The talking of allfreeflyingbirdshaspersistedwithoutinterruption in the past years in which I frequently changed my residence, and it persists to this day … I would now prefer to use the expression “talking bird” to “miraculously created bird” which is used in the text. Earlier on I thought I could not explain the talking of the birds other than by assuming that they were assuch created by miracle, that is to say were created anew each time. After what I have observed meantime I consider it more likely that they were birds produced by natural reproduction, into whose bodies the remnants of the “forecourts of heaven,” that is to say erstwhile blessed human souls, had been inserted in some supernatural way or were inserted anew each time. But that these souls [nerves] were actually inside the bodies of these birds [perhaps inaddition to the nerves which these birds naturally possess and in any case without awareness of their previous identity] remains as before without any doubt for me for reasons developed in the text.
A novel in which the subject is Paris. A collage novel. A list novel. A novel of various forms of hopefulness and despair.
“We’re moving towards something that does not exist. The voyage is infinite. The passenger is not.” .
Where has Adnan taken the form of the novel, as a poet of many countries and languages? She has chosen place for character. She has chosen Paris, all of Paris. Her gaze penetrates the beauty and limitations. She does not ignore Paris as “the heart of a lingering colonial power.” She has taken the reader not only to the streets of Paris, but to the skies, and to the passing thoughts of the relocated Parisian who writes through circumstances, concerns, observations.
“Some rare evenings, the glow is so strong that pink hue, an after hue, an illumination made of color and fire, seeps between the buildings, these evenings which are an illumination for the whole body, not only the eyes.” .
That no other persons come into focus for more than a moment creates an experimental cinematic sense of the city. We are lured toward not merely a visual surface but a detailed map of luminosities and gravities