Jerome Rothenberg

Poems and poetics

A round of Renshi & the poet as other: An experiment in poesis (part three)

[continued from previous postings, here & here]




The thirtieth and final poem of the renshi event fell to me asvisitorand gave me a chance to consider or reconsider the entire processthe experimental side of it at least, as a test of poetry under special circumstances. The moves up to then had been easy enough, a cool kind of writing that I didnt find at all displeasing, and a chance, as Robert Duncan had once put it,to exercise my faculties at large.On top of thatand not to be ignoredI was doing it out in the open and immersed in a language that I barely understood. It seemed to me too that Kaku, writing in the slot before me, had been pushing toward some kind of conclusion, to which I felt an affinity, but had to consider it, along with a specific request from Tanikawa, as an invitation to formulate my own coda here, a kind of capsule poetics as I conceived it.

Rochelle Owens: 'Color Pool in Umbria, in Memoriam Al Held'



First a question

then an outline

is it an anatomical form


Reconfiguring Romanticism (54): Jeffrey C. Robinson, 'Occupy Romanticism,' 27 May 2012

EDITOR’S NOTE. The following was Jeffrey Robinson’s contribution to the recent Poetry & Revolution conference at Birkbeck College of the University of London. As with other of Robinson’s recent writings, it presents an ongoingly radical view of Romanticism in the spirit of Poems for the Millennium, volmue 3, which he and I constructed in the first decade of the current millennium. For my part, the collaboration with Robinson opened me to areas of poetry that had long been hidden from me and honed my own practice in ways that had only been latent until then. If I wrote A Book of Concealments in the process – & I did – the sense of “Romantic Dadas” that appears there was also part of our work in common, for which I remain forever grateful. (J.R.)