“What is important in a text is not what it means, but what it does and incites to do. What it does: the charge of affect it contains and transmits. What it incites to do: the metamorphoses of this potential energy into other things – other texts, but also other paintings, photographs, film sequences, political actions, decisions, erotic inspirations, acts of insubordination, economic initiatives, etc.” (Jean-François Lyotard, Driftworks)

Might the book be the grounds for a poetic event, an event that not only extends outside of its pages, but an event that exists, or is folded, between the book object and another medium, space, action, technological interface? Might we then say that the poetry being written is neither in the book, nor in that other space, but in the fold between? “Folding-unfolding no longer simply means tension-release, contraction-dilation, but enveloping-developing, involution-evolution.” (Gilles Deleuze, The Fold: Leibniz and the Baroque)