Jerome Rothenberg

Poems and poetics

Ariel Resnikoff, with Jerome Rothenberg: From an interview (continued), on Jews & experimental modernism, with notes toward a poetry of witness & an omnipoetics

Jerome Rothenberg, from a production circa 1984 of "That Dada Strain" by Luke Morrison & the Center for Theater Science & Research, San Diego & Lexington, NY

[The following is a continuation of an interview, the first part of which appeared in Poems and Poetics on December 10. 2014.  The full interview, conducted by Resnikoff over a period of several months, was published later in The Wolf  magazine, number 31, edited by James Byrne & Sandeep Parmar.] 

Jerome Rothenberg: At the Hotel Monopol

In Breslau

PROEM [1988].   It was raining when we got to Wroclaw (Breslau), the miles from Auschwitz bringing back the memories of what had happened there.  Traveling with our son we had made reservations for a single suite at the Hotel Monopol, but when we pulled in, the hotel could only come up with two separate rooms.  After a while, though, the desk clerk said that they had found a suite for us that was free.  An elderly bellhop carried our bags up the central flight of stairs, threw the big doors open, put our bags down on the floor, & asked me with a little smile, “And do you know who slept here?” Then he answered his own question: “Hitler!—And he made a speech from that balcony.”  After which  he turned & closed the doors behind him, leaving us to think again about our fate & theirs.

Anne Blonstein: From 'worked on screen' (some notarikon poems with a note on notarikon)

[Anne Blonstein died much too soon on April 19, 2011.  She had by then created a remarkable series of works in which she employed & transformed traditional numerological and hermeneutic procedures (gematria, notarikon) in the composition of radically new experimental & multilingual poems.  Too little known, her oeuvre, as I would read it, is in a line that goes from Abulafia to Mallarmé & Mac Low & various poets of Oulipo and Fluxus, among others, while the devotion & precision that she shows throughout are clearly & powerfully her own.

Jerome Rothenberg: Previewing 'A Field on Mars': Two poems & a coda from 'A Further Witness'

[The excerpts that follow are from a work in progress, A Field on Mars: Poems 2000-2015, scheduled for publication next year by Presses Universitaires de Rouen et du Havre (Jusqu’a/To Books) in simultaneous English & French editions. The note below explains whatever else needs explanation.  (J.R.)]

 

A GOD CONCEALED

 

I is

ego

in another

tongue

 

a swollen

sense

of who

he is

Jerome Rothenberg: Three poems after 'Images' by Nancy Tobin

[As I approach the seven-year mark of Poems and Poetics, I thought it appropriate to re-post the initial offering in the series, first posted herein on June 7, 2008.  Published later that year as a small book from a resuscitated Hawk's Well Press (my own first press from the 1960s), two of the images appear here and here on the internet,  and copies