Commentaries - April 2014

Geomantic riposte: 'This Is Not Eden'

Tracy Hamon lives in Regina, Saskatchewan and is the author of two poetry collections, including This Is Not Eden, a finalist for two Saskatchewan Book Awards, and Interruptions in Glass, shortlisted for two SBA book awards in 2010. Most recently she was longlisted for the CBC Poetry Award.

Bruce Andrews & Charles Bernstein Live at The Stone, April 12, 2014, NYC: MP3

for B=U=R=R=O=U=G=H=S at 100

As part of The Stone's Burroughs@100 festival L=A=N=G=U=A=G=E co-founders Bernstein and Andrews  performed  at John Zorn's concert hall on New York's Lower East Side. 

Four poems by Heriberto Yépez translated by Nathaniel Tarn (redux)



An untoward alliance

of words.

A prosti-code of our time

(an era which is scarcely maternal).


An age pusillanimous or absurd


What would Homer have said

Geomantic riposte: 'Lean-To'

Tonja Gunvaldsen Klaassen was born and raised on the Canadian prairies, where she learned, among other things, how to make relish and flapper pie. Her collection of poetry Clay Birds was shortlisted for the Gerald Lampert Award and won the Saskatchewan Poetry Award in 1996. Her collection Ör, won a John V. Hicks manuscript prize and was shortlisted for the 2004 Pat Lowther Award.

In audio practice II

We Press

Chris Funkhouser, Karl Daegling, Stephen Cope at Aardvark studio, 1991
Chris Funkhouser, Karl Daegling, Stephen Cope at Aardvark studio, 1991; Santa Cruz Sentinel 4/27/91

Contents of my or anyone’s recording archive result from milieu and surroundings. My collection reflects networks assembled through connections fused at Naropa (who has their own superb Poetics Audio Archive) and We Press at the foundation; its reach expands during my years in Albany, and continues to grow through my research in the field of electronic literature.

I co-founded We Press with Ted Farrell, a friend who I lived with during a year of graduate school at Virginia (1986-87). We was inspired by Anne Waldman’s proclamation, in a class a class of hers I attended at Naropa, that all young writers must start a magazine, to build networks and be engaged most fully (not only as writers but as readers, correspondents, and broadcasters of contemporary work).