Back in December of '04 I was finishing up another semester teaching English 88, my course on modern and contemporary American poetry. In the final "chapter" of the course I ended by having the students read two contemporary poets — Jena Osman and Kenneth Goldsmith. Then, as it happened, both of these people were in the Writers House at the same time, so I asked my students to come back to the House for a special evening session, and we spent an hour or so talking with Jena and Kenny. We recorded it, and you can find mp3's and a summary of the discussion here.
It will help to know that the person being discussed in the middle of the excerpt is Jackson Mac Low. He gets named after a while but at first it might not be clear. The session took place on the very day that Mac Low died.
The Wallace Stevens relevant to contemporary poets (and here I am going to take extreme examples from among writers never thought of as deriving from the Stevensean aesthetic) such as Kenneth
Don't send your daughter to college
Osman-Goldsmith podcast
Back in December of '04 I was finishing up another semester teaching English 88, my course on modern and contemporary American poetry. In the final "chapter" of the course I ended by having the students read two contemporary poets — Jena Osman and Kenneth Goldsmith. Then, as it happened, both of these people were in the Writers House at the same time, so I asked my students to come back to the House for a special evening session, and we spent an hour or so talking with Jena and Kenny. We recorded it, and you can find mp3's and a summary of the discussion here.
It will help to know that the person being discussed in the middle of the excerpt is Jackson Mac Low. He gets named after a while but at first it might not be clear. The session took place on the very day that Mac Low died.
Today we released a new episode in our series of PennSound podcasts featuring a 16-minute excerpt from the Osman-Goldsmith. Here is a link directly to the podcast recording.
Sound in Stevens redux
The Wallace Stevens relevant to contemporary poets (and here I am going to take extreme examples from among writers never thought of as deriving from the Stevensean aesthetic) such as Kenneth
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Wideman homecoming
John Edgar Wideman visited KWH in April of 2000.