Phil introduced the issue this way: This issue of Tyuonyi, Patterns / Contexts / Time: A Symposium on Contemporary Poetry, exists because of collective desire. Ninety-seven poets from the United States, Canada, New Zealand, England, and Australia felt the desire to respond. Their responses were to a series of questions devised by Charles Bernstein and myself. The questions were designed to be inclusive enough to address the issues which engaged us, but vague enough not to restrict the potential responses of the respondents. We wanted to create a forum wherein the real issues that compelled poets could be addressed without a felt adherence to any presuppositions. The volume of response was very gratifying and the range of response far beyond my expectation.
THE QUESTIONS: •What patterns, if any, do you see developing that are presently influencing habits of reading or readership within poetry? •What are the values or limitations of these developing, or undeveloped, patterns? •What context, if any, do you see your work as part of? •What context, if any, do you see for the work of those contemporary poets whom you find most interesting? •What's the most disturbing (or irritating) thing associated with poetry or your work as a poet? •What sources do you find most useful in keeping informed about contemporary poetry? •Do universities play any role for you in terms of your work as a poet? •Do you ever think about what you will be doing in ten years? What? etc etc.
Collected over the past four or five years, this forum offers a wide, and usefully conflicting, set of short essays, mostly by poets, on how race figures in their work. Max King Cap curates a set of images by visual artists that speak both directly and obliquely, to the issues at hand; Cap provides short commentaries for each image.
CONTRIBUTORS Dan Beachy-Quick / Julie Carr / Jacques Darras / Rachel Blau DuPlessis / Judith Goldman / Simon Jarvis / Andrew Joron / Nigel Leask / Jennifer Moxley / Bob Perelman / Jeffrey C. Robinson / Jerome Rothenberg / Elizabeth Willis / and Heriberto Yépez 288 pp.
Just before his Kelly Writers House reading on Tuesday, April 21, 2015, John Yau spoke with the students in my New American Poetry class, English 288 at Penn. He spoke about a wide variety of topics, including discussion of Further Adventures in Monochrome (first question) and other of his works, poetry and identity, white people playing Asians in Hollywood films, the allure of Humphrey Bogart, and recent poetry convtroversies.