Typescript of two early poems by Barbara Guest

'Escape' and 'The Inhabitants'

Barbara Guest

For transcriptions of these poems, please visit “Three Poems by Barbara Guest.”

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LINEbreak: Barbara Guest in conversation with Charles Bernstein
Three poems by Barbara Guest

June 15, 2011

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Barbara Guest

About this feature

Curated by Charles Bernstein to accompany the 2011 publication of his 1995 LINEbreak interview with the poet at Jacket2, this collection brings together two early Barbara Guest poems, written around 1945, as well as “Multiplicity,” published just once previously in The Iowa Review and read by Guest during the 1995 interview.

Preface

Charles Bernstein

LINEbreak: Barbara Guest in conversation with Charles Bernstein Barbara Guest

Three poems by Barbara Guest Barbara Guest

Typescript of two early poems by Barbara Guest Barbara Guest

More Barbara Guest

Erica Kaufman discussed Guest's The Location of Things as part of the feature, “Poetry in 1960, a Symposium,” and Jacket editor John Tranter catalogued the poet’s appearances in the magazine as part of his 2012 commentary series, “Under the Horizon.” Guest’s poem “Roses” was discussed in PoemTalk podcast #24, which you can find on PennSound’s Barbara Guest author page, alongside many readings, interviews, and talks from 1977 to 2004, as well as a 2006 tribute to the poet at the St. Mark’s Poetry Project and a pair of 2007 interviews with Hadley Guest about her mother.

By this author

Five pieces from 'The Confetti Trees'

To Kenneth

Homage

Barbara Guest reads from 'The Red Gaze'

Barbara Guest and Kathleen Fraser in conversation with Elisabeth Frost and Cynthia Hogue

LINEbreak: Barbara Guest in conversation with Charles Bernstein

Three poems by Barbara Guest

Typescript of two early poems by Barbara Guest

Three pebbles

Or, the minimal materialisms of late modernism

Joshua Corey

Photo by Sandro Arcais, via <a href=https://commons.wikimedia.org/wiki/File:Mugoni_beach._Three_Pebbles_of_different_colors..JPG> Wikimedia Commons</a>. — Photo by Sandro Arcais, via Wikimedia Commons.

What is a pebble? Is it an object or a thing? A weapon or a tool? Is it naïve or is it sentimental? Is it a token of the real, or a fragment of ideology? Can you do more than skip it or hurl it or mark a grave with it? What is the pebble to poetry? Of what might the poem make it speak?

February 18, 2019

No, MY Ariel

An engagement with Sina Queyras's 'My Ariel'

Margaret Christakos

In the first poem of Sina Queyras’s poetry collection My Ariel, an I-speaker testifies that “A love procedure set me going like a big fat lie.” This line directly overwrites one of Plath’s most famous lines — “Love set you going like a fat gold watch” — often quoted to portray Sylvia’s personal experience of new motherhood on the occasion of her daughter Frieda’s birth.

February 5 [2018]

January 16, 2019