Commentaries - November 2016

Olson, tape, noise

In response to a request to record his reading at Goddard College on April 12, 1959 (made available by the Slought Foundation and PennSound), Charles Olson quipped about the apparatus in front of him: “What happens if it just goes on and I don’t say anything?”

[audio: Charles Olson at Goddard]

Alexandra Daisy Ginsberg: An engineering Eve in the garden of ectopia

In her brief story “She Unnames Them,” Ursula K. Le Guin recasts Eve the primal mother as a primal liberator subverting the process of Adam’s animal-labeling. Bio-artist Alexandra Daisy Ginsberg is pursuing a related task, engaging in acts of transgenesis, regenesis, and intergenesis via computer simulations and 3D models of newly proposed creatures. Ginsberg is a self-declared Artist of the Sixth Mass Extinction, a designer instead of a protector of biodiversity, a conservationist who works via novelty rather than nurturance.

Kaufman and Stevens on improvisation

Jake Marmer and I, on the road (as it were) in San Francisco, conversed somewhat randomly on Bob Kaufman’s “CROOTEY SONGO” and Wallace Stevens’s “The Man with the Blue Guitar.” How could these two poems connect? Maybe they don’t but we gave it a try. To hear a reading of Kaufman's poem, skip forward in the video to 25:19.

Bob Kaufman’s “CROOTEY SONGO”: LINK TO TEXT

Gerry Loose: Eight further poems in ogham script with a note on poetics and translation

Church of the 3 Brethren     Lochgoilhead 

little saint of whitethorn

little quencher of wolf spark

welcome to the burial mounds

 

dear confessor of blood-red berries

sweet dweller of beehive cell

oaks make good gallow-trees