Jerome Rothenberg

Stuart Cooke

A poem with commentary from 'Lyre,' 2019

Lyre is a collection of poems that attempts to translate more-than-human worlds into different kinds of poetry. As much as my encounter with each animal, plant, and landform produced differences of syntax and vocabulary across the poems, I also wanted to allow the subject to unsettle poetic form itself. In other words, it wasn’t enough just to describe the different worlds or unwelten of these different beings; as nonhuman lives were being translated into human poetry, human poetry also needed to undergo some kind of translation into something else.

author’s note

Email to Jerome Rothenberg

NoteThis text is excerpted from an email sent to Jerome Rothenberg in January 2011. — David Grundy 

Black oral poetry in America

An open letter

Note: The following open letter was originally published in Jerome Rothenberg and Dennis Tedlock’s journal of ethnopoetics, Alcheringa, no. 3 (Winter 1971): 94–95 (a facsimile is available online at Independent Voices). The immediate occasion was a statement made by Ted Wilentz, Weatherly’s coeditor for the Natural Process anthology, in his introduction to that volume. 

Note: The following open letter was originally published in Jerome Rothenberg and Dennis Tedlock’s journal of ethnopoetics, Alcheringa, no. 3 (Winter 1971): 94–95 (a facsimile is available online at Independent Voices).

John Bloomberg-Rissman

from 'With the Noose Around My Neck,' 139, a poem and multivocal collage in progress

[EDITOR’S NOTE: The following is a further installment of John Bloomberg-Rissman’s ongoing collage epic, composed, as with much of his writing, (almost) entirely from words or sounds appropriated from other writers.

Jeffrey C. Robinson

Remaking the world: Poetry of the Homeless Library

[AUTHOR’S NOTE: The Homeless Library (2014–17) is “the first history of British homelessness. A collection of books handmade by homeless people, reflecting on their lives and how they connect with the wider, previously unwritten heritage of homelessness. The books describe lived experience in interviews, poetry, art.” It was created by poet Philip Davenport and artist Lois Blackburn under their experimental arts organization arthur+martha, based in Manchester, UK.

Toward a poetry and poetics of the Americas (21)

'Lord' Timothy Dexter (1748–1806)

from A PICKLE FOR THE KNOWING ONES; OR PLAIN TRUTHS IN A HOMESPUN DRESS (1848)

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Toward a poetry and poetics of the Americas (20)

Joanna Kitchel, El Niño Fidencio, and Essie Parrish

[In putting together a transnational and historical anthology of the Americas North and South (now in progress), Javier Taboada and I are looking also at founders and representatives of new or revived American-based religions, who speak and write in forms of prophetic and visionary language that resembles what we otherwise would think of as open-verse poetry. In the present instance the outsider poets on display are Joanna Kitchel, a follower of Mother Anne Lee and the Society of Believers in Christ’s Second Coming (a.k.a. Shakers); El Niño Fidencio (Fidencio Constantino Síntora), a mid–twentieth-century healer and cult figure from Mexico; and Essie Parrish, cofounder of the Pomo Indian “dreamer religion” of California. The images above are of Fidencio and Parrish. (J.R.)]

[In putting together a transnational and historical anthology of the Americas North and South (now in progress), Javier Taboada and I are looking also at founders and representatives of new or revived American-based religions, who speak and write in forms of prophetic and visionary language that resembles what we otherwise would think of as open-verse poetry. In the present instance the outsider poets on display are Joanna Kitchel, a follower of Mother Anne Lee and the Society of Believers in Christ’s Second Coming (a.k.a.

Peter Valente

Introduction and translation of Nerval's essay 'Le Diable Rouge'

[With the help of Henri Delaage (a well-known figure in the nineteenth century among the “initiated” in Paris) and some illustrators (including the famous Nadar, who was a designer before becoming a photographer), Gerard de Nerval composed the journal Le Diable Rouge, which was meant to be a “Cabalistic Almanac for 1850.” Le Diable Rouge inaugurated Nerval’s “Republican” period, the one that would see him, in 1850, publishing in Le National, the great daily organ of the Left.

Hiromi Itō and Jeffrey Angles

'Birthing the World,' from the Kojiki

A portion of 'Izanami and Izanagi Creating the Japanese Islands' by Kobayashi Eitaku, mid-1880s, ink and color on silk, 49 5/8 x 21 1/2" (126 x 54.6 cm), Museum of Fine Arts, Boston.

[The Kojiki (Record of Ancient Matters) is the oldest chronicle ever produced in Japan, compiled in the years 711–12 CE by the court noble Ō no Yasumaro at the request of the Empress Genmei, who reigned 707 to 715 CE. It begins with the creation of the world, describing the actions of the gods and goddesses as they create the earth and society, then it connects these myths to the earliest history of the Japanese nation. Among the most important of these stories is the tale of Izanami and Izanagi, the first gods to descend to earth.

India Radfar

Five opening poems, with foreword, from a booklength poem called 'Far'

FOREWORD

 

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