American Studies Center, University of Warsaw: “The Pitch of Poetry: Moral Perfectionism, Occupy Wall Street, and the Poetics of Holocaust Representation” (27 November 2014) from Pitch of Poetry (University of Chicago Press, 2016)
Bill Berkson in conversation with Charles Bernstein on Close Listening (36:56): MP3 Berkson in conversation with Bernstein undergraduate seminar (34:49): MP3
February 10, 2014, University of Pennsylvania; recorded and edited by Bernstein. Bill Berkson discusses unprincipled poetry, vulgar beauty, the poetics of surface, the emergence of the New American Poetry, the trap of being too serious, and the possibilities of the unexpected.
The Testimonies of Russian and American Postmodern Poetry: Reference, Trauma, and History (Bloomsbury, 2014) is divided in half. The first part looks at 1970s/1980s Russian (Moscow) conceptual poetry and poetics, focussing on Dmitry Prigov and Lev Rubinstein (Rubinshtein) but also on the "meta-realists" Elena Schvarts and Alexi Parschikov (Arkadii Dragomoschenko is a key poet for this context, though not a main subject here). Artists Grisha Bruskin and Ilya Kabakov are also main subjects. The second part of the book makes an between both Moscow conceptualism and St. Petersburg metarealist poetry and the 1970s/1980s poetry/poetics associated with L=A=N=G=U=A=G=E. Lutzkanova-Vassileva offers detailed readings of Bob Perelman, Bruce Andrews Steve McCaffery, David Melnick, Ron Silliman, as well as my work. Lutzkanova-Vassileva also traces the connection to the Russian futurists (Shklovsky, Khelbinikov, Kruchenykh).