NOTE: See also the poem “Chauvet: Left Wall of End Chamber” in Reciprocal Distillations (Hot Whiskey Press, 2007) reprinted in CE / The Essential Poetry (1960–2015). With James O’Hern, I visited Chauvet Cave with Jean-Marie Chauvet (one of the 1994 discoverers) on January 8, 2004. My gratitude to Dominique Baffier for arranging our visit. Excellent color photographs of the wall with the paintings addressed in my poem may be found in Chauvet Cave / The Art of Earliest Times, directed by Jean Clottes (The University of Utah Press, Salt Lake City, 2003).
The depth of body.
The depth of a hollow
animal belly
imagination fills out to an agreeable convexity, &
SOURCE. English working by Jerome Rothenberg after Spanish prose version in Ángel María Garibay’s Epica Náhuatl, Universidad Nacional Autónoma de México, 1945.
The following is an early announcement of a work now in progress: a full-blown anthology/assemblage of the poetry of all the Americas (“from origins to present”), coedited with Heriberto Yépez, that the University of California Press has just accepted for publication. As Heriberto & I move into the work, I’m posting our proposal for the book, below, as an indication of what’s in store & in the hope, as with other assemblages of mine, that others will come forward with suggestions for materials relevant as texts & commentaries that fall along the lines of those in my earlier anthologies. Even more important for a work of this scope, Heriberto & I are looking for others who can assist us in the formidable task of translation: Spanish, Portuguese, French, & the full range of indigenous languages & creoles from the two great American continents.
[The following is an early announcement of a work now in progress: a full-blown anthology/assemblage of the poetry of all the Americas (“from origins to present”), coedited with Heriberto Yépez, that the University of California Press has just accepted for publication.
[N.B. To which she adds, in correspondence: “The elephant is a non-predatory mammal, a sensate being. The poem intersects body and spirit — elephant desire, with the function of marketing, production, distribution and exchange of elephant and rhino body parts by human predators.”]
Poems and poetics