Roopika Risam | Jacket2

Poetry for robots

Roopika Risam

Poetry for Robots, a newly released site from Neologic Labs, Webvisions, and the Arizona State University Center for Science and the Imagination, asks “What if we used poetry and metaphor as metadata? Would a search for ‘eyes’ return images of stars?”

Black words matter

Roopika Risam

Towards the end of 2014, Writers in Baltimore Schools, a non-profit organization, held a write-in to give students a chance to explore and process their responses to the death of Mike Brown and the protests in Ferguson, Missouri. The event yielded the Black Words Matter blog, where some of the poems from the event are archived. The students' work explores a range of themes from slavery to police brutality to the history of Jim Crow.

A digital Library of Babel

Roopika Risam

A wall of a hexagonal chamber in the digital Library of Babel

In his 1941 short story "The Library of Babel," Jorges Luis Borges depicts a series of hexagonal rooms, their walls lined with bookshelves. These shelves contain books comprised of every possible combination of letters, spaces, commas, and periods. Some books are filled with nonsense but within the collection lies every literary text ever written, along with multiple permutations of each of these texts. The library's collection comprises all knowledge that is known or will be known.

Water, poetry, and the Transborder Immigrant Tool

Roopika Risam

Transborder Immigrant Tool on a Nokia Phone

Today, creators of the Transborder Immigrant Tool announced the release of their book containing the code and poems that power this inventive and potentially life-sustaining tool. Developed by the Electronic Disturbance Theater while in residence at B.A.N.G. lab at University of California, San Diego, the Transborder Immigrant Tool is a mobile app developed for use on inexpensive phones that offer immigrants crossing the U.S./Mexico border on foot navigation to water stations in the desert using visual and sound cues. Once a traveler activates the app, the phone locates the nearest water cache using GPS and begins guiding the user towards the water using a compass and poems.

Your tweets, now with more poetry

Roopika Risam

Poetweet transforms users' tweets into sonnets, rondels, or indrisos

Ever wonder what tweets would look like remixed into poetic form? This question, which few people were probably asking, is the premise behind the application Poetweet. Simply type in a Twitter handle, choose between sonnet, rondel, or indriso, and the application generates a poem.

"Divya Victor" is one such poem generated through Poetweet, using the Jacket2 Twitter account:

Over the last 20 years or so, digital media has offered a new site for the production, dissemination, and consumption of texts. A proliferation of platforms has led to new forms through which writers share their ideas and create art. Since the earliest ventures into electronic literature, like hypertext stories shared on webpages, the development of Web 2.0 technologies and social media has turned all users into potential creators of content. Texts that emerge often blur the lines between the mundane and the extraordinary.

This commentary considers the poetics of contemporary digital texts, objects, and cultures. Influenced by the questions of power, representation, and globalization central to postcolonial studies, posts consider poetics of platform, found poetry online, materiality of electronic literature, and the cultural logic of viral textuality.

Roopika Risam is Assistant Professor of English and English Education at Salem State University. Her research examines the intersections of postcolonial and Africana studies, and the role of digital humanities in mediating between the two. Her monograph, Postcolonial Digital Humanities, is under contract with Northwestern University Press, and her work is forthcoming in Left History, Digital Humanities Quarterly, and First Monday.

Jacket2 Commentaries feature invited posts by poets and scholars who take a close, serial look at poetry scenes, archives, poetic concerns, or theoretical clusters. Commentaries, although curated, are not edited by Jacket2 staff. We welcome your comments. Send queries and notes to Commentaries Editor Jessica Lowenthal or contact us at this page.