Poems by Amanda Stewart
Emptied Signs
1. the observer
98% junk
98% chimp
70% water
90% unconscious
2. the observed
74% empty space
74% dark energy
22% dark matter (cold hot or warm but dark)
96% dark fluid (4% matter)
3. something amiss
the noise of exchange
recombinant absence
shards of debris
molecular machines
coherence — pale and shining
under a canopy of wars —
silence
4. the observer/observed
a stuttering unconscious primate
makes its way through its darkened emptiness of
holes and black and junk and fluid
order?
contained fear
the bowl the knife the axe the cup
the bomb the pill the patent the code
use becomes the object
which the object forgets
the telescope the eyeglass the camera the gaze
behind before the same landscape appears appears
a bruised twilight loops
once there was a 20th century
and in the beginning
the gaze was stripped bare
in 12 tones and 4’33”
sprays of phonemes
untamed numbers
buildings in code
fort/da at the speed of thought light
falling elsewhere
a cat in a black box
a particle and a wave
reified uncertainty
complementarity
the position of the observer
becomes part of the observed
shattered axioms
collapse and divide reform
the atom the organism the subject the sign
the note the number the symbol the form
newton’s had it
mendel’s back
from peas to bees knees
joyce to stein
a modern ism’s new syntax
a talking cure
a bad tempered scale
from cézanne to bohr
saussure for sure
from flavour charge mass and spin
to SUSY and vibrating strings
pythagoras is?
no membrane magic
the mother master mystery matrix
witten’s wissenschaft
M-theory in 11 dimensions
d-branes p-branes
or something from the swampland
to bring the unsayable
to the said
sunlit multiverses
rise from the debris of repetition
god is
dead?
a market
yes for intelligent design
genetics gets stuck on protein
physics glows in the dark
from G.U.T. to T.O.E.
a priori fait accompli
from flat earth to universe
cold and dark and black unknown
W.I.M.P. or M.A.C.H.O.
R.A.M.B.O. D.U.N.N.O.
the exception meets and remakes the rule
the loop of relation feeds back
into the space of its own absence
the sign empties reforms
propositions dimensions of lack
sliding beneath the horizon of objects
a darkened age?
no just the same night sky
incompleteness
was our only hope
the possible outside the remembered
sign and system spilling at the edge of use
Tautology 11
the relation of assumption to the form of sound
the assumption of relation between sound and form
the relation of sound to the assumption of form
the form of relation and its sound assumption
the sounded relation of form and assumption
the form of sound and its assumed relations
the sounded assumptions in formal relations
the between form of sound in relation to assumption
the between sound of form in assuming relation
between sound, form, relating assumption
the assumption of form sounding relations
Bondi rock pool. 1963.
a line across a plane
a city marked in water and eucalyptus
an efficient takeover
a funnel web enters a sock
and at the edge of sea bondi’s child
all hands and tongue sand in mouth
gathers the movement
of starfish and snails anemone and cuttle
an observer, unable to utter, takes place
a voice, silently present, observes
this child etched in salt and breath,
the child thrown up onto the shore,
the nets thrashing with slow death and light.
Water meadow, Prater, Vienna.
Gruppen? Now?
Yes. Group 23. 20. 15. 14. 11. 12.
a present from the emperor.
a water meadow in squares.
terminals. points of exchange. war.
tight packets of rural bliss
compressed nostalgia
at the edge of kitsch
for what left long ago
remains
“Tautology 11” and a longer version of “Emptied Signs” was published on the Home and Away pages on nzepc.
Edited by Pam Brown