Margaret Rhee

Automated Poetics

Baking with Emily Dickinson

An interview with Houghton librarians Christine Jacobson and Emily Walhout on your virtual birthday party

Some of the readers included the poet and performer Tracie Morris, the television showrunner and creator of Apple TV’s Dickinson, Alena Smith, NPR’s Nikki Silva, cocreator of “The Kitchen Sisters,” Rachel Syme of the New Yorkerpoet and Shayla Lawson, the young poet and model Amanda Gorman, and more exciting artists and writers. We were able to watch a preview of Dickinson with Alena’s reading.


Libarians Christine Jacobson and Emily Walhout introduction (courtesy of the Houghton Library).

Radical reclamations

Queer feminist collaborative acts by Sophie Seita and Naomi Woo

I’ve been thinking a lot about the word “reclamation” in the past few days.  

“Reclamation” is a word that emerges when there are moments of aesthetic and space making that reflects the “transformation of light into action,” as poet Audre Lorde writes. The feminist and queer acts of collaboration and resistance by Naomi Woo and Sophie Seita shed light on the word “reclaim.” In their brilliant collaborations — across poetry, music, theory, visual art, and performance — they reclaim female artists and other figures into lecture-formances and a feminist epistolary of wit, resistance, and care. Seita and Woo reclaim what’s been lost for queer and feminist artists, and resubvert what’s never been given, and in doing so, they give to us.

Photos courtesy of Sophie Seita.

I’ve been thinking a lot about the word “reclamation” in the past few days.  

Ephemeral radical acts

Bridging the digital and textual in the poetics of Nick Montfort

The rules of language — coding and poetics — occupy our current moment of automated poetics, and Nick Montfort, as a poet and a scholar, a theorist of the future, and an artist, creates the future through his computer-generated poetics, bending the rules of these languages. With multiple dimensions to his wide-ranging and innovative poetic practice, he is the author of over fifteen books of poetry and theory on digital media such as The New Media Reader (2003), Twisty Little Passages: An Approach to Interactive Fiction (2003), Racing the Beam: The Atari Video Computer System (2009), 10 PRINT CHR$(205.5+RND(1)); : GOTO 10 (2010), Exploratory Programming for the Arts and Humanities (2016), and The Future (2017), all from MIT Press.

Electrical currents through language

A poetry workshop

This past summer, I taught a poetry workshop on technology at Literary Arts Center. While the two — poetry and technology — seem disparate, the workshop explored how technology is intimate, poetic and humanized, and how the poetic is technologized. In our digital everyday, language has become even more punctuated and transformed. Exploring literary essays, poetry, technological writing, and technology in our everyday lives, poets wrote speculative poetry and prose poems, made visual poetry, and played with code. What follows is a compilation of poetry and audio poems created by poets in the Beyond Baroque Electrical Currents Through Language Workshop. Select poems featured include work by Jasmine An, Raquel Baker, Susan Kraft, and Fred Maus, and our guest poet Neil Aiken. 

The reading of a poem, a poetry reading, is not a spectacle, nor can it be passively received. It’s an exchange of electrical currents through language Adrienne Rich, “Someone is Writing A Poem”

Black queer healing poetics of Vanessa Rochelle Lewis

Black Healing October is now

Vanessa Rochelle Lewis with flowers and eucalyptus strands in her hair

By Isadora Dean with Margaret Rhee

As a dynamic queer Black artist from the Bay Area, Vanessa received national attention in 2017 with her organization Reclaim UGLY, which was featured in ViceWear Your Voice Magazine, and RaceBaitr, and which educates communities about what uglification is and how it works to marginalize people who don’t fit the normative notions of beauty or respectability, rejecting those standards and finding a way to feel beautiful in one’s own skin. Prior to founding Reclaim UGLY, Vanessa was the senior and co-managing editor for feminist magazines Black Girl Dangerous and Everyday Feminism, an instructor at multiple Bay Area Community College and grassroots art organizations, the fundraising and development coordinator for the Queer Women of Color Media Arts Project, and the artistic director of the queer Black liberatory theatre project, Congregation of Liberation

By Isadora Dean with Margaret Rhee