Editorial assistant Gabriela Portillo Alvarado makes her capsule reviews debut with writing on three poetry titles featuring love, resistance, and truth: Valuing by Christopher Kondrich, Are the Rivers in Your Poems Real by Moez Surani, and dayliGht by Roya Marsh. From the reviews: Valuing’s perhaps most prominent feature is romantic tenderness: “And though I have no holdings, / you may increase your stock in me; / you may reserve the right to vessel. To partition if you need to.” Through often-abstract wordplay, which rises to the surface of every page, Kondrich reveals his love of and mastery over language. Are the Rivers in Your Poems Real focuses on a variety of subjects from daily commute to relationships, from travels in India to New York Times references. Surani delves into his experiences with romantic love: “When we aren’t lured by mystery we’ll seek it in others. […] / Is love simply chasing after another’s full and elusive truth?”
Kenna O’Rourke takes another look at three 2018 poetry titles: Clap for Me That’s Not Me by Paola Capó-García, Baby, I Don’t Care by Chelsey Minnis, and Don’t Let Them See Me Like This by Jasmine Gibson.
Kenna O’Rourke takes another look at three 2018 poetry titles.