Commentaries - March 2012

The phonotextual braid

First reflections and preliminary definitions

Penelope at her loom

The notes that I’ll be contributing to this space over the next few months will be devoted to the Penelope-like task of weaving and unweaving what I call “the phonotextual braid,” that intertwining of timbre, text, and technology that presents itself to us when we attend to recorded poetry.

My objectives are to distill some of the thinking I and others have done on the topic, especially in the years since the launch of PennSound, to test some of the hypotheses and habits that have guided that inquiry to date, and to wonder aloud about the directions phonotextual studies might productively take in the near future. I also have in mind to share some real-time reading notes on a recent double issue of the journal differences devoted to “The Sense of Sound” and to poke around in the sonic archive of the 1980s in advance of a conference that my colleagues at the National Poetry Foundation and I will be hosting this summer.

1974 Larry Eigner recordings

left: Larry Eigner by Kit Robinson; right: S Press cassette cover

On July 1 and again on July 11 in 1974, Michael Koehler recorded Larry Eigner reading twenty-seven of his poems in Swampscott, Massachusetts. The recordings were later released by S Press, as tape number 37 in their series, under the title Larry Eigner: around new / sound daily / means: Selected Poems. A number of university libraries — and of course individuals — own copies of the recording; but it is fairly rare at this point. Among the libraries with a copy is the special collections archive at the University of Connecticut, where the tape was apparently part of the materials Cid Corman gave them to form the Corman Papers there. I located the Eigner recording in the Corman finding aid, asked the UConn librarians to copy it for us at PennSound. (Many thanks for Melissa Watterworth Batt, curator of Literary, Natural History and Rare Books Collections there.) Soon after, with permission from Richard Eigner, Larry's brother and the executor of the poet’s literary estate, we digitized, uploaded and then segmented the recording into individual poems. They are now available for both streaming and downloading at PennSound’s Eigner page.

Why apples can cause riots (PoemTalk #51)

Linh Dinh, "Eating Fried Chicken"

LISTEN TO THE SHOW

Linh Dinh playfully and bitterly engages food, war, and race in a poem called “Eating Fried Chicken.” The poem appeared in his book American Tatts, published by Chax in 2005. For PoemTalk’s 51st episode, Thomas Devaney, Susan Schultz (visiting from Hawai'i), and Leonard Schwartz (visiting from Olympia, Washington) joined Al Filreis to talk about this work of apparently straightforward address yet tonal complexity. 

'A willow tree among the streams'

Gary Snyder in Honolulu, March 2000 / March 2012

Gary Snyder's feet, March 19, 2012

“I did it, first of all.” That was Gary Snyder's response to our distinguished visiting writer, Shawna Yang Ryan, when she asked him where he got the idea for the poem he’d just read. The poem was “Changing Diapers." As she said, diaper poems are not what one expects from Snyder. Or perhaps this one is, given the sharp contrast between the father changing his son's diapers and the violent, nay imperial, context of the background, a poster of Geronimo holding a Sharp's repeating rifle. The poem goes like this:

     Changing Diapers

     How intelligent he looks!
          on his back
          both feet caught in my one hand
          his glance set sideways,
          on a giant poster of Geronimo
          with a Sharp's repeating rifle by his knee.

     I open, wipe, he doesn't even notice
          nor do I.
     Baby legs and knees
          toes like little peas
          little wrinkles, good-to-eat,
          eyes bright, shiny ears
          chest swelling drawing air,

     No trouble, friend,
          you and me and Geronimo
          are men.