Mence’s poems are ambiguously allegorical in the schematism and suggestiveness of their settings and situations: a house under attack by unclear or mystical forces; a garden falling into decay; a train ride that both connects people and separates them.
For her final project in the MFA program at the Art Academy of Latvia, the poet and visual artist Linda Mence created illustrations of the seventeen virtues who figure in the twelfth-century morality play Ordo Virtutum, by the Benedictine abbess Hildegard of Bingen. While working on this project, Mence realized that she found the human figure “uninteresting,” as she recently remarked in a casual conversation, and turned instead to abstract geometric patterns in order to represent the virtues.
.jpg "Linda Mence. Photo by Uģis Olte.")