgary, edited and typeset by Derek Beaulieu (a poet, teacher, and Poet Laureate of Calgary 2014-16). I’m grateful to Derek for having made this beautiful chapbook available. I was asked to prepare something of a manifesto for the final panel of the several-day conference called “In(ter)ventions: Literary Practice at the Edge.”

Click on the images of the chapbook pages below to see larger scans.

On ‘Highway 61 Revisited’

A discussion led by Patrick Bredehoft and Al Filreis

A video recording is now available of a one-hour discussion of Bob Dylan’s Highway 61 Revisited. The conversation took place at the Kelly Writers House on Wednesday, November 16, 2016.

A PoemTalk retrospective (PoemTalk #100)

PoemTalkers each respond to two episodes

From left to right: William J. Harris, Tracie Morris, erica kaufman, Steve McLaughlin, Herman Beavers, Maria Damon, and Charles Bernstein.

LISTEN TO THE SHOW

To celebrate the one hundredth episode of PoemTalk — the series began in 2007 and is ongoing — producer and host Al Filreis convened seven poet-critics who had participated in previous episodes: Herman Beavers, Maria Damon, William J. Harris, erica kaufman, Tracie Morris, Steve McLaughlin, and Charles Bernstein. These seven were asked to listen again to the series and choose two episodes that in particular stimulated new thinking or the desire to revise, restate, reaffirm, assess, and/or commend.

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