Charles Bernstein

Waring Cuney, No Images as sung by Nina Simone

Waring Cuney (1906-1976)

No Images

She does not know
her beauty,
she thinks her brown body
has no glory.

If she could dance
naked
under palm trees
and see her image in the river,
she would know.


But there are no palm trees
on the street,
and dish water gives back
no images.

(1926)

Zeyar Lynn reading his poems on Close Listening

Zeyar Lynn's second show on Close Listening, in which he reads his poems, in both Burmese and English, from Bones Will Crow, ed. James Byrne and ko-ko thet (Northern Illinois University Press, 2013) -- the new anthology of Burmese poetry. He also discusses his work, the situation for poetry in Myanmar, and his influences with host Charles Bernstein. Zeyar Lynn reads "My History Is Not Mine" (first in Burmese then in English), "The Way of the Beards" (English/Burmese),  "Slide Show" (English/Burmese) and "Sling Bag" (English/Burmese).

Richard Hyland on Vachel Lindsay's "The Congo"

It’s virtually the centennial of Vachel Lindsay’s The Congo (1912, published 1914). But the poem has gone through hard times. Despite its enormous initial popularity, Lindsay’s poem has become an embarrassment. Its overt racist imagery has put it under erasure: little taught and little anthologized.  Still, a recitation of the poem appears, without any indication of the controversy, in Peter Weir’s Dead Poets Society. And Lindsay is surely a precursor to a range of performance poetry. PennSound made available a recording of Lindsay reading the poem on our Lindsay page. The Library of America includes the poem in volume one of their great anthology of modernist American poetry (see my 2000 conversation with LOA editor Geoffrey O’Brien).  Al Filreis recorded a Poem Talk on the poem — with A.L. Nielsen, Michelle Taransky, and me. Our interest is not to put a happy spin on the poem but rather to see what the poem can tell us about American racsim, including the racism of a poet of the left like Lindsay, who was far more supportive of the rigths of African-Americans than most of his  contemporaries.

Segue @ Zinc Bar / NY Fall 2013 calendar

this just in from James Sherry ––
Since 1978 our iconic series, started by Ted Greenwald and Charles Bernstein, has presented innovative writers from around the world. Do come to the Zinc Bar Saturdays from 4:30-6:30 starting October 5, 2013. We look forward to hosting the best new writers and to seeing you there.

curators - genji amino and daisy atterbury oct-nov - judah rubin and shiv kotecha dec-jan

[See early Ear Inn fliers, the fist site of Segue series, and listen to the recordings from the series at PennSound]