Lisa Robertson talks with me about her new book, Cinema of the Present, and its form; rethinking lyric and epic poetry through feminism; experimentation and/or subjectivity; prose versus verse; the persistence of beauty, pleasure, and the aesthetic; early connections to the Kootenay School of Writing; living bilingually in France and the bubble of monolingualism; soft architecture; writing essays for visual arts publications; and seeing the world through rose-colored glasses. Close Listening is produced for Clocktower Radio in association with PennSound.
Will Alexander talks with me about his early immersion in the work of John Coltrane and its abiding connection to his own jazz-process/Surrealist poetry and discusses his “constellation” of mythological and scientific sources, the influence of Aimé Césaire on his work, the politics of his poetic form via resistance to colonization, the role of the black poet in America, the necessity of performance, and his aim to bring the reader into a state of “supra-mind.”
Listen to the thirty-minute program, produced for Clocktower Radio in association with PennSound >>>>> MP3
Susan Bee and I went to Ian Hamilton Finlay and Sue Finlay's "Little Sparta" while we were in Scotland earlier this month. No manner how many pictures I had seen, nothing prepared me for the this work as and in its environment.
Conditions change so fast on the ground and yet we are walking receivers of traditions that defy objective temporal markers. Poems mark an intersection of the new, the news, and something outside that pressure of reality, something that resists such presence. The more resistant they are to the present, the more a perfect voicelessness emerges.
I wrote the Foreword to this anthology, just published by Diálogos Books of Lavender Ink ISBN: 978-1-935084-08-6 // 7"x10", 560 pages: $29.95 ••• We come old into a world newly born.