Lyn Hejinian in Berkeley. Photo by Jennifer Scappettone.
In the days after Lyn Hejinian’s passing, her students and friends reached out to each other, texted messages of disbelief and grief, and gathered in different ways, near and far, to read her work and to collectively express what Lyn means to us. This feature is itself such a gathering.
This portfolio brings together writing by Peruvian poet Roger Santiváñez’s beginning in the mid-1980s and into the early 1990s, or from his book Homenaje para iniciados to his 1991 book Symbol.
In a recording of a performance from Clemente Padín’s archives described by Jill Kuhnheim, Padín reads a poem to a group of schoolchildren until he reaches the line “‘este verso debe repetirse’ [this line should be repeated].” Taking his own words as instruction, Padín closes the gap between the text of the poem and its performance, repeating the words again and again until one of the children exclaims “‘este verso debe culminar’ [this line should finish].” Rather than an interruption of a prescripted performance, the playful, improvisatory response of the child perfectly completes Padín’s poem.
So, which Côte d’Ivoire? Yet, even that designation is not so stable — leftist nationalists of the recent wars often proclaim, not Côte d’Ivoire, but the state of Éburnie; Éburnie is proposed as a change to the country name, a change that would help move the country further from the status of residual French colony or international resource extraction zone. And as the country split during the civil wars, rebels in the north referred to a Republic of the North. So, who is an Ivorian poet?
Asked about his conception of poetry in a 2001 interview with Spanish poet and translator Emilio Araúxo, Afrizal Malna wrote, “Poetry doesn’t live in itself. Poetry lives in the reader who is open to their own memories, their various private and social experiences. Everything that we consider fixed in its position, through the semiotic play of poetry, can attain new correspondences. Those positions open wide and defy us to join them together with fresh contrasts and combinations.”
