Trevor Joyce: A bibliography
Editorial note: Trevor Joyce is a contemporary Irish poet whose work attests to the endurance and proliferation of a diversity of modernist traditions in Irish literature. Born in Dublin in 1947, Joyce has written more than seventeen volumes of poetry since his initial collection, Sole Glum Trek, was published in 1967. This book was the first to appear from New Writers Press (NWP), which Joyce cofounded with Michael Smith with the intention of publishing young poets from Ireland and abroad who were not receiving an audience through the few Irish presses in existence. Joyce and Smith published some rather trenchant editorials in the in-house journal The Lace Curtain over the following years; however, their inaugural statement of intent for the press was less polemical. In an addendum to Sole Glum Trek, the editors describe the range and scope of the writers they intend to publish as follows: “Believing poets should be beyond the herd instinct, they belong to no school, movement, club or clique. They are all serious poets, that is, human beings for whom writing poetry is morally, a profoundly central activity, not a mere hobby or ornamental grace” (Joyce, “Irish Terrain: Alternative Planes of Cleavage,” in Assembling Alternatives: Reading Postmodern Poetries Transnationally, 277). This project began as a study aid for my own research on Joyce, and the material amassed complicates understandings of his oeuvre and its significance to Irish poetry. The primary list of Joyce’s books and chapbooks led to a section on individual poems published, and his editorial work with NWP prompted a record of prose essays and reviews. Each new reference revealed another, and the bibliography quickly incorporated as much of the valuable and scarce secondary criticism as possible. With time, patterns emerged across the bibliography. From the early ’90s onwards, several names appear again and again in the sections on secondary criticism and reviews, so much so that the same four critics are responsible for writing nearly half of all of the essays on Joyce’s work. The bibliography emerged out of frustration with the wildly dispersed nature of Joyce criticism and the lack of a catalogue comparable to Nate Dorward’s checklists on J. H. Prynne (recently extended by Michael Tencer) and Tom Raworth.
There are several points to note and editorial decisions to explain that should help to make the bibliography more useful. All of the sections from “Poetry: Books and pamphlets” to “Video/Sound Recordings” are organized chronologically from earliest to most recent. The critical writing on Joyce which follows — “Secondary criticism,” “Reviews” and “Notes/Introductions” — is organized alphabetically, with “Dictionary entries” arranged chronologically. The references are broadly consistent with Chicago documentation style; however, further information regarding publishers’ names, place of publication, dates, and reprints is also included intermittently. Usually, these additions are intended as an acknowledgement of those editors publishing Joyce’s poetry; however, they also keep the references in line with individual publisher’s style, as in Randolph Healy’s specification of “Bray, Co. Wicklow” as the location of Wild Honey Press. On the subject of publishers, New Writers’ Press was established by Joyce and Smith, along with Smith’s wife Irene. The names included in my references to the Press — Michael Smith and Trevor Joyce — cohere with the editorial information provided in each individual publication.
Returning to the bibliography, the references to Joyce’s poetry collections include information on the number of pages, which is followed by the print run of each collection in parentheses, e.g. (150). This information is important in distinguishing pamphlets from chapbooks and longer collections, and for emphasizing the small press distribution of most of Joyce’s poetry. For with the first dream of fire they hunt the cold and Courts of Air and Earth, I use the acronym “POD” to indicate print-on-demand, which means that there is no print run in the traditional sense. Joyce’s essay “New Writers’ Press: The History of a Project” includes an extensive bibliography of the NWP books in which he is credited for cover art on five of his own poetry collections, as well as several other NWP publications. These include Jorge Luis Borges’s Poems, Michael Smith’s Homage to James Thomson (B. V.) at Portobello, and Michael Hartnett’s Tao: A Version of the Chinese Classic of the Sixth Century. There is a drawing by Joyce of the Man in the Moon modeled on that of Gyffyn Church included in the New Writers’ Press Archive at the National Library of Ireland. That image was used for the cover of Sole Glum Trek (1967), and would later become the logo of Zozimus, a Cork-based imprint of NWP. Incidentally, Joyce also created the cover image for Without Asylum.
The bibliography is not exhaustive; there are a number of publications and references that still elude me, and of course Joyce is still writing and publishing. That said, many people helped in compiling this bibliography, and I would like to acknowledge some of them here: my thanks to James Cummins, Alex Davis, Nate Dorward, Marcella Edwards, Harry Gilonis, John Goodby, Trevor Joyce, Justin Katko, David Lloyd, Jim Mays, and Keith Tuma.
Suggestions for further references would be greatly appreciated and can be submitted to Jacket2. — Niamh O’Mahony
Trevor Joyce bibliography
Poetry: Periodicals and anthologies
Reviews: Periodicals and newspapers
Sole Glum Trek: New Irish Poets. Dublin: New Writers’ Press, 1967. 30 pp. (500).
Watches. Dublin: New Writers’ Press, 1969. 16 pp. (150).
Pentahedron. Dublin: Zozimus-New Writers’ Press, 1972. 53 pp. (1,000 pb; 250 hb).
The Poems of Sweeny Peregrine: A Working of the Corrupt Irish Text. Dublin: New Writers’ Press, 1976. 48 pp. (500).
stone floods. Dublin: New Writers’ Press, 1995. 52 pp. (400).
Syzygy. Bray, Co. Wicklow: Wild Honey Press, 1998. 16 pp. (228).
Hellbox. London: Form Books, 1998. 3 pp. (50).
Without Asylum. Bray, Co. Wicklow: Wild Honey Press, 1998. 13 pp. (98). Online at Wild Honey Press.
with the first dream of fire they hunt the cold. Exeter: Shearsman Books, 2001. 241 pp. (600). 2nd ed. Dublin: New Writers’ Press, 2003. (POD). Online at Shearsman.
Take Over. Willowdale, Ontario: The Gig, 2003. 52 pp. (150).
Undone, Say. Willowdale, Ontario: The Gig, 2003. 48 pp. (150).
Dwory Powietrza i Ziemi. Edited and translated by John Comber and Lidia Nowicka-Comber. Poznan: Motivex; Dublin: New Writers’ Press, 2004. 137 pp. Dual-language publication of Courts of Air and Earth.
What’s in Store: Poems, 2000–2007. Dublin: New Writers’ Press; Willowdale, Ontario: The Gig, 2007. 322 pp. (800).
Courts of Air and Earth. Foreword by Fanny Howe; afterword by Máire Herbert. Exeter: Shearsman, 2008. 95 pp. (POD). Online at Shearsman.
Poems of Aregemia. Edited by Mark Mallon. Translated by Seija Kerttula and Trevor Joyce. Helsinki: Ntamo, 2012. 80 pp.
The Immediate Future. Cork: Runamok Press, 2013. 36 pp. (100).
Rome’s Wreck. Los Angeles: Cusp Books, forthcoming.
Poetry: Periodicals and anthologies
“Time Piece. Clocks Err Through Anger of the Watcher.” The Lace Curtain, no. 1 (Autumn 1969): 20–21. Edited by Michael Smith and Trevor Joyce. Dublin: New Writers’ Press.
“I Know These Streets.” The Lace Curtain, no. 2 (Spring 1970): 18. Edited by Michael Smith and Trevor Joyce. Dublin: New Writers’ Press.
“Elegy of the Shut Mirror” and “Surd Blab.” The Lace Curtain, no. 3 (Summer 1970): 30–33. Edited by Michael Smith and Trevor Joyce. Dublin: New Writers’ Press.
“Engravure.” The Kilkenny Magazine, no. 18 (Autumn–Winter 1970): 117. Edited by James Delahunty.
“Death Is Conventional (Song, Probably Evasive)” and “Bronze Through Seagrowth.” St. Stephen’s 2, no. 19. (Hilary Term, 1971): 12–14, 24–25. Guest edited by Trevor Joyce.
“The Fall.” “Ecrivains irlandais d’aujourd’hui; Nombre Speciale.” Special issue, Les Lettres Nouvelles 3, no. 1 (March 1973): 208. Guest edited by Serge Fauchereau.
“Fulgurite.” Icarus, no. 67 (Winter 1974): np. Edited by Edward Brazil. Trinity College, Dublin.
“Mirror: Of Glazier Velasquez.” “Irish Poetry.” Special issue, The Niagara Magazine, no. 3 (Summer 1975): 31–32. Guest edited by Michael Smith and Augustus Young.
“One” and “Mirror: Of Glazier Velasquez.” The Lace Curtain, no. 6 (Autumn 1978): 8–9. Edited by Michael Smith. Dublin: New Writers’ Press.
“‘Two Poems from Magazine’: A Work in Progress.” The Irish Review, no. 8 (1990): 12–13. Edited by Kevin Barry et al. Retitled “Cold Snap” and “Cold Course” in stone floods.
“The Turlough” and “Cry Help.” “Autobiography as Criticism.” Special issue, The Irish Review, no. 13 (1992): 143–5. Edited by Kevin Barry et al.
“Counmeenole.” In Pathfinder: Skills in Language and Literature, edited by Michael Smith, 166. Dublin: Educational Company, 1994.
“Cold Course.” Irish Times, December 9, 1995, A8. Edited by Conor Brady.
“‘in three quarters now you lie,’ a stanza from his forthcoming Syzygy.” FormCard: Irish Modernism Series, no. 4 (April 1997): np. Edited by Harry Gilonis. London: Form Books.
Some poems. “Lewis Marsh Issue: Five Irish Poets.” Special issue, Talisman: A Journal of Contemporary Poetry and Poetics, no. 18 (Fall 1998): 130–137. Guest edited by Keith Tuma and William Walsh.
“Hopeful Monsters.” The Gig, no. 1 (November 1998): 30–39. Edited by Nate Dorward. Willowdale, Ontario.
“A Father of the Useful Arts (1738),” “Capital Accounts, From OBEX (work in progress),” and “Trem Neul.” Sub Voicive Poetry, no. 2 (1999): 5–8. Edited by Lawrence Upton.
“Approach of Bodies Falling in Time of Plague,” “Proceeds of a Black Swap,” and explanatory notes on both poems. Shearsman, no. 38 (February 1999): 5–9. Edited by Tony Frazer.
“Trem Neul.” Masthead, no. 4 (January 2000): 18–22. Edited by Alison Croggon. Online at Masthead. In 2000, Masthead became an online journal with issue 4 as the first digital issue.
“Data Shadows,” “Joinery,” “Let Happen,” and “Dark Senses Parallel Streets.” Alterran Poetry Assemblage, no. 5 (December 2000). Edited by David Dowker.
“STILLSMAN.” In Vectors: New Poetics, edited by Robert Archambeau, 170–181. San Jose: Writers Club Press, 2001.
“Saws.” Poetry Ireland Review, no. 71 (Winter 2001): 62–64. Edited by Maurice Harmon.
“Saws.” The Gig, no. 9 (September 2001): 3–6. Edited by Nate Dorward. Willowdale, Ontario: The Gig.
“The Fishers Fished,” “Concentration,” and “Incidents at Cloghroe, Co. Cork.” Southword 2, no. 3 (2000): 10–11. Edited by Patrick Galvin and Mary Johnson.
“Watch.” Southword 3, no. 1 (2001): 16. Edited by Patrick Galvin.
“The Turlough,” “Cry Help,” and “Tohu-bohu.” In Anthology of Twentieth-Century British and Irish Poetry, edited by Keith Tuma, 742–747. New York: Oxford University Press, 2001.
“Poem from Love Songs from a Dead Tongue.” Masthead, no. 5 (February 2002). Online at part 1, part 2, part 3, part 4, part 5, and part 6. Edited by Alison Croggon.
“Love Songs from a Dead Tongue.” Poetry Ireland Review, no. 74 (Autumn 2002): 42–59. Edited by Michael Smith.
“A Father of the Useful Arts (1738),” “Dánta Grádha 18,” “Watch,” “Without Asylum,” “Approach of Bodies Falling in a Time of Plague,” “Proceeds of a Black Swap,” and “behaviour self!” A Chide’s Alphabet: Second Chiding, May 2001. Edited by David Bircumshaw.
“To Lily Bloom,” “The Peacock’s Tale,” and “De Iron Trote.” “Remembering Alaric Sumner: A Retrospective.” Special issue, Masthead, no. 8 (February 2004):. Edited by Alison Croggon.
“4 Poems from the Chinese of Ruan Ji” and “STILLSMAN.” Shearsman, no. 58 (Spring 2004): 2–6. Edited by Tony Frazer.
Some poems. In Onsets: A Breviary (Synopticon?) of Poems 13 Lines or Under, edited by Nate Dorward, np. Willowdale, Ontario: The Gig, 2001.
“Dark Senses Parallel Streets. With and for Tom Raworth.” Jacket, no. 26 (October 2004). Edited by John Tranter.
“From Saws.” Free Verse, no. 7 (Winter 2004). Edited by Jon Thompson.
“Counmeenole.” In New Writers’ Press Anthology, edited by Martin Dolan and Michael Smith with an introduction by Declan Kiberd, 93–95. Poznan: Motivex, 2004.
“From a work in progress.” Masthead, no. 9 (March 2005). Edited by Alison Croggon.
“STILLSMAN.” In Vinyl: Material Location Placement, edited by Simon Cutts, np. Tipperary: Coracle, 2005. In this book, Cutts records the exhibition of Joyce’s poem “STILLSMAN” as an installation as part of the vinyl: project for installation held in Cork City during July and August 2005.
“The Peacock’s Tale.” In Cork Caucus: On Art, Possibility, and Democracy, edited by Trevor Joyce and Shep Steiner, 375–377. Cork: National Sculpture Factory and Revolver, 2006.
“From Ana.” Masthead, no. 10 (March 2006). Edited by Alison Croggon.
“‘The Drift’ from Syzygy,” “‘The Net’ from Syzygy,” and “The Peacock’s Tale.” “Towards OuLiPo.” Special feature, Drunken Boat, no. 8 (Spring 2006). Guest edited by Jean-Jacques Poucel.
“From Outcry.” Masthead, no. 11 (September 2008). Guest edited by Andrew Burke and Candice Ward.
“From ‘Rome’s Wreck.’” Poetry Salzburg Review, no. 15 (Spring 2009): 137–139. Guest edited by James Cummins, Fergal Gaynor, and Trevor Joyce.
“From Rome’s Wreck.” past simple, no. 6 (March 2009). Edited by Jim Goar and Marcus Slease.
“Fragmentos.” RevistAtlántica de poesía, no. 34 (2010): 71–80. Edited by Màrius Torres. Translated by Luis Ingelmo. With an introduction in Spanish by Michael Smith. Cádiz: Diputación de Cádiz.
[“granted …”] and “Sixth Month, Year 408: Fire.” Cambridge Reading Series: Nour Mobarak and Trevor Joyce, April 2010, 5–6.
“(From Ruan Ji).” In Invisibly Tight Institutional Outer Flanks Dub (Verb) Glorious National Hi-Violence Response Dream, edited by Ryan Dobran, Justin Katko, and Sara Wintz, 18–19. New York and Providence, RI: Life Gang Documents, 2008.
“all that is the case” and “now then.” In The Penguin Book of Irish Poetry, edited by Patrick Crotty, 794–795. London: Penguin, 2010.
“Wretched to me … (from the late Middle Irish).” MATERIALpoetry. Edited by Simon Cutts, np. Tipperary: Coracle, 2010.
Five extracts from The Immediate Future. Chicago Review 56, no. 2 (Autumn 2011): 89–93. Edited by Joel Calahan and Michael Hansen.
Five extracts from The Immediate Future. Truck, February 2013. Edited by Mark Weiss.
Two extracts from The Immediate Future and “when I died …” Return to Default, June 2013. Edited by James Cummins, Sarah Hayden, and Rachel Warriner.
“Ideologist of Love: The Poetry of James Liddy.” The Lace Curtain, no. 1 (1969): 44–48. Edited by Michael Smith and Trevor Joyce. Dublin: New Writers’ Press.
“The Young Poets, 12: Michael Smith.” Hibernia 33, no. 18 (1969): 15. Edited by John Mulcahy.
“New Writers’ Press: The History of a Project.” In Modernism and Ireland: The Poetry of the 1930s, edited by Patricia Coughlan and Alex Davis, 276–306. Cork: Cork University Press, 1995.
“The Point of Innovation in Irish Poetry.” In For the Birds: Proceedings of the First Cork Conference on New and Experimental Irish Poetry, edited by Harry Gilonis, 18–24. Sutton, UK: Mainstream; Dublin: hardPressed, 1998. Reprinted in “Six Poets: Views and Interviews.” Special issue, The Gig, no. 2 (2001): 45–50. Edited by Nate Dorward. Willowdale, Ontario: The Gig, 2001. Also reprinted in New Writers’ Press Anthology, edited by Martin Dolan and Michael Smith with an introduction by Declan Kiberd, 16–22, 23–30. Poznan: Motivex, 2004.
“Why I Write Narrative.” Narrativity, no. 1 (March 2000). Edited by Mary Burger et al. San Francisco State University. Reprinted in The Recorder 13, no. 2 (Fall 2000): 57–63. Edited by Christopher Cahill.
“Interrogate the Thrush: Another Name for Something Else.” In Vectors: New Poetics, edited by Robert Archambeau, 136–169. Lincoln, NE: Writers Club Press, 2001.
“Irish Terrain: Alternative Planes of Cleavage.” In Assembling Alternatives: Reading Postmodern Poetries Transnationally, edited by Romana Huk, 156–168. Middletown, CT: Wesleyan University Press, 2003.
“On stone floods: A Commentary from a Letter to Michael Smith.” “The Fly on the Page.” Special issue, The Gig, no. 3 (2004): 3–15. Edited by Nate Dorward. Willowdale, Ontario: The Gig.
“On ‘Without Asylum’: An Email Exchange.” “The Fly on the Page.” Special issue, The Gig, no. 3 (2004): 16. Edited by Nate Dorward. Willowdale, Ontario: The Gig.
“‘Approach of Bodies Falling in Time of Plague’ and ‘Proceeds of a Black Swap’: Some Explanatory Notes.” “The Fly on the Page.” Special issue, The Gig, no. 3 (2004): 17–18. Edited by Nate Dorward. Willowdale, Ontario: The Gig.
“Introduction: On This Book.” In Cork Caucus: On Art, Possibility, and Democracy, edited by Trevor Joyce and Shep Steiner, 17–18. Cork: National Sculpture Factory and Revolver, 2006.
“On ‘The Peacock’s Tale.’” In Cork Caucus: On Art, Possibility, and Democracy, edited by Trevor Joyce and Shep Steiner, 371–74. Cork: National Sculpture Factory and Revolver, 2006.
“The Construction of Syzygy,” “The Structure of ‘The Peacock’s Tale,’” and “Some Notes.” “Towards OuLiPo.” Special feature, Drunken Boat, no. 8 (Spring 2006). Guest edited by Jean-Jacques Poucel.
Introduction to “SoundEye 12: Festival of the Arts of the Word. 3–6 July 2008.” Poetry Salzburg Review, no. 15 (Spring 2009): 82–84. Guest edited by James Cummins, Fergal Gaynor, and Trevor Joyce.
“The Phantom Quarry: Translating a Renaissance Painting into Modern Poetry.” Enclave Review, no. 8 (September 2013): 5–8. Edited by Fergal Gaynor and Ed Krčma.
“The Role of Poetry in Chinese Cultural Life.” Talk at the Europe-China Association Annual Conference, University of Oxford, 1982.
“New Writers? Some Irish.” Talk at Assembling Alternatives, Wesleyan University, Middletown, CT, 1996.
“Irish Practice Imperfect.” Talk at Third Sub Voicive Poetry Colloquium, University of London, 1999.
Poems of Aregemia. Edited by Mark Mallon. Translated by Seija Kerttula and Trevor Joyce. Helsinki: Ntamo, 2012.
Coffey, Brian. Versheet, vol. 1. Edited by Trevor Joyce. Dublin: New Writer’s Press, 1971. 6 pp.
Cork Caucus: On Art, Possibility, and Democracy. Edited by Trevor Joyce and Shep Steiner. Cork: National Sculpture Factory and Revolver, 2006.
The Lace Curtain, no. 1. Edited by Michael Smith and Trevor Joyce. Dublin: New Writers’ Press, 1969.
The Lace Curtain, no. 2. Edited by Michael Smith and Trevor Joyce. Dublin: New Writers’ Press, 1970.
The Lace Curtain, no. 3. Edited by Michael Smith; associate editor Trevor Joyce. Dublin: New Writers’ Press, 1970.
Pawlowski, Robert. Versheet, vol. 2. Edited by Trevor Joyce. Dublin: New Writers’ Press, 1971. 6 pp.
Redshaw, Thomas Dillon. Such a Heart Dances Out. Versheet, vol. 4. Edited by Trevor Joyce. Dublin: New Writers’ Press, 1971. 6 pp.
“SoundEye 12: Festival of the Arts of the Word. 3–6 July 2008.” Poetry Salzburg Review, no. 15 (Spring 2009): 82–194. Guest edited by James Cummins, Fergal Gaynor, and Trevor Joyce.
Review of When She Was Good, by Philip Roth, The Far Side of the Sky, by Maslyn Williams, and Satori in Paris, by Jack Kerouac. Hibernia 32, no. 2 (February 1968): 20. Edited by John Mulcahy.
Review of The Hard Hours, by Anthony Hecht, and Just Like the Resurrection, by Patricia Beer. The Dublin Magazine 7, nos. 2–4 (Autumn/Winter 1968): 107–108. Edited by Rivers Carew and Timothy Brownlow. Formerly The Dubliner.
“Nazi Aftermath.” Review of Camp 7 Last Stop, by Hans Hellmut Kirst, and The Hour of the Unicorn, by James Parish. Hibernia 33, no. 10 (May 1969): 16. Edited by John Mulcahy.
“Reading the Metre Before Moving On.” Review of An Introduction to English Poetry, by James Fenton. The Irish Times, July 20, 2002, B9. Edited by Conor Brady.
Interview by Michael S. Begnal. The Burning Bush, no. 7 (Spring 2002): 44–48. Edited by Michael S. Begnal.
Interview by Leonard Schwartz. Cross-Cultural Poetics, episode 62 (Fall 2004). Olympia, Washington: KAOS-FM.
“Partly for the Shiver.” Interview by G. Keohane. Karnival, no. 5 (October 2005): 9–10. Edited by Dan Finn.
“Poetry, Form, Meaning.” Interview by Keith Tuma in Cork Caucus: On Art, Possibility, and Democracy, edited by Trevor Joyce and Shep Steiner, 377–378. Cork: National Sculpture Factory and Revolver, 2006.
“Finding a Language Use: Trevor Joyce in 2011.” Interview by Niamh O’Mahony. Jacket2, 2013. Edited by Julia Bloch and Michael S. Hennessey.
Interview by Marthine Satris. Journal of British and Irish Innovative Poetry 5, no. 1 (2012). Edited by Robert Sheppard and Scott Thurston.
Interview by Marthine Satris. Journal of British and Irish Innovative Poetry, forthcoming. Edited by Robert Sheppard and Scott Thurston.
Red Noise of Bones. Dublin: Coelacanth; Bray, Co. Wicklow: Wild Honey Press, 2001. Compact disc.
SoundEye Festival recordings, Cork, Ireland, July 4, 2005. Posted at Meshworks: the Miami University Archive of Writing in Performance.
Question and answer session after a reading at Test Reading Series, Mercer Union, Toronto. October 2007. Mercer Union, Toronto. Available at archive.org.
Reading with Cai Tianxin at SoundEye. July 2007. Posted September 7, 2007. Part 1, part 2, part 3, part 4.
Reading at Miami University, Ohio, October 2007. Part 1 (no longer available), part 2, part 3, part 4, part 5, part 6, part 7. Posted at Meshworks: the Miami University Archive of Writing in Performance.
Reading with Fergal and Marja Gaynor, SoundEye Festival, July 2009. Posted to YouTube September 17, 2009.
Reading, SoundEye Workshops, March 2010. Posted to YouTube March 2010. Part 1, part 2, part 3, part 4, part 5, part 6, part 7, part 8, part 9, part 10; Q&A part 1, part 2.
Archambeau, Robert. “Another Ireland.” Part 1, Notre Dame Review, no. 4 (Summer 1997): 133–144; part 2, Notre Dame Review, no. 5 (Winter 1998): 135–146. Edited by William O’Rourke. Reprinted as Another Ireland: An Essay. Bray, Co. Wicklow: Wild Honey Press, 1998.
Begnal, Michael S. “The Ancients Have Returned Among Us: Polaroids of 21st-Century Irish Poetry.” In Avant Post the Avant, edited by Louis Armand, 307–324. Prague: Litteraria Pragensia, 2006.
———. “Beyond Tradition: The Wild Honey Poets.” The Burning Bush, no. 5 (Spring 2001): 14–17. Edited by Michael S. Begnal. Online at Wild Honey Press.
Butler, David. “Where to Look for the Wild Honey.” Poetry Ireland Review, no. 79 (2004): 57–60. Edited by Peter Sirr.
Davis, Alex. A Broken Line: Denis Devlin and Irish Poetic Modernism. Dublin: University College Dublin Press, 2000. Joyce discussed on 135–148, 161–164.
———. “Deferred Action: Irish Neo-Avant-Garde Poetry.” Angelaki 5, no. 1 (2000): 81–94.
———. “The Irish Modernists and Their Legacy.” In The Cambridge Companion to Contemporary Irish Poetry, edited by Matthew Campbell, 88–91. Cambridge: Cambridge University Press, 2003.
———. “Is it Really a Revolution Though?: Paul Muldoon and Linguistically Innovative Poetry.” Masthead 10 (2006). Edited by Alison Croggon.
———. “‘No Narrative Easy in the Mind’: Modernism, the Avant-Garde and Irish Poetry.” In For the Birds: Proceedings of the First Cork Conference on New and Experimental Irish Poetry, edited by Harry Gilonis, 37–49. Dublin: hardPressed Poetry; Surrey: Mainstream Poetry Press, 1998.
Dorward, Nate. “On Trevor Joyce.” Chicago Review 48, no. 4 (Winter 2002–2003): 82–96. Edited by Eirik Steinhoff.
Edwards, Marcella. “‘A Scheme of Echoes’: Trevor Joyce, Poetry and Publishing in Ireland in the 1960s.” Critical Survey 15, no. 1 (2003): 3–17. Guest edited by Eibhlín Evans.
———. “Poetry and the Politics of Publishing in Ireland: Authority in the Writings of Trevor Joyce, 1967–1995.” PhD diss., University of Strathclyde, UK, 2003.
Falci, Eric. Continuity and Change in Irish Poetry, 1966–2010. Cambridge: Cambridge University Press, 2012. Joyce discussed on 31–35.
Fauchereau, Serge. “Ecrivains irlandais d’aujourd’hui.” Special issue, Les Lettres Nouvelles 3, no. 1 (March 1973): 185. Guest edited by Serge Fauchereau.
Gilonis, Harry. “Good Fruit and Sour: Trevor Joyce, Seamus Heaney and the Buile Suibhne Geilt.” “Colonies of Belief: Ireland’s Modernists.” Special issue, Suitear na n-Aingeal/Angel Exhaust, no. 17 (Spring 1999): 107–116. Edited by Maurice Scully and John Goodby.
Goodby, John. “‘Comes the Experiment’: Irish Poetry and the Avant-Garde.” In The Oxford Handbook of Modern Irish Poetry, edited by Fran Brearton and Alan Gillis, 214–236. Oxford: Oxford University Press, 2012.
———. “‘Current, Historical, Mythical or Spook?’: Irish Modernist and Experimental Poetry.” Introduction to “Colonies of Belief: Ireland’s Modernists.” Special issue, Suitear na n-Aingeal/Angel Exhaust, no. 17 (Spring 1999): 51–60. Edited by John Goodby and Maurice Scully.
———. Irish Poetry from 1950: From Stillness into History. Manchester: Manchester University Press, 2000. Joyce discussed on 303–307.
———. “‘Through My Dream’: Trevor Joyce’s Translations.” Études Irlandaises 35, no. 2 (Autumn 2010): 149–164. Edited by Sylvie Mikowski et al.
Goodby, John, and Marcella Edwards. ‘“Glittering Silt’: The Poetry of Trevor Joyce and the Myth of Irishness.” Hungarian Journal of English and American Studies 8, no. 1 (Spring 2003): 173–198. Edited by Kalman Matolcsy.
Howe, Fanny. Foreword to Courts of Earth and Air, by Trevor Joyce, 7. Exeter: Shearsman, 2008.
Kersnowski, Frank L. The Outsiders: Poets of Contemporary Ireland. Texas: Texas Christian University Press, 1975. Joyce discussed on 164–165.
Longley, Edna. “Irish Poetry and ‘Internationalism’: Variations on a Critical Theme.” The Irish Review, no. 30 (Spring–Summer 2003): 48–61. Edited by Kevin Barry et al.
Mays, J. C. C. “Flourishing and Foul, Six Poets and the Irish Building Industry.” The Irish Review, no. 8 (Spring 1990): 6–11. Edited by Kevin Barry et al.
———. N11: A Musing. Dublin: Coleacanth, 2003. Reprinted in Little Critic, no. 18 (Autumn 2006).
O’Mahony, Niamh. Essays on the Poetry of Trevor Joyce. Bristol: Shearsman Press, 2015.
Pehnt, Annette. “Rewritings of Buile Shuibhne in the Twentieth Century.” PhD diss., University of Freiburg, Germany, 1997. Published in summary form in Harvard Celtic Colloquium, no. 15 (1995).
Quinn, Justin. The Cambridge Introduction to Modern Irish Poetry: 1800–2000. Cambridge: Cambridge University Press, 2008. Joyce discussed on 108–111.
Sealy, Douglas. “The End of Tribalism: Irish Poetry During the Last Decade.” “James Joyce and the Arts in Ireland.” Special issue, The Crane Bag 6, no. 1 (1982): 74–84. Edited by Richard Kearney.
Sirr, Peter. “The Cat Flap.” Poetry Ireland Review, no. 78 (2004): 110–114. Edited by Peter Sirr.
Smith, Michael. “The Contemporary Situation in Irish Poetry.” In Two Decades in Irish Writing: A Critical Survey, edited by Douglas Dunn, 154–165. Cheadle: Carcarnet, 1975.
———. “Irish Poetry Since Yeats: Notes Towards a Corrected History.” Denver Quarterly 5, no. 4 (Winter 1971): 24.
Steinhoff, Eirik. “Who Needs a Hundred Million Lilly Dollars?” Chicago Review, no. 49 (Summer 2003): 190–196.
Tuma, Keith. “Collaborating with Dark Senses.” “Removed for Further Study: The Poetry of Tom Raworth.” Special issue, The Gig nos. 13/14 (2003): 207–16. Willowdale, Ontario: The Gig.
———. “Introduction to the Poetry of Trevor Joyce.” In Anthology of Twentieth Century British and Irish Poetry, edited by Keith Tuma, 741–742. New York: Oxford University Press, 2001.
———. On Leave: A Book of Anecdotes. Cambridge: Salt, 2011. Joyce discussed on 93–98.
———. “Whatever Irish Poetry: Some Musings.” The Journal, no. 2. Limerick: hardPressed Poetry, 1999. np. Edited by Billy Mills and Catherine Smith.
Williams, Nerys. Contemporary Poetry. Edinburgh: Edinburgh University Press, 2001. Joyce discussed on 216–217.
Reviews: Periodicals and newspapers
Begnal, Michael S. “Polar / cold / marks terminus.” Review of What’s in Store: Poems 2000–2007. Free Verse, no. 14 (Summer 2008). Edited by Jon Thompson.
Boland, Eavan. “Evening of Poetry.” Irish Times, August 31, 1967, 6. Edited by Douglas Gageby.
Bukowska, Joanna. “Irish Topography of a Disturbed Mind in Seamus Heaney’s Sweeney Astray and Trevor Joyce’s The Poems of Sweeny Peregrine.” In Ironies of Art/Tragedies of Life: Essays on Irish Literature, edited by Liliana Sikorska, 239–264. Frankfurt: Peter Lang, 2005.
Caleshu, Anthony. “On Radu Andreiscu, Trevor Joyce, Leanne O’Sullivan, Laurie Duggan, Giles Goodland, Lisa Dart, and Mark Halliday.” “This Time It’s Personal.” Special issue, Poetry Review 99, no. 4 (Winter 2009): 111–114. Edited by Fiona Sampson.
Davis, Alex. “Purity and Dirt: Review of Syzygy.” The Irish Review, no. 22 (Summer 1998): 114–116. Edited by Kevin Barry et al.
Donnelly, Paul. “Demanding Voices: Review of with the first dream of fire they hunt the cold by Trevor Joyce and In the Aviary of Voices by Karin Lessing.” Stride Magazine, May 2002. Edited by Rupert Loydell.
Donnelly, Peter. “Voices from the Past.” Review of The Poems of Sweeny Peregrine. Irish Independent, September 11, 1976, 8. Edited by Michael Hand.
Dorward, Nate. “In the Net: Review of Robert Archambeau, Randolph Healy, Trevor Joyce, Billy Mills, and Maurice Scully.” Review of Syzygy. The Gig, no. 1 (1998): 57–59. Willowdale, Ontario: The Gig. Online at Wild Honey Press.
Duncan, Andrew. “Pale Angel Exuvial Who Can Mix It with the Chicken.” Review of with the first dream of fire they hunt the cold: a body of work, 1966–2000. Jacket 20 (December 2002). Edited by John Tranter.
Frazer, Tony. “Letter from England.” Poetry Ireland Review, no. 79 (2004): 72–77. Edited by Peter Sirr.
———. Review of stone floods. Shearsman, no. 36 (1998). Edited by Tony Frazer. Devon: Shearsman.
———. Review of Without Asylum. Shearsman, no. 42 (1998). Edited by Tony Frazer. Devon: Shearsman.
Fryatt, Kit. “Process, Product and a Peacock.” Review of What’s in Store. Irish Times, April 19, 2008, B10. Edited by Geraldine Kennedy.
Glavin, Anthony. “Review of Sole Glum Trek by Trevor Joyce, Endsville by Brian Lynch and Paul Durcan, and The Rebel Bloom by Rudi Holzapfel.” Hibernia 31, no. 10 (October 1967): 17. Edited by John Mulcahy.
Higgins, Kevin. “Review of with the first dream of fire they hunt the cold by Trevor Joyce.” Poetry Quarterly Review, no. 20 (Summer 2003): 23. Edited by Derrick Woolf and Tilla Brading.
Johnston, Fred. “Surprised by Familiarity.” Review of stone floods, et al. Books Ireland, no. 191 (December 1995): 323–324.
Jordan, John. “Finding Poetry in Suburbia.” Review of Versheets, edited by Trevor Joyce (New Writers’ Press). Irish Independent, May 29, 1971, 5. Edited by Conor O’Brien.
———. “Five Voices.” Review of Pentahedron. Irish Independent, September 6, 1969, 6. Edited by Hector Legge.
———. “I Knew These Streets.” Review of Pentahedron. Irish Independent, June 17, 1972, 10. Edited by Conor O’Brien.
Keery, James. “Barbed Wire.” Review of with the first dream of fire they hunt the cold. Poetry Review 92, no. 4 (Winter 2002–2003): 107. Edited by David Herd and Robert Potts.
Kellogg, David. Reviews of Wild Honey Press titles. Samizdat, no. 3 (Summer 1999). Edited by Robert Archambeau. Online at Samizdat.
Kiley, Frederick S. “Review of Selected Poems by Brian Coffey and Pentahedron by Trevor Joyce.” Éire-Ireland: A Journal of Irish Studies 8, no. 3 (1973): 148–150. Edited by Eóin McKiernan.
Latta, John. “Review of What’s In Store by Trevor Joyce.” Isola di Rifiuti, December 13, 2007. Reprinted at Third Factory.
Lloyd, David. “Review of The Poems of Sweeny Peregrine.” Granta, probably Autumn 1976. Cambridge.
———. “An Impressive Collection.” Review of With the First Dream of FIre They Hunt the Cold. Irish Times, September 18, 2001, 10. Edited by Conor Brady.
Longley, Edna. “Recent Irish Poetry.” Review of The Poems of Sweeny Peregrine. Irish Times, August 21, 1976, 8. Edited by Fergus Pyle.
Martin, Augustine. “A Worthy Enterprise.” Review of Sole Glum Trek, by Trevor Joyce, and Endsville, by Brian Lynch and Paul Durcan. Irish Press, August 5, 1967, 10. Edited by Tim Pat Coogan.
Mays, J. C. C. “Drift into Net Back to Drift.” Review of Syzygy. The Journal, no. 1 (1998): 58–60. Edited by Billy Mills and Catherine Walsh.
———. “Trevor Joyce’s Syzygy.” The Recorder 13, no. 2 (Fall 2000): 73–76. Edited by Christopher Cahill.
———. “Scriptor Ignotus, with the Fire in Him Now.” Review of with the first dream of fire they hunt the cold. Dublin Review, no. 6 (March 2002): 42–65. Edited by Brendan Barrington.
McCarthy, Dan. “Book of the Day.” Review of with the first dream of fire they hunt the cold. Irish Examiner, February 8, 2002. 20. Edited by Brian Looney.
McCarthy, Thomas. Review of stone floods, by Trevor Joyce, et al. Poetry Ireland Review, no. 48 (Winter 1996): 90–91. Edited by Moya Cannon.
McFadden, Hugh. “Richness of the Many Poetries.” Review of stone floods, et al. Irish Times, December 9, 1995, A8. Edited by Conor Brady.
McGurk, Tom. “Tame Beer and Old Brandy.” Review of The Poems of Sweeny Peregrine, et al. Hibernia 41, no. 1 (January 21, 1977): 22. Edited by John Mulcahy.
O’Brien, Treasa. “Niamh Lawlor and Partners Based on a True Story: A Seminar on Mis-Information. University College Cork, 27 January 2007.” Review of “Based on a True Story: A Seminar on Mis-information,” Cork, Ireland, January 27, 2007. Circa, no. 119 (Spring 2007): 95–97. Edited by Peter Fitzgerald.
Packer, Matt. Review of Cork Caucus: On Art, Possibility, and Democracy, edited by Trevor Joyce and Shep Steiner. Irish Arts Review 26, no. 1. (Spring 2009): 135–136.
Quidnunc, “An Irishman’s Diary.” Review of The Lace Curtain. Irish Times, July 19, 1967, 9. Edited by Douglas Gageby.
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Ryan, James. “Readers Choice: Stone Fields” [sic]. Irish Times, May 23, 1995, 14. Edited by Conor Brady.
Review of stone floods. Books Ireland, no. 237 (February 2001): 260.
Review of with the first dream of fire they hunt the cold. Books Ireland: First Flush, no. 243 (October 2001): 275.
Review of stone floods. Books Ireland: First Flush, no. 189 (October 1995): 260.
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Smith, Michael. “A Modernist Eye.” Review of Syzygy. Irish Times, July 26, 1998, B9. Edited by Conor Brady. Online at Wild Honey Press.
———. “The Young Poets: Trevor Joyce.” Review of Sole Glum Trek. Hibernia 33, no. 9 (April–May 1969): 15. Edited by John Mulcahy.
Vincent, Stephen. Review of What’s in Store. Galatea Ressurects, no. 9 (March 31, 2008). Edited by Eileen Tabios.
Weir, Anthony. “Review of The Poems of Sweeny Peregrine.” Fortnight, no. 135 (October 22, 1976): 10. Edited by Ciaran McKeown.
Wheatley, David. “Not So Easy Options.” Review of stone floods. The Irish Review, nos. 17/18 (1995): 191–195. Edited by Kevin Barry et al.
———. “Trevor Joyce’s Courts of Air and Earth.” Times Literary Supplement, no. 5584 (April 9, 2010): 24. Edited by Peter Stothard.
Zinnes, Harriet. Review of with the first dream of fire they hunt the cold. Rain Taxi, Winter 2001/2002. Edited by Eric Lorberer.
Brancaleone, David. “The Avant, Cork City, July 2009.” Circa, no. 130 (Winter 2009): 51–52.
Gilonis, Harry. Introduction to Trevor Joyce at Sub Voicive Poetry. January 29, 1999.
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Edited by Niamh O’Mahony