Seeds Sown for John Taggart
Object: A group composition to be distributed in time and space &
Rationale: “there are things to do together and things to do by ourselves”
Players: nine poets gathered in a workshop reading Is Music
Melody: Cantus Firmus: a motif, a melodic pattern or refrain line, over which changes occur:
“to un-name the beasts throw out the name of money”
“to rise and speak a green remonstrance”
“to stain within the definition of silence”
“to join a diversified assembly”
“the voice alone is company but not enough”
“you were waiting alone in the room for the train”
“bitter search and ironic chatter it began where the other had left off”
Harmony: “an additive structure of new vocabulary”
Eye: “there is an eye demand … one of the functions of this unresting cadence is to defeat the silent reading eye”
Line: “a relatively long line that moves by a continuously recurring but not repeating cadence” & Length: a roving poem of 12–16 lines
Openings: “the poem must contain a perceptible pattern of openings, composed silences”
Analogy: “the model ought not to be the ecstatically still saint, but the moved dancer … & thus I am drawn to the poem as a woven scarf with many openings through which light enters”
Theme: to speak against “falling silent” (Celan): “… there can be no doubt. The question is how the poem is to be returned to enacted speech.” & “there will have to be responsibility to a community which, in part, the poet has helped come into existence”
Goal: “the goal still remains transformation”
— all quotations taken from John Taggart, Peace on Earth (Berkeley: Turtle Island Foudation, 1981) and “Dance,” Songs of Degrees: Essays on Contemporary Poetry and Poetics (Tuscaloosa: University of Alabama Press, 1994).
Seeds Sown for John Taggart
To un-name the beasts throw out
the name of money
the man of power
to stain within
the definition, the definition
of silence
the man of power
that rests
you were waiting alone
in the room for the train
the definition
the proposition through silence
the man of power
that rests
the man of power
/ Lincoln Greenhaw
You were the you waiting alone in the room
for the train. Look how plurality has made you
inside of you. Your space is new;
never seen this you before. You
joined a diversified assembly of skin,
called it room.
/ Mickey Kenney
The voice alone is company but not enough
and you must stop it being quite so poorly-conceived
to un-name the beasts throw out the name of money
without the anchor of company, of money the voice
alone the voice is not quite enough but money
to un- the name the throwing of the anchor, the beasts
you must, to quite to stop their poor-conceiving accompany
their voice, company if it’s alone if it’s a beast if alone
but not quite alone, if it’s money but not company an anchor
thrown quite like a beast to pasture and if you money
the quiet voice it’s company enough, if you un- the beast you
stop it, the beast, being un- and conceived poorly the voice
alone the voice is quite enough it must you quiet you
must the voice you anchor, un-company un-moneyed
/ Kaelyn Riley
you are waiting alone in the room for the train
and the waltzing silence of one star’s light
to rise and speak with a green remonstrance
to speak of earth in the silence of stars
is to wait alone in a darkened room to wait
for the waltz to rise and speak out of light
(to speak in green tones)
when the voice alone is company but not enough
you wait in silence to waltz as a rise to speak
with a green remonstrance
alone the train, a waltz
/ Joanna Doxey
the voice alone is company but not enough
you were waiting alone in the room for the train
waiting alone for you the voice in the room
waiting for you alone in the room in the train
the voice alone in the train waiting alone
is not company enough for you alone in the room
it began where the other had left off
waiting for you alone in the train where the other
in the room had left off but not enough
you were waiting for the voice it began
the voice waiting alone for you it began
in the room where the other had left
you alone in the train but not room enough
/ Anamika Dugger
The voice alone is company but not enough
to dispel the silence of ringing and breath and beat
or tide and full eclipse the silence of disappearing
platforms and snow just starting to stain the concrete
dark gray to stain within the definition of silence.
The moon follows in bright silence bound to revolve
and reflect like my eyes in panes or your eyes
when we rise and speak or strain within the definition
of silence. The voice alone company but not
enough to stir of silence oceans or sooth the ringing
one voice doesn’t mask. I saw my breath when Earth hid
its moon you were waiting alone in the room for the train.
/ Rachel Linnea Brown
the name alone a record of money
money the stain of beasts
it began where the other had left off
bitter search ironic chatter the voice
alone is no company not enough
you were waiting alone in the room for the train
the train being not enough unnamed the beasts
of money set down the bank
there is an eye demand a green remonstrance
to stain within definition of silence
a room where the other left off
voice alone is company enough but to join
a diversified assembly to join a room
perceptible pattern of names rise
and speak a green green definition of silence
/ Matthew Cooperman
to stain within the definition of silence
panes ocean panes panes ocean panes
to strain
to see through the rain ocean rain raining
glazing down the sides
to the green moss
too sodden
to rise and speak with a green remonstrance
sift the grassweeds for seeds and space without sound
the round of rain ocean waves rain ocean waves
no waving or wavering in the bitter search and ironic chatter
it began where the other had left off
left a stain
/ Hannah Holler Blair
you were waiting alone in the room for the train
to join a diversified assembly
the voice alone is company but not enough
to join itself in joining itself
in a room was the train and the clock and the bench
and
something itself
was something itself
was what you were
waiting
for waiting
to join a diversified assembly
/ Sarah Louise Pieplow
Edited by Matthew Cooperman