Jerome Rothenberg

Poems and poetics

James C. Hopkins & Yoko Danno: From 'Scrolls,' an experimental work in progress (installment two)

[AUTHOR'S NOTE.  Scrolls is a new “experimental” collaboration in progress by James C. Hopkins in Kathmandu and Yoko Danno in Kobe.  One of us writes the first half of a sentence and the other follows up with the rest of the sentence. The latter begins the next sentence and drops it halfway, which is taken over by the former. Writing thus in turn we draw “picture scrolls” with words. There is no rule except that a scroll should consist of five paragraphs. When we start a scroll we never know how it will develop and end.

'Toward a Poetry & Poetics of the Americas' (3): 23 verses from Sousândrade’s 'Wall Street Inferno'

Translation from Portuguese by Odile Cisneros

[Along with Whitman & Darío, Sousândrade (Joaquim de Sousa Andrade, 1833-1902) emerges today as one of the great nineteenth-century forerunners to a full-blown poetry of the Americas.  Nearly forgotten after his own time, he was brought back through the enthusiasm of Haroldo & Augusto de Campos, to become, in Latin American terms at least, the epitome of a late experimental romanticism & a prefigurer of new poetries to come.  

Jackson Mac Low: 27th Light Poem, for Jerry (Jerome) Rothenberg (An Essay in Poetics) 10-11 October 1969, 19 May 1970, & 20 January-25 February 1975 (first publication)

Jerome Rothenberg & Jackson Mac Low with Charlie Morrow at center
Jerome Rothenberg & Jackson Mac Low with Charlie Morrow at center



A      B      C      D      E      F      G      H      I      J      K      L      M      N      O
1       2       3      4      5      6       7      8      9     10    11    12    13     14    15

P      Q      R      S       T      U      V      W      X      Y      Z
16   17    18     19    20    21     22     23     24    25   26 

J-10, E-5, R-18, Y-25 = “EE” – 2 + 5 = E-7;

R-18, O-15, T-20, = K-20, H-8 = S-8, E-5, N-14, B-2, E-5,

R-18, G-7

Thomas Meyer — From the Beowulf translation: 'Fit Nine'

Portrait drawing of Thomas Meyer by David Hockney
Portrait drawing of Thomas Meyer by David Hockney

[NOTE.  After two years in public view (the project goes back some forty years before that), Thomas Meyer’s translation/transcreation of the Beowulf poem stands out as an extraordinary example of the transposition of a major poem from one language or epoch to another.  It’s my contention further that translation, as here, can serve as a form of composition, to make a new work in which the presence of the old is a necessary underpinning or shadow, as in the words of Gertrude Stein, rather than Pound in this instance: “As it is old it is new, and as it is new it is old, but now [she adds] we have come to be in our own way, which is a completely different way.”

Stanley Diamond: PRIMITIVE, the critical term (redux)

[In the first & heady days of ethnopoetics I was led by Gary Snyder into a close association with the anthropologist Stanley Diamond, a covert poet & a major thinker on the limits & pitfalls of civilization as a state of mind & of governance.  For Diamond, while we all recognized its inadequacy, the term “primitive” remained the defining & necessary counterproposition “to understanding,” as he put it, “our contemporary pathology and possibilities.”  For me at that time the two key essays in his oeuvre were “In Search of the Primitiv