PoemTalk

Doing not enough every day (PoemTalk #5)

Ted Berrigan, '3 Pages'

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A list of Bohemian pleasures. Ted Berrigan’s “3 Pages” is a list poem, surely. He mentions ten things he does every day (including “read lunch poems,” surely a reference to Frank O’Hara’s book of that title) but the PoemTalkers — Randall Couch, Linh Dinh and special guest erica kaufman — had trouble counting them. We got to nine, and pondered. erica then suggested that she “would count ‘NOT ENOUGH’ as being ten.” The last line of the poem. Those American things (heart attack, Congressional medal, second home) that immediately precede the last line…well, for Berrigan, they don’t add up.

So our PoemTalk poem this time is a summing-up poem (Berrigan hinted as such a quality) that sums up by affixing “not enough” to the total. We four liked this sort of life, were turned on by it. Oh, set us down by the waters of Manhattan.

Aside from O’Hara there are further literary references here in this poem about leading the literary life. By the Waters of Manhattan is the novel of another important New Yorker poet, Charles Reznikoff. Al says: “‘NO HELP WANTED’ as a placard turns around the usual, ‘You’re an American boy, get a job.’” Ahabian resistance to progress and accumulation and reason, in a world of Starbucks. We found the rhetoric of folk song here, and we saw indeed deep traces of Moby Dick’s irrational-rational aestheticism. “Hunting for the Whale” is one of the “ten” things a Berrigan poem does for us every single day.

For the purposes of introducing the idea of the list poem to people not used to seriatic ways of modern and contemporary poetry, we agree that this poem is the perfect instance with which to start. “Teachable” in that sense.

Bard goes country (PoemTalk #4)

Allen Ginsberg sings Blake's 'The Garden of Love'

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Hear the voice of the bard…

Which bard? Well, we’re not quite sure how bardic Charles Bernstein is, but he certainly loves the idea of poem as song; he jouned some by-now regular PoemTalkers (Rachel Blau DuPlessis and Jessica Lowenthal) and chanted for us that very line. We’ve worn the grooves on an old LP of Allen Ginsberg signing William Blake’s Songs of Innocence and Experience and for the fourth PoemTalk chose Ginsberg’s countrified (crossover?) rendition of “The Garden of Love.” Does the snappy, twangy (and relatively tuneful) setting create an irony? Jessica thinks yes; Charles thinks no.

But perhaps the tune should be in conflict with the poem’s sense, and thus perhaps Ginsberg was not so much pushing a song of experience into a popular (and thus single-direction-tending) mode so much as making it still more Blakean.

The binary of innocence and experience, Rachel says, is broken by the way the song is sung. Blake wanted the binary to be broken; Ginsberg only breaks it further. And seems to be having fun along the way.

Listen for the happy out-take at the end. We had some fun ourselves, albeit somewhat atonally and quite arhythmically.