Christina Olivares

By this author

The delight of this work

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Recent posts

Charles Bernstein

Topsy-Turvy
Charles Bernstein: The Poetry of Idiomatic Insistences: A special issue of boundary 2

Content's Dream': Essays 1975–1984 — digital edition
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full list of Jacket2 posts, reverse chronlogy, on right, scroll down

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Echologs: After the poetry match in Virgil’s Eclogues, III.

Eco in Italia (Italian Echo): Audio/video of Italian trip
Poets Letteri in Solidarity with Jailed Iranian Poets
Wake Forest University Reading Oct. 25 (video)
Russian Anthology of New American Poetry
Close Listening conversation with Will Alexander transcribed
MoMA Mia: A video conversation with Amit Chaudhuri
Poem-A-Day, Poem-A-Day, Jiggety Zam: The Academy of American Poets Keeps Poetry Safe from Poetry (b20)
In a Restless World Like This Is
Solidarity with the Iranian struggle for freedom
Will Alexander: Blazing
Paul Auster discusses Stephen Crane with Bernstein: Auster's new book, Burning Boy
This is inaudible: video talk on audiobooks
Joris discusses & reads Rushdie's Satanic Verses
Etel Adnan (1925–2021)

Régis Bonvicino: in his own words
Bernstein and Olsen at Artists Space: videos: Segue Series, Nov. 20, 2021

Bill Keith: EPC page

Neeli Cherkovski, Bernstein, & Paul Vangelisti in conversation (video): Three alte kackers on books and late work

Conversations with Bengali poets

Andrew Schelling

Four new poems for & after Vidyā, with a note on landscape & translation

Jerome Rothenberg

Cold Stone Wheel

Fate has kneaded my heart, dear friend,

like a clod

of shapeless clay

placed it on the cold stone wheel —

set it to spin with bamboo staff —

again again

around again

'Make absence more conspicuous'

In conversation with Celina Su

Honora Spicer

Orange, White and Black curved abstract shapes on the square cover of 'Landia.'

“If the forbidden cityscape is corporeal, then it is a proper burial, the entrails of the buildings devouring themselves with a vengeance” (Celina Su, “Seeing Like a State,” in Landia)

This commentary was written in collaboration with Tatiana Rodriguez and Adam Heywood, research fellows through the EPCC-UTEP Mellon Humanities Collaborative, when we gathered in conversation with Celina Su in February 2022.

We were drawn towards Celina Su’s Landia for what it could show us about paying attention and making present urban disappearances.