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Fallout from cooling (PoemTalk #125)

Erica Baum, 'Dog Ear'

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Detail of 'Enclosing' in Erica Baum's 'Dog Ear'

Christine Nelson, Davy Knittle and Erica Baum joined Al Filreis to talk about Erica’s Dog Ear, a book of photograph-poems, in which each poem is a meticulous reproduction of a dog-eared page of a mass-market paperback photographed to isolate the small, diagonally bisected squares or rectangles of text.

June 12, 2018

Our endless ear (PoemTalk #124)

Jack Kerouac, 'Old Angel Midnight'

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From left to right: J. C. Cloutier, Michelle Taransky, Clark Coolidge.

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J. C. Cloutier, Michelle Taransky, and Clark Coolidge joined Al Filreis to talk about Jack Kerouac’s Old Angel Midnight, a sprawling work of prose poetry consuming forty pages of the Library of America Kerouac: Collected Poems. A recording of Kerouac performing the first page is available here. His model was Joyce’s Finnegans Wake. Up late in the Low East Side, he listened for sounds coming through a tenement window from the court below and made words of them. Such making is the plot of the book. The effort sometimes results in what Clark Coolidge has called “babble flow.” Old Angel Midnight is an interlinguistic record of voices augmented by “neologisms, mental associations, puns and wordmixes” and “nonlanguages.”

May 15, 2018

Bugging the circles (PoemTalk #123)

David Antin, ‘War’

PoemTalk

On March 26, 2003, before an audience gathered for an event sponsored by the SUNY Buffalo Poetics Program, David Antin performed a fifty-minute talk-poem called “War.” It seems to have been a tense gathering. The second US incursion into Iraq had begun six days earlier, led by George W. Bush, who features prominently in Antin’s talk that evening. After delivering “War” this once, Antin apparently never transcribed it — nor apparently then, in his usual mode, lineated this talk-poem. Did he not sufficiently value it, then or later? Is it perhaps too unlike his usual talking performance? Perhaps it too directly referred to the political problem of the moment in relation to the poet’s work?

April 13, 2018

Insurrection is value (PoemTalk #122)

Sean Bonney, 'Happiness'

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From left to right: Stephen Willey, Anna Strong Safford, Luke Roberts [photo credit: Al Filreis]

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Al Filreis, Anna Strong Safford, Zach Carduner, and Chris Martin took PoemTalk on the road where they met up with Stephen Willey and Luke Roberts at Birkbeck University of London for a discussion of Sean Bonney's Happiness. Twenty pages of Happiness were included in Letters Against the Firmament. The group focused on the first four pages or poems or sections of Happiness (pp. 120—23). Sean Bonney’s PennSound author page hosts three different recordings (two audio and one video) of his readings from this long poem (1, 2, 3). The version used here was the one recorded in London in 2011.

March 6, 2018

This corner of the Diaspora (PoemTalk #121)

Jerome Rothenberg, 'Galician Nights' from 'Poland/1931'

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From left to right: Al Filreis, Jake Marmer, Maria Damon, Frank London.

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One Sunday afternoon at Kelly Writers House, Jake Marmer, Frank London, Al Filreis, and Maria Damon ducked into the Wexler Studio to talk about Jerome Rothenberg's Poland/1931. The group chose to focus on the section of that book entitled “Galician Nights, or a Novel in Progress” — on, in particular, a 2002 performance in which Rothenberg chanted the text while backed by the Klezmatics (the band including one of our interlocutors, the Hasidic New Wave eminence Frank London, on trumpet). The recording — which lasts six minutes and twenty-six seconds — can be found at Rothenberg’s extensive PennSound page. 

February 9, 2018