Charles Bernstein

Weak Links: Introduction to Hannah Weiner's WEEKS

First edition  of Weeks published by Xexoxial Editions in 1990, with photos by Barbara Rosenthal, and my introducton.

Full text from Xexoxial

Robert Grenier, "Language Objects: Letters in Space, 1970 - 2013" at Southfirst Gallery, Brooklyn

Robert Grenier, #2 from Four Poems / February 2004 (MOON/IT'S/THE/RE).
Giclée print on Photo Rag Paper, 23 3/8" x 17 1/2" ed. 1/10

May 18 – June 30, 2013
Reception for (& presentation by) the artist, Sunday, 19 May 4 - 6 PM

Al Filreis named Chronicle of Higher Ed top 10 tech innovators

Making His MOOC an 'Outreach for Poetry'

By Steve Kolowich
Chronicle of Higher Education, April 29, 2013

Teaching students how to read and analyze experimental poetry can be hard enough in a small seminar class. Leading the same class in an online classroom of 36,000 far-flung learners might strike some as a fool's errand.

Al Filreis, a 57-year-old professor of English at the University of Pennsylvania, disagrees. Many believe that massive open online courses are more suitable for teaching mathematics and hard sciences, ruled as they are by laws, formulas, and right-or-wrong answers.

But Mr. Filreis, an early pioneer of MOOCs in the humanities, believes the MOOC format is in many ways ideal for his course, "Modern & Contemporary American Poetry." In fact, he thinks the MOOC version of his course is just as academically rigorous as the classroom version he has taught for 25 years.

THE INNOVATOR: Al Filreis, U. of Pennsylvania

THE BIG IDEA: MOOCs can bring humanities courses to the masses.

The key, he says, is being willing to get your hands dirty.

Berrigan's Sonnets and Ashbery/Brainard's Vermont Notebook, in French translation

f0r previews:  click on the cover images of Berrigan and Ashbery/Brainard
that appear after book descriptions.

Lytle Shaw's Fieldworks from UAlabama Press -- with discounts galore

 

Celebrating the Publication of Lytle Shaw's
Fieldworks

Fieldworks

Lytle Shaw
6 x 9 * 304 pages

Fieldworks offers a historical account of the social, rhetorical, and material attempts to ground art and poetry in the physicality of a site.