Jerome Rothenberg

Poems and poetics

Michael Heller: From Victor Segalen's 'Ode to the Sky on the Esplanade of the New,' newly transposed


Familiar spirit!  If nevertheless this is what you wish to be,

a high sovereign,  sky lord of the lit temple,

one who has spoken, embracing the bowl reversed in air,

the majesty of blue, of jade and of iron,


truly, if you are a construct of  that which you proclaim:

being, light of all and everything, and one who rises up to and yet

remains fixed under the roof of the great void, surrounded like a wall

of spiraling ether, profoundly hard and pure —


still what deprivation!  What prostration of the orb’s height

where my forehead reigns at the resting place of the sages,

over the trebled paving that rounds out their image.

What humility belittling my face.

Gaspar Orozco: Ten Prose Poems from 'Autocinema,' part one

Translations from Spanish by Mark Weiss

My intention has been no more than to project a small film, a one-page film, onto each sheet of paper.
I have always believed that poetry and film spring from the same root and share the same core. Ernst Jünger once said that film is a cross between technology and magic. Something similar could be said of poetry, that mechanism of enigmas. Is there not an inexplicable mystery in the image that burns on the screen and in the words that evaporate into the air or page?

James C. Hopkins & Yoko Danno: From 'Scrolls,' an experimental work in progress (installment two)

[AUTHOR'S NOTE.  Scrolls is a new “experimental” collaboration in progress by James C. Hopkins in Kathmandu and Yoko Danno in Kobe.  One of us writes the first half of a sentence and the other follows up with the rest of the sentence. The latter begins the next sentence and drops it halfway, which is taken over by the former. Writing thus in turn we draw “picture scrolls” with words. There is no rule except that a scroll should consist of five paragraphs. When we start a scroll we never know how it will develop and end.

Toward a poetry and poetics of the Americas' (3)

23 verses from Sousândrade's 'Wall Street Inferno'

Translation from Portuguese by Odile Cisneros

[Along with Whitman & Darío, Sousândrade (Joaquim de Sousa Andrade, 1833-1902) emerges today as one of the great nineteenth-century forerunners to a full-blown poetry of the Americas.  Nearly forgotten after his own time, he was brought back through the enthusiasm of Haroldo & Augusto de Campos, to become, in Latin American terms at least, the epitome of a late experimental romanticism & a prefigurer of new poetries to come.  

Jackson Mac Low: 27th Light Poem, for Jerry (Jerome) Rothenberg (An Essay in Poetics) 10-11 October 1969, 19 May 1970, & 20 January-25 February 1975 (first publication)

Jerome Rothenberg & Jackson Mac Low with Charlie Morrow at center
Jerome Rothenberg & Jackson Mac Low with Charlie Morrow at center



A      B      C      D      E      F      G      H      I      J      K      L      M      N      O
1       2       3      4      5      6       7      8      9     10    11    12    13     14    15

P      Q      R      S       T      U      V      W      X      Y      Z
16   17    18     19    20    21     22     23     24    25   26 

J-10, E-5, R-18, Y-25 = “EE” – 2 + 5 = E-7;

R-18, O-15, T-20, = K-20, H-8 = S-8, E-5, N-14, B-2, E-5,

R-18, G-7