Marty Ehrlich - sax, clarinet, and flute James Zollar - trumpet Marc Ribot - guitar Michael Formanek - bass Nasheet Waits - drums Erica Hunt - poet and reader Charles Bernstein - poet and reader
BIRD: A World's Eye View Lost Jazz Shrines Concert Series Tribeca Arts Center, New York May 31st, 2013
"Two Equal Textsˮ by Micah Lexier and Christian Bök
My very first assignment when I joined the PennSound team was to segment a recent reading by Christian Bök at the Kelly Writers House. It seems only fitting to start my “Notes from PennSound” commentary by returning to audio file that I cut my teeth on as I learned the ins and outs of PennSound's infrastructure, and to an author that has been unavoidable in discussions concerning performance, sound, experimentation, technology, word play, computational composition, 'pataphysics, unintentionality, intentionality, and semi-intentionality.
“Proxy” — someone authorized to act on behalf of another; an authority or power to act for another; a document giving such authority. Those are the defining terms with which most of us first learned the word, though we now live in a universe of proxy servers.
A proxy is a sort of trope. All metaphors, composed of vehicle and tenor, are proxy enactments. A persona is a proxy. Ralph Ellison told us that there was no more powerful metaphor for the human condition than race in America.
2013 Chinese American Association of Poetry and Poetics conference program
Wuhan, begins June 7
Chinese / American Association for Poetry and Poetics
CAAP
Cartographies of Flight: The Marty Ehrlich Ensemble (program)
Marty Ehrlich - sax, clarinet, and flute
James Zollar - trumpet
Marc Ribot - guitar
Michael Formanek - bass
Nasheet Waits - drums
Erica Hunt - poet and reader
Charles Bernstein - poet and reader
BIRD: A World's Eye View
Lost Jazz Shrines Concert Series
Tribeca Arts Center, New York
May 31st, 2013
Christian Bök
Launch reading for Umlaut Machine: Selected visual works at the Kelly Writers House, November 18, 2009
My very first assignment when I joined the PennSound team was to segment a recent reading by Christian Bök at the Kelly Writers House. It seems only fitting to start my “Notes from PennSound” commentary by returning to audio file that I cut my teeth on as I learned the ins and outs of PennSound's infrastructure, and to an author that has been unavoidable in discussions concerning performance, sound, experimentation, technology, word play, computational composition, 'pataphysics, unintentionality, intentionality, and semi-intentionality.
The Introvert: the book video by Jill Moser art & Charles Bernstein poems (Collectif Generation, 2010)
The Introvert
Jill Moser
poems by Charles Bernstein
Collectif Géneration, 2010
video and full set of image
(with Chinese translation)
White mischief II
“Proxy” — someone authorized to act on behalf of another; an authority or power to act for another; a document giving such authority. Those are the defining terms with which most of us first learned the word, though we now live in a universe of proxy servers.
A proxy is a sort of trope. All metaphors, composed of vehicle and tenor, are proxy enactments. A persona is a proxy. Ralph Ellison told us that there was no more powerful metaphor for the human condition than race in America.