Charles Bernstein

Writing from the New Coast: the video

March 31 - April 3, 1993

Jena Osman

Kritin Prevallet’s and Gail Brisson’s video of Buffalo poets at the New Coast festival: Peter Gizzi, Juliana Spahr, Bill Tuttle, Pam Rehm, Ben Friedlander, Lew Daly, Mark Wallace and Jena Osman.

Stephen Burt and Charles Bernstein, On Experiment (Rutgers, April 10, 2014) (audio files)

On Experiment, Rutgers - New Brunswick conference, orgnized by Rachel Feder
April 10, 2014

In which Burt argues for experimental poetry and I argue against it, in an Alice-in-Wonderland-like reversal. 

Motion of Light: A Tribute to Samuel R. Delany's Performative Poetics: Videos

April 11, 2014

photo ©2014 Charles Bernstein

Honoring Chip's contribution to Temple-Penn Poetics. 

Organized by Tracie Morris & Charles Bernstein
full video of events can be viewed in three segments:


Part 1:
intro, Fred Barney Taylor (before/after showing of his film The Polymath), talks by Kenneth James, Terry Rowden, & Ira Livingston

Peter Waterhouse, Charles Bernstein, Rosmarie Waldrop at Harvard, April 8 and 9, 2014

Reading at Harvard, Woodberry Poetry room, with Peter Waterhouse and Rosmarie Waldrop.  April 8, 2014: 

(audio only)

THE VERSATORIUM PLAYBOOK: HOW TO DO THINGS WITH TRANSLATION
Seminar with Charles Bernstein & Peter Waterhouse on  the poetics of transduction, substitution, and transformation, as well as the political role that translation can play as a site of activism and engagement. April 9, 2014.

Laura Riding, Contemporaries and Snobs, from University of Alabama Press

Discount offer on Riding, Mullen, Quatermain, Reading the Difficulties

 

Tuscaloosa, AL - April 25, 2014 (University of Alalbama Press announcement) - Laura Riding's Contemporaries and Snobs (1928) was the first volume of essays to engage critically with high modernist poetics from the position of the outsider. For readers today, it offers a compelling account - by turns personal, by turns historical - of how the institutionalization of modernism denuded experimental poetry. Most importantly, Contemporaries and Snobs offers a counter-history of the idiosyncratic, of what the institution of modernism left (and leaves) behind. With Gertrude Stein as its figurehead, the book champions the noncanonical, the "barbaric," and the undertheorized.
Riding's nuanced defense of a poetics of the person in Contemporaries and Snobs represents a forgotten but essential first attempt to identify and foster what is now a well-defined poetic lineage that leads from Stein to the contemporary experimental avant-garde. In these essays, Riding takes her readers on a remarkably thorough tour through the critical scene of the 1920s. Among other influential treatises, she considers T. S. Eliot's The Sacred Wood and his editorial essays in The Criterion, Allen Tate's "Poetry and the Absolute," John Crowe Ransom's essays on the modernist poet Edgell Rickword's essays in The Calendar of Modern Letters, and Herbert Read's posthumous publication of T. E. Hulme's essays. All of this criticism, Riding notes, gave modern poets a sheen of seriousness and professionalism, but was it good for poetry? Her decisive answer is "no." 


This new edition includes an introduction by Laura Heffernan and Jane Malcolm that makes legible the many connections between Contemporaries and Snobs and the critical debates and poetic experiments of the 1920s, as well as explanatory notes, a chronological bibliography of Riding's work, and an index of proper names.